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In 2009, Klaus D. Mueller and Schulze began releasing La Vie Electronique ("The Electronic Life"), a series of three-CD sets that reissued all the material previously released in these long-deleted box sets, plus a few unreleased tracks, with all the material put back in chronological sequence (the Edition sets mixed things up, time line-wise). Volume 1 covers the years 1968-1972 and is mainly very interesting. One highlight is "I Was Dreaming I Was Awake and Then I Woke Up and Found Myself Asle…
Einstürzende Neubauten pushes the industrial humor to new creative peaks; taking a genre of music only meant to offend and confuse people into even more ***ed up territories. The music is surprisingly tragic, strangely moving, and is an experience that can only be called 'artistic'.
Remastered vinyl reissue of this 1990 Bill Laswell / Richard Horowitz production of local Gnawa musicians, recorded in the Medina of Marrakesh. According to Allmusic.com "a must for fans of both African and Middle Eastern music” and voted one of the "10 essential Gnawa albums” by Songlines. The Gnawa are an ethnic minorityin today’s Morocco, descendents of slaves from West Africa who were brought to Morocco in the 16th century and who (although they quickly converted to Islam) nevertheless broug…
For the first time ever this 27 track double album collects all of their singles on Red Rhino and Beggars Banquet/Situation Two. A mandatory compilation that also includes the bonus 7 inch originally appeared on the first ltd version of the 1986 album ‘Paint Your Wagon’ (Paint Your Wagon/More Jipp), an alternative and harder rendition of ‘Beating My Head’ (originally appeared o the Ep ‘This Today’) and ‘Russia’ from the 1984 Ep ‘Hollow Eyes’. Red Lorry Yellow Lorry were one of the most successf…
Such an elusive British artist, Christine Harwood was sailing the sea of lone folk singers with a sole album of rare beauty. Released in 1970 on small british label Birth, Nice To Meet Miss Christine is still an exercise in pure beauty, a dramatic/magic affair that materialized into thin air and suddenly was gone. Featuring a who’s who of the british prog and psych-folk scene – the late King Crimson alumni Ian McDonald on sax and flute, drummer extraordinaire Pete York, Nucleus and Jody Grind …
180gr. solid pink vinyl edition. “L’assoluto naturale” is a 1969 film based on the eponymous novel by Goffredo Parise and directed by Mauro Bolognini, whose many movies have been scored by Ennio Morricone; the two leading actors are Sylva Koscina and Laurence Harvey.
The film falls in the bourgeois sentimental drama category, which was very popular in those years – lead by the well known “Metti, una sera a cena”; its soundtrack that blends classical, jazz, pop and lounge music in various reworks…
Marc Romboy deploys his first new material in eight years with the classically computed electronic wizardry of Voyage de la planete. Filtering a vision of abstract synthesis with a well-trained ear for melody, Voyage de la planete's ten tracks brilliantly cross the borders of downtempo-tronica' with a fizzing melodic structure that is sure to place it at the front of the listening habits of everyone from deep house heads to the abstract jazz enthusiasts.
Synthesizer king J.B. Banfi, a.k.a. Giuseppe 'Baffo' Banfi, hit the record market with the great italian prog rock outfit Biglietto per l'Inferno who released a legendary LP in 1974 on Trident and have been reivindicated in several occasions since with the release of lost recordings from the era as well as unearthing an unreleased 1974 live album. The band existed between 1972 and 1975, and had both Pilly Cossa on Hammond doing the virtuoso work and Baffo's keyboard explorations adding sound tex…
Another incredibly original album from the Solar/Rozenblit catalogue, this features the fabulous trio of Lula Cortes, Marconi Notaro and Ramalho. With Lula Cortes at the controls, writing, playing and illustrating the album cover. Soon after recording the classic album ‘Satwa’ (MRBLP083), Lula was back in the same Recife studio with his friend, the cult poet and writer Marconi Notaro to lay down another equally magical album.
This joyous masterpiece stands musically somewhere between the Lula Co…
Acoustic Sounds Series edition Karma is a jazz recording by the American tenor saxophonist Pharoah Sanders, released in May 1969 on the Impulse! label. A pioneering work of the "spiritual jazz" style, it has become Sanders' most popular and critically acclaimed album. It is among a number of spiritually-themed albums released on the Impulse! label in the late 1960s/early 1970s. The album's main piece is the 32-minute-long "The Creator Has a Master Plan," co-composed by Sanders with vocalist Leo…
** Edition of 500 copies with a numbered 4-page insert ** Previously released in 1980 on David Toop’s Quartz label at a time when improvised music in London was settling into a long spell of excellence. The players here are Steve Beresford, Peter Cusack, Terry Day and David Toop. Terry had been a member of The People Band in the 60s, one of the groups forming part of the first wave of British improvisation. The rest of the group could be regarded as pioneers of a second generation of improvisers…
Finally available again, this rare Italian prog classic! New Trolls Atomic System were an offshoot of the New Trolls, one of Italy's best-known progressive outfits. A messy split between the two main members lead to an uneasy compromise where the splinter faction were known as 'N.T. Atomic System', although initial copies of the album had a sticker on the front with the full name... While the New Trolls were sporadically good, New Trolls Atomic System is a stormer of an album, radiating energy, …
** Limited edition black vinyl 180 gr. ** Tempi Dispari is a live album from 1974 by the Atomic System variation, a line up formed by guitarist Vittorio DeScalzi after three members left to form what would end up being Ibis. DeScalzi is aided by future Nova keyboards player Renato Rosset, who influences this variation in a more jazzy oriented way than any other New Trolls incarnation. Two side-long suites (including a theme from Concerto Grosso 1) of excellent and innovative music, reminding me…
180gr. clear purple vinyl. “Contamination” was released in 1980 as a soundtrack for the eponymous horror/science fiction film, during what probably was the most prolific period in Goblin’s career, even if the band had already been abandoned by guitarist Massimo Morante and keyboardist Claudio Simonetti. Unkonwn by most listeners, it’s a release that deserves more attention, since it shows a wide range of music styles (Jazz, funk, rock, electronic) and once again Goblin’s ability in writing film …
Thanks to the brilliant debut “Night of the Living Dead” (1968), director and screenwriter George Romero is considered the creator of the ‘modern zombie’, a metaphor for the profoundly consumerist and capitalist society we live in, that was perfectly shown years later in “Dawn of the Dead” (1978); this movie was distributed in Italy as “Zombi”, with a different editing made by Dario Argento and a soundtrack once again composed by legendary Goblin.
“Zombi” is a very varied album where the electr…
Limited edition on 180gr. clear purple vinyl. “Buio Omega”, two short and simple words that, in the mind of Goblin’s fans as well as in the horror/splatter movies fanatics’ one, recall sounds and images of a legendary film. Directed in 1979 by Joe D’Amato, it still impresses with the rawness and morbidity of its scenes, the trademark of a director who, much more than others, befits the term ‘extreme’.
The soundtrack of the film, whose main ingredients are keyboards and synthesizers, swings among…
Animist Pools was released July 1, 2016 in a cassette limited edition on Human Pitch records. Originally released as "Hippies Wearing Muzzles", pseudonym of Lee Evans. This is a limited vinyl edition of this amazing record of ambient. "A shifting center in a stream of rippling analog tones, the music of Hippies Wearing Muzzles is orchestrated to transfix, echoing sounds heard in nature with modular synthesizers and the powerful element of chance. Evoking the Fourth World Music of Jon Hassel or t…
*Restored and remastered from the original tapes* "My task is to allow the listener to penetrate deeper into the music. The music is wholly improvisational. It has no concept in the rational sense of the word. It’s concept is purely intuitive. It presumes The Law of Analogies: “As above so below. Man is the same as the Universe. The Universe is the same as Man.” ("Emerald Tablet” by Hermes Trismegistus"). This intuition is a kind of rephrased logic which uses many more symbols which contain not …
'Morton Feldman has proved one of the 20th century’s most influential composers. Yet he remains one of its most enigmatic, and his late works retain an aura of mystery steeped with the grandeur, anxiety and quietly changing colour he adored in abstract expressionist painting and, latterly, Anatolian rug design. Patterns in a Chromatic Field (1981) is perhaps the most rhythmically active of these famously long, static pieces, which showed his increasing preoccupation with matters of form, scale a…