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* Limited edition 180 gram solid orange coloured vinyl. 2020 Stock * This 1961 Impulse album was particularly notable for Coltrane’s use of the ex- panded sound provided by a ‘big band’ with trumpets, trombone, baritone sax, Eric Dolphy’s bass clarinet and flute, and (most unusually) French horns, euphonium and tuba. Overlaying this backing is one of Coltrane’s great quartets with Messrs. Tyner (who, with Dolphy, did the arranging), Workman and Jones. The album’s centrepiece is the extended Colt…
**Edition of 431 copies** Alga Marghen in collaboration with Expanded Media Editions is proud to present the final issue of “Soft Need”, a publication centered on the work of William Burroughs and expanding its deep influences into contemporary consciousness.
Founded in 1973 as a reaction to the aftermath of a three weeks’ stay across Xmas and New Year’s with Brion Gysin and Burroughs by their confidant Udo Breger, “Soft Need“ had its roots in the underground press of the previous two decades a…
This new release from Lovely Music features Robert Ashley's famous ensemble, the "band" who interpreted his work for 20 years, from 1992 through 2012. They included Sam Ashley, Thomas Buckner, Marghreta Cordero, Tom Hamilton, Jacqueline Humbert, Joan La Barbara, and Amy X Neuburg. This recording was made at the Hebbel Theater, Berlin on May 12, 1995. The opera was also heard live at the Festival d'Avignon, the Brooklyn Academy of Music, Musica Strasbourg, and Site Santa Fe. Foreign Experiences i…
Edition of 500. "Here is the first volume of protean solo improvisations recorded by Loren Connors in his artist's garret in New Haven, Connecticut. It was committed to tape on February 20, 1979 and pressed to vinyl soon after. As with the two earlier LPs on Loren's Daggett label, singer/recorder-player Kath Bloom also appears on this record, although only on the second side. Those prior LPs were both issued in 1978, The first was Acoustic Guitar/Gifts a split LP with Loren solo on one side and …
Vampisoul present a reissue of Jaime & Nair's self-titled album, originally released in 1974. Loaded with an exquisite quality, marked by all good aspects the Brazilian popular music of the '70s, and obscure as hell, the self-titled debut by the duo Jaime & Nair is a revelation of all sorts. Recorded in 1974, when the artists had just turned 22, the album was released on CID a company that -- at that same moment -- had signed other important musicians like Nana Caymmi and Emílio Santiago. Outsid…
In the late '70s, The Avengers established themselves as one of the US's preeminent punk bands. Fusing incisive guitar hooks, explosive rhythms and adolescent venom, the group forged some of the most in-your-face songs of the era. Their live shows were legendary, playing up and down the West Coast and even blowing Sex Pistols off the stage at the latter's final performance. As Byron Coley writes in the liner notes, 'Of the best bands of San Francisco's first wave in 1977, The Avengers were by fa…
This serious art piece contains all the strangeness, audacity, and the beauty of a distinctive cosmic excursion. It is an oddity, and it doesn’t belong to any of the generations of the rock or pop fabrics because of its character of being strangely ethereal and eternal.In the context of cosmic rock, alongside all German pioneers such as Kluster, Tangerine Dream, Organisation, Kraftwerk, and Ash Ra Temple, the English born, French based, Tim Blake occupies a highlighted seat. However, Blake is al…
A Jazzy Profile of Jojo is composed of standard jazz masterpieces interpreted by Masayuki Takayanagi. It was recorded in March 1970 immediately after the start of the New Direction (1969). Legendary recordings with Kaoru Abe such as "Dismantling Sympathy" were also performed in the same period. Considering this, "A Jazzy Profile of Jojo" can be defined as a representative recording of Takayanagi's jazz style at a time when the transition from the more established forms of jazz to the exploration…
Jinya Disc presents a live concert recorded to cassette tape on June 24, 1979 (afternoon set) at jazz club Taro, Tokyo. Mastered at Kojima Rokuon. The album includes 4 tracks performed by Masayuki Takayanagi - Guitar, Kenji Kosei - Electric Piano, Hiroshi Yamazaki - Drums and Yasuhito Mori - Bass.
Masayuki 'Jojo' Takayanagi was a Japanese jazz / free improvisational musician. He was active in the Japanese jazz scene from the late 1950s. Was one of the earliest noise guitar improvisers, and the f…
* 2022 Stock. Vinyl in “Angel Shock” color wax. Never before released in any format. Includes 20-page book with rare archive photos and liner notes Q&A with writer/director David Weisman * Edie Sedgwick was the true “It Girl” of the Pop Art age; a woman who famously said she wanted “to turn the world on just for a moment”. Part of Andy Warhol’s Factory for a year in the mid-‘60s, she is widely believed to have inspired The Velvet Underground’s “Femme Fatale” as well as Bob Dylan’s “Leopard-Skin …
* First ever reissue * Bassist, composer, arranger, and film scorer Jorge López Ruiz was the living embodiment of Argentine jazz history. This recording, which was done in 1967 with a big band led by López Ruiz, represents a monumental work in Argentine jazz. The work is a concept album that takes a critical stance on the chaotic political situation and the military regime in Argentina at the time. It was banned upon release and directly led to constraints being placed on López Ruiz’s subsequent…
"In the late 1980s The Residents embarked on what many fans still consider their greatest live project. Cube-E: The History Of American Music In 3 E-Z Pieces spanned almost four years and proposed to do nothing less than its title suggested, telling the story of American popular music, from its birth around the campfires of a non-existent Old West to its death at the hands of Elvis and the British Invasion, all in three easy pieces.
Performed on TV and on stage around the world between 1987 and …
Craig Leon revisits the extraterrestrial origins of civilization in Anthology of Interplanetary Folk Music Vol. 2: The Canon, a continuing chronicle of his early 80s albums Nommos and Visiting. Exploring the cosmic lore of Leon’s earlier work, The Canon expands upon the conceptual cycle based on the alien and mathematical relationships that backbone the creation of art, architecture, science, and music. In 1981, producer and composer Craig Leon, known in the downtown New York zeitgeist for his p…
From the Catskill Mountains, Emily Sprague channels a timeless mix of new age ambience and poetry in her captivating debut for RVNG Intl. Compiling Emily’s two self-released tapes Water Memory (2017) and Mount Vision (2018), this sublime package brings us right up to date with her effortlessly enchanting solo output. Across 14 parts in 80 minutes, she proves equally adept at sprawling out in longer forms, as with At Lake, as she is at capturing crystalline vignettes like the kaleidoscopic minia…
* 100 copies only. Double flap front sleeve - green marble vinyl - digital download with extra tracks by Morgan Ames. Transferred from original 1984 master tapes and mastered at Abbey Road. Includes extra tracks and alternative cues, that are first time on vinyl * Original score from the 1984 festive slasher film. Remastered from the original master tapes at Abbey Road Studios. Silent Night, Deadly Night is a 1984 American slasher film directed by Charles E. Sellier, Jr., and starring Robert Bri…
No doubt you know the name Mort Garson from his myriad writing, conducting, and arranging credits, topping a thousand in total: the Kim Sisters, Gi Sönne, Lola Novaković, Pfc. Craig Brown, Emilio Pericoli. Or failing that, his sides for Patti Page, Mel Tormé, Rosemary Clooney, Percy Faith, and Mr. Magoo himself. Which is to say, Mort Garson’s road to cool cultural caché and the sublimity of Plantasia meant a decades’ long journey through an underworld of sophisticated, international, string-lace…
Black Mass is an album of supernatural electronics from synth pioneer Mort Garson, the mastermind behind the cult classic Mother Earth's Plantasia. Originally released in 1971, it’s his only release under the Lucifer moniker, and it taps into a profound darkness that may surprise fans of his sunnier work. These songs are Garson's synthesizer interpretations of occult and esoteric phenomena ranging from the Satanic black mass, to exorcism, to witchcraft, and beyond, and they've inspired artists f…
The pioneering electronic composer Mort Garson (Mother Earth’s Plantasia) • takes on supernatural phenomena with lush synth grooves on The Unexplained, his only release under the name Ataraxia.
"Subtitled Electronic Musical Impressions of the Occult, the album explores tarot, astral projection, seances, and more with Garson’s signature Moog synthesizer serving as the listener’s tour guide to the paranormal. The exploratory, whimsical spirit of its creator is evident throughout the release, but i…
The complete audio history of one of the most important debut albums of all time is presented across 26 discs in this boxed set. Featuring a new Dolby Atmos mix by Steven Wilson, 6 CDs’ worth of session material on CD & Blu-Ray for the rst time (fully mixed by David Singleton), a further disc of newly compiled studio material, the box also includes the original studio album, every alternate take known to exist, every mix known to exist, all live recordings known to exist & a selection of pre/Cr…
In support of their forthcoming Bob Moog documentary Electronic Voyager, Waveshaper Media have produced a compilation LP of Moog recordings from the 1960s. The first compilation of its kind, Electronic Voyages: Early Moog recordings 1964-1969 contains tracks by Robert Arthur Moog, Herbert Deutsch, Joel Chadabe, Lothar and the Hand People, Intersystems, Ruth White, Max Brand, and Paul Earls. All of these tracks, released here on vinyl in an edition of 1000 copies, have been scarcely heard and dif…