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ECM exclusive special sale on a broad selection of vinyl releases, with more than 70 LPs available at incredibly low prices.

Reissues

Meta Improvisation
Masayuki Takayanagi's live solo performances recorded from 1984 Hokkaido Tour, selected and edited by Otomo Yoshihide; incredible electronics and guitar work from the pre-Action Direct freestyle improviser... "This is Takayanagi's live solo performances recorded from 1984 Hokkaido Tour. tunes were selected and edited by Otomo Yoshihide. those takayanagi solo performances were cued himself to organize "Action Direct" right after. So "Meta Improvisation" is the pre-"Action Direct", that is to say:…
A Jazzy Profile of Jojo
A Jazzy Profile of Jojo is composed of standard jazz masterpieces interpreted by Masayuki Takayanagi. It was recorded in March 1970 immediately after the start of the New Direction (1969). Legendary recordings with Kaoru Abe such as "Dismantling Sympathy" were also performed in the same period. Considering this, "A Jazzy Profile of Jojo" can be defined as a representative recording of Takayanagi's jazz style at a time when the transition from the more established forms of jazz to the exploration…
Live at Taro
Jinya Disc presents a live concert recorded to cassette tape on June 24, 1979 (afternoon set) at jazz club Taro, Tokyo. Mastered at Kojima Rokuon. The album includes 4 tracks performed by Masayuki Takayanagi - Guitar, Kenji Kosei - Electric Piano, Hiroshi Yamazaki - Drums and Yasuhito Mori - Bass. Masayuki 'Jojo' Takayanagi was a Japanese jazz / free improvisational musician. He was active in the Japanese jazz scene from the late 1950s. Was one of the earliest noise guitar improvisers, and the f…
Ciao! Manhattan
* 2022 Stock. Vinyl in “Angel Shock” color wax. Never before released in any format. Includes 20-page book with rare archive photos and liner notes Q&A with writer/director David Weisman * Edie Sedgwick was the true “It Girl” of the Pop Art age; a woman who famously said she wanted “to turn the world on just for a moment”. Part of Andy Warhol’s Factory for a year in the mid-‘60s, she is widely believed to have inspired The Velvet Underground’s “Femme Fatale” as well as Bob Dylan’s “Leopard-Skin …
El Grito
* First ever reissue * Bassist, composer, arranger, and film scorer Jorge López Ruiz was the living embodiment of Argentine jazz history. This recording, which was done in 1967 with a big band led by López Ruiz, represents a monumental work in Argentine jazz. The work is a concept album that takes a critical stance on the chaotic political situation and the military regime in Argentina at the time. It was banned upon release and directly led to constraints being placed on López Ruiz’s subsequent…
Cube-E Box: The History Of American Music In 3 E-Z Pieces
"In the late 1980s The Residents embarked on what many fans still consider their greatest live project. Cube-E: The History Of American Music In 3 E-Z Pieces spanned almost four years and proposed to do nothing less than its title suggested, telling the story of American popular music, from its birth around the campfires of a non-existent Old West to its death at the hands of Elvis and the British Invasion, all in three easy pieces. Performed on TV and on stage around the world between 1987 and …
Anthology of Interplanetary Folk Music Vol. 2: The Canon
Craig Leon revisits the extraterrestrial origins of civilization in Anthology of Interplanetary Folk Music Vol. 2: The Canon, a continuing chronicle of his early 80s albums Nommos and Visiting. Exploring the cosmic lore of Leon’s earlier work, The Canon expands upon the conceptual cycle based on the alien and mathematical relationships that backbone the creation of art, architecture, science, and music. In 1981, producer and composer Craig Leon, known in the downtown New York zeitgeist for his p…
Water Memory / Mount Vision
From the Catskill Mountains, Emily Sprague channels a timeless mix of new age ambience and poetry in her captivating debut for RVNG Intl.  Compiling Emily’s two self-released tapes Water Memory (2017) and Mount Vision (2018), this sublime package brings us right up to date with her effortlessly enchanting solo output. Across 14 parts in 80 minutes, she proves equally adept at sprawling out in longer forms, as with At Lake, as she is at capturing crystalline vignettes like the kaleidoscopic minia…
Silent Night, Deadly Night
* 100 copies only. Double flap front sleeve - green marble vinyl - digital download with extra tracks by Morgan Ames. Transferred from original 1984 master tapes and mastered at Abbey Road. Includes extra tracks and alternative cues, that are first time on vinyl * Original score from the 1984 festive slasher film. Remastered from the original master tapes at Abbey Road Studios. Silent Night, Deadly Night is a 1984 American slasher film directed by Charles E. Sellier, Jr., and starring Robert Bri…
Music from Patch Cord Productions
No doubt you know the name Mort Garson from his myriad writing, conducting, and arranging credits, topping a thousand in total: the Kim Sisters, Gi Sönne, Lola Novaković, Pfc. Craig Brown, Emilio Pericoli. Or failing that, his sides for Patti Page, Mel Tormé, Rosemary Clooney, Percy Faith, and Mr. Magoo himself. Which is to say, Mort Garson’s road to cool cultural caché and the sublimity of Plantasia meant a decades’ long journey through an underworld of sophisticated, international, string-lace…
Black Mass
Black Mass is an album of supernatural electronics from synth pioneer Mort Garson, the mastermind behind the cult classic Mother Earth's Plantasia. Originally released in 1971, it’s his only release under the Lucifer moniker, and it taps into a profound darkness that may surprise fans of his sunnier work. These songs are Garson's synthesizer interpretations of occult and esoteric phenomena ranging from the Satanic black mass, to exorcism, to witchcraft, and beyond, and they've inspired artists f…
The Unexplained
The pioneering electronic composer Mort Garson (Mother Earth’s Plantasia) • takes on supernatural phenomena with lush synth grooves on The Unexplained, his only release under the name Ataraxia. "Subtitled Electronic Musical Impressions of the Occult, the album explores tarot, astral projection, seances, and more with Garson’s signature Moog synthesizer serving as the listener’s tour guide to the paranormal. The exploratory, whimsical spirit of its creator is evident throughout the release, but i…
The Complete 1969 Recordings
The complete audio history of one of the most important debut albums of all time is presented across 26 discs in this boxed set. Featuring a new Dolby Atmos mix by Steven Wilson, 6 CDs’ worth of session material on CD & Blu-Ray for the  rst time (fully mixed by David Singleton), a further disc of newly compiled studio material, the box also includes the original studio album, every alternate take known to exist, every mix known to exist, all live recordings known to exist & a selection of pre/Cr…
Electronic Voyages: Early Moog Recordings 1964-1969
In support of their forthcoming Bob Moog documentary Electronic Voyager, Waveshaper Media have produced a compilation LP of Moog recordings from the 1960s. The first compilation of its kind, Electronic Voyages: Early Moog recordings 1964-1969 contains tracks by Robert Arthur Moog, Herbert Deutsch, Joel Chadabe, Lothar and the Hand People, Intersystems, Ruth White, Max Brand, and Paul Earls. All of these tracks, released here on vinyl in an edition of 1000 copies, have been scarcely heard and dif…
Music For Dance & Theatre - Volume Two
‘Music For Theatre And Dance – Volume Two’ is the second in a small series of EPs that will focus on music which was initially created for or inspired by dance and performance. Created as a dialogue with the avant-garde and highly experimental work in dance, theatre and art evolving at the time, the music was in turn at times greatly innovative. That it was created for a dance or performance though means that such music was also often highly rhythmic and a number of pieces from this time stand o…
Locomotion
Tip! Colored vinyl edition. This grooviest French jazz-funk and avant-garde album features Henri Texier and Bernard Lubat led by by the famous French pianist Martial Solal, and was originally released in 1974 on the PSI label. Solal is the dynamic keyboard behind a shadow-strafing suite of spidery rhythms and inquisitive jazz gestures, effortlessly binding avant instrumental dexterity with cool blue harmolodic sentiment in a timeless style.  So good...
Emosyon Tambou-A
**300 copies** In the early eighties, Edmond Mondésir, professor of philosophy and Léon Bertide, trade unionist, founded the Bèlènou group. They were actors of the great agricultural strike of 1974, which resulted in the death of two workers (Ilmany and Marie-Louise) and left many wounded. Activists of the patriotic movement Asé Pléré An Nou Lité (Stop crying, Fight), they were part of the identity and the cultural affirmation [la revendication identitaire et culturelle] of the time. Like the Gu…
Cinema
1985 was one of the most important years in Brazil's recent history, when the country was freed from more than 20 years of military dictatorship. The youth took the lead and finally Brazil entered the world show business circuit with Rock In Rio festival. But the real revolution was happening in the underground and this record is a proof of that. One of the people in charge was the musician, composer, poet, writer, scriptwriter and speaker from Rio de Janeiro Ronaldo Tapajós, who was always invo…
Way Of The Sun
Esoteric Recordings are proud to release the classic 1978 album Way of the Sun by Jade Warrior. This wonderful band first came to attention with a clutch of albums recorded for Vertigo Records in the early 1970’s. By1974 they had become the vision of flautist Jon Field and guitarist Tony Dugh and had signed to Island Records. Noted by Chris Blackwell as one of his favourite groups, the four albums recorded by Jade Warrior for Island were classic ambient works, stunning in their beauty and power.…
The Blue Tape
* Edition of 300 * In the early 1980’s Hessel Veldman and Herman te Loo assembled at Hessel’s apartment, which served both as a living room and as a home studio, every Thursday night. After the necessary social exchange over coffee, the guys started improvising, sometimes with a small preconceived musical cell or idea to work from. With a skeleton crew of just two (give or take the occasional overdub) the music that came out was usually simple in its form, sometimes stark, but always adventurous…