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*In process of stocking* On October 31 2015 "MZ.412" and "Trepaneringsritualen" performed two memorable "Rituals" at OEC's label festival the "X Congresso Post Industriale" at Club Kindergarten in Bologna - Italy. Those sounds were fixed into solid and heavy vinyl. Finally here comes the double CD re-edition in 6 panels digipak.
*Tape reissue of previous CD release* 'There is no silence left' is a collection of remixes and reworkings by Mkl Anderson of Drekka, released under various monikers between 1996 and 2012. Contains 13 previously unreleased or rarely heard tracks, including mixes for Aube, lovesliescrushing, Racebannon, Soul-Junk, and many more.
In the swirl of kaleidoscopic recordings that is Spacemen 3's discography, Taking Drugs To Make Music To Take Drugs To occupies a pivotal position – one at the nexus between their garage beginnings and expansionist future. Spacemen 3 capture the inspired spark of mid-'80s psychedelia, offering a distinct variation on high pop through layered feedback, a formidable rhythm section and shining vocals. Taking Drugs features the legendary Northampton demos, which secured the band's first record deal …
2022 Repress 1990's Recurring, the fourth and final studio album by Spacemen 3, is often considered the introduction of two brilliant solo projects (Spectrum and Spiritualized) rather than the work of a functioning band. While Spacemen 3's departing statement surely reveals a deep divide within the S3 camp -- each side of the LP was written by Sonic Boom and Jason Pierce separately and, unlike previous releases, the two do not play on each other's songs -- Recurring maintains a cohesive, dream…
Spacemen 3 began assembling their third album, 1988's Playing With Fire, at perhaps the freest, most confident point in their career. Recording began with the band road-tested and rugged, even amidst the functional volatility that famously motivated their course. The sessions' first offering came in the form of 'Revolution,' a single of heroic Stooges-devotion and the most commercially successful release the group had to date. High expectations for the album were soon exceeded, as Playing With …
"August 1988, Spacemen 3 embark on one of the strangest events in the band's already strange history. Billed as 'An Evening Of Contemporary Sitar Music' (although consciously omitting the sitar), the group would play in the foyer of Watermans Arts Centre in Brentford, Middlesex to a largely unsuspecting and unsympathetic audience waiting to take their seats for Wim Wenders' film Wings Of Desire. Spacemen 3's proceeding set, forty-five minutes of repetitive drone-like guitar riffs, could be seen …
2022 Repress. "Joe McPhee's solo album, Tenor literally changed my life. The recording (one of his first for Hat Hut, in September 1976) displayed his unique ability to integrate unconventional sounds and extended techniques with pure melodicism, and it permanently altered my perspective on what the saxophone could do and what music could be. Nation Time was recorded six years earlier, but ideas regarding the integration of means and methods were already at the forefront of McPhee's approach to …
Módulo 1000 were not messing around when they made 'Não Fale Com Paredes’. It holds its own, not just as a raw, heavy, experimental “Brazilian” psychedelic rock album, but as a raw, heavy, experimental psychedelic rock album, full-stop!
Following the unpublished works of the Ukrainian/Estonian musician Valentina Goncharova, Volume 2 of Shukai’s archival project completes Shukai’s dive into the sound world of an important yet overlooked artist working within Soviet era electroacoustics.
*50 copies limited edition. In process of stocking* One can be a discontent – that is, an insurgent or a revolutionary – but there is also that more literal, personal meaning of the word which may be in most cases equally applicable to those to which we refer here and, in either case, there is a sort of disruption implicit, as in a hypnopompic state.» A non–linear mix by Michael Anderson / Drekka, with portrait interludes by Mark Trecka. Performed and mixed live 21 October 2015 at The Artifex Gu…
*50 copies limited edition. In process of stocking* Originally released as a double cassette boxset in March 2021, reissued as a single cassette. A long distance, cross continental collaboration between Lightning White Bison (Adam Parks of Timber Rattle) and Drekka, recorded 2018 - 2020. "Prairie spells, a ribbon wove" is the outcome of a long-distance collaboration. The four 11-minute tracks are a sonic document of the exploration and reconciliation of geographic disparity, the distance betwee…
*50 copies limited edition. In process of stocking* "Drekka’s contribution, "Songs of Reunion" is comprised of two 18-minute sound palindromes sourced from Anderson’s archive of ensemble recordings made in the early 2000s. Anderson says that these sound pieces are an expression of his “love for drone and gathering together players to meditate on one idea for extended durations of time.” These pieces are meditations on recurrence and thought as sound. It is a sonic wax and wane, an endless, minut…
*50 copies limited edition. In process of stocking* This album was originally released on Digitalis Industries as a beautiful cassette in an edition of 80 copies, in November 2009. It is a collection of live recordings made at the opening of a sculpture/film installation by my friend Andrew Perry Davis, entitled 'Clan of the Cave Mouse' . Accompanying the sculptures was a 12 minute film by Andrew and Nathan Vollmar and for the opening reception, Drekka performed a series of 12 evolving soundtrac…
*2022 stock* Canadian rarity from 1968, recorded under the influence of hallucinogenic substances by a bunch of underground musicians: Michel Pagliaro, Tony Roman, Denis Lepage and Andy Shorter. The album consists of just one long freak-out jam divided in two sides: raw basement sound, acid guitar, stoned vocals, keyboards and loud drums, similar to early Soft Machine, Pink Floyd at their most free-form phase, or Can. Newly-remastered sound, insert with photos and liner notes.
*2022 stock* Oregon's fathers of freak-folk/folk psych pioneers The Tree People have, incredibly, made another album once again. Responsible for two awesome works in the late '70s and early '80s, here they are now with a new album and they sound exactly as they did 30 years ago. This could be their best work ever. Mellow, tender freak-folk with acoustic guitar, double bass, recorder, flute and percussion. Eleven new tracks, plus a new version of "Space Heater" from their 1979 debut. Includes a b…
Having never been released on vinyl before, Terza Ipotesi Su Un Caso Di Perfetta Strategia Criminale. Music remains even more obscure than the film itself. The backdrop to an Italian exploration thriller, Terza…. Follows in the path of other Italian films from the period with funky and jazzy lounge sounds that scream psychedelic 60’s. Limited to 500 copies total, this will surely be a collectors item in the future.
*2022 stock* Taking in a range of styles, the album illustrates Al-Munzer’s skill in composition and arrangement that saw him become one of the busiest arrangers of Lebanon’s 1980s pop scene. The record goes deeper into the Western rhythm Al-Munzer explored at the beginning of his career and brought to his Middle Eastern fusion productions, with the synthesizer still taking centre stage, and the electric guitar, bass and drums ever more present.
When Al-Munzer entered Copenhagen’s Sun Studio in …
Edition of 500. ‘A Late Lunch’ is the soundtrack to Akiko Iimura’s eponymous movie realized in 1978. It is based on acoustic instruments and field recordings, brilliantly reconfigured and mixed by Jaques Bekaert to create a surreal, immersive soundscape. The technique used includes superposition and speed change of recordings, radical sound effects and juxtaposition of sounds. The players were prominent musicians of the 1970’s, including Maggi Payne, George Lewis, David Rosenboom and Blue Gene T…
*2022 stock* Masayuki Takayanagi, who has a free jazz pioneer, gives his answer to the turbulent 1970s. His homage to Tristano-Konitz, a return to his roots, is a ritual to reach new heights for a new era." - Koki Hanawa
2022 Repress Very often, the greatest artists just don’t fit. They stand out there on their own, and fall in strange, unexpected zones, often occupied only by themselves. This is was certainly the case for the American harpist, Gail Laughton, who’s lone, the 1969 LP, Harps of the Ancient Temples - long championed and hunted by record collectors - is finally receiving the vinyl reissue treatment after roughly a half century out of print. A truly stunning and visionary piece of work with almost no…