Reissues
Il Faro In Capo Al Mondo
“Il faro in capo al mondo” (The Light at the Edge of the World) is a 1971 film directed by Kevin Billington, based on a novel by Jules Verne. It’s a dark, solitary adventure set on a remote island off Cape Horn, where a group of pirates led by the ruthless Jonathan Kongre (played by Yul Brynner) takes over a lighthouse to cause shipwrecks and plunder the remains. Kirk Douglas stars as the last surviving lighthouse keeper, caught in a grueling battle between man and nature, civilization and savag…
The Good, The Bad And The Ugly/Il Buono, Il Brutto E Il Cattivo
Directed by Sergio Leone, “The Good, the Bad and the Ugly” is the final chapter in the legendary “Dollars Trilogy” and one of the most iconic films in cinema history. Clint Eastwood, Lee Van Cleef, and Eli Wallach form an unforgettable triangle set against the backdrop of a grim, dusty, and almost surreal American Civil War. The film is epic, lyrical, and grotesque all at once—but what elevates it to true legend is the immortal soundtrack by Ennio Morricone. The legendary main theme is one of th…
7 Volte 7
The film 7 Times 7, directed by Michele Lupo in 1968, is a brilliant comedy with heist movie overtones, crafted in a very British style but with a strong Italian identity. The international cast (including Gastone Moschin, Lionel Stander, and Raimondo Vianello) plays a group of inmates who break out of prison solely to rob the Bank of England... and then comfortably return to their cells, using prison as the perfect alibi. In this lighthearted and clever setting, the soundtrack by Armando Trovaj…
Horizon
Imagine it’s late afternoon, you’re outside by the lake, and there’s sunlight on the water. This is the peaceful and contemplative scene that Matt Gold and Resavoir set on their collaborative LP Horizon. Across 10 lush and exploratory tracks, it’s the product of two Chicago-based musicians—Will Miller, the acclaimed trumpeter, composer, and producer who’s worked with SZA, Whitney, and more, and Gold, a seasoned multi-instrumentalist and accomplished guitarist—effortlessly combining their distinc…
Oriental Soul
Ironhand Records is proud to present another magnum opus of East and West music: "Chettini and the Turkish Trio - Oriental Soul", first released in 1972. Çetin Bükey, credited as Chettini, was a musician who, during his unique career in Turkey and the UK, has truly engaged in eastern, western and hybrid musical experiments with an adventurous and nomadic soul. Bükey has played along with Turkish music masterpieces and composed film scores with his brother, Metin Bükey. He also accompanied the ic…
Jugoton Bossa Nova! - Brazilian Wave In Yugoslavia 1963-1983
Rich musical history of Yugoslavia reveals a long-lasting love for the music of Latin America.
YU Disco Expres
A long-lost masterpiece of Yugoslavian jazz-funk and disco finally returns! Originally released in 1979 on the iconic Jugoton label, YU Disko Expres by Igor Savin and Orkestar Stanka Selaka is a rare gem—an electrifying fusion of jazz, funk, electronic music, and traditional folk elements. Decades ahead of its time, this album remains a strikingly modern and danceable exploration of sound, seamlessly blending synthesizers with tight horn arrangements and deep, infectious grooves.
Igor Savin, one…
The Soul Of Congo: Treasures Of The Ngoma Label
*2025 stock* Planet Ilunga, the Brussels-based publisher has, since 2013, produced a series of recordings dedicated to the history of Congolese popular music from artists like Franco & OK Jazz, Docteur Nico, Orchestre Rock-a-Mambo and Joseph Kabasele & African Jazz. For its tenth release and in celebration of its tenth anniversary, the label launches with "The Soul of Congo" its most ambitious project to date: a well-documented and extensive anthology about the illustrious and legendary Congoles…
Joseph Kabasele And The Creation of Surboum African Jazz 1960-1963
*2025 stock* Planet Ilunga continues its mission to uncover and highlight the overlooked yet epic achievements in the world of Congolese rumba. This time to tell the most spectacular story of all. This is the story of the creation of Surboum African Jazz, the first Congolese music label founded by a Congolese. Surboum African Jazz was owned and managed by the best singer of all time, Joseph Kabasele, alias Grand Kallé. The label's catalog during the period 1960–63 is largely dominated by Grand K…
Franco Luambo Makiadi Presents Les Editions Populaires
"Indépendance Cha Cha” was an historic song, not only because it immortalized Congo’s independence in its lyrics, but also because it was the first single published by a Congolese-owned record label. Joseph Kabasele’s label Surboum African Jazz indeed paved the way for several Congolese musicians to become record publishers. It resulted in the 1960s in a plethora of newly found Kinshasa-based record labels, run by the biggest musicians of the time. With this new series “Les éditeurs congolais”, …
La Rumba De Mi Vida
*2025 stock* Incredible collection of classic Congolese music from Planet Ilunga specializing in this particular niche. Glorious guitar melodies, beautiful vocal harmonies, and infectious rumba grooves. Excellent curation and very cool thematic presentation, plus lots of great details given in the liner notes.
African Jazz Invites O.K. Jazz
The evolution of Congolese popular music in the 1960s and 70s is generally classified into two major schools: African Jazz & OK Jazz. The main representatives of those schools are Joseph Kabasele alias Grand Kallé, founder of African Jazz, and Franco Luambo, co-founder of O.K. Jazz. Two temperaments and ambiances, one commonly referred to as ‘fiesta’, the other as ‘odemba’, both seeking their own sublimity or ideal.
For the very first time, a compilation brings together explicitly the main prota…
Where Are We Going
*200 copies limited edition* After Mirthrandir, Lift and Easter Island, we continue bringing you the cream of the crop from U.S. Prog Classics, with the reissue of ID’s 1977 album Where Are We Going. In this case, you can guess the music from the band’s name, a regression into the depths of the unconscious (Freud’s antecedent term for ID in the structure of the cunning invention called ‘psyche’) via an interminable sonic evocation. The highlights of the album are the 2 long parts of the homonymo…
Schedars
Emerged from the heart of Japan’s underground scene, Schedars is an incredible five piece band with an explosive sound rooted in the Post-Punk-No-Wave aesthetic. Previously self-released and now reissued on a world-wide scale, this is their first full album. A hyper-active blend of sharp singing, psychotic guitars and organs, snaky saxes, infectious bass lines and nervous drums beats.
Fans of bands like D.N.A, The Contortions, Phew or early The Ex will find themselves enthralled by Schedars’ unc…
![Forming Haze [Recordings 1985/86]](https://cdn.soundohm.com/data/products/2025-05/CrippledFlower_FormingHaze_Tape_01-jpg.jpg.500.jpg)
Forming Haze [Recordings 1985/86]
"The Crippled Flower was a post-punk band from Düsseldorf - and they arrived late. However, unlike many young, unsuspecting, hairsprayed hopefuls from that time, in 1985 they could sense that the end of their era was approaching. They knew too much to want to take the world by storm. They were four individualists searching their own way. Each of the band members only found their calling after the time that they had spent together – but that's exactly what makes The Crippled Flower still seem rea…
Star Rover
Visionary Walter Maioli and electronic innovator John Zandijik’s 1980s late-night sessions fuse ancient flutes and cutting-edge technology, creating a cosmic soundscape that bridges ethnomusicology, psychedelia, and electronic experimentation.
Music Written For Monterey 1965, Not Heard, Played In Its Entirety At UCLA
** Rare original copies. Second pressing on Jazz Workshop from the mid '70s (estimated) of this impossible to obtain album, the original issue being available only as a mail-order release. Unplayed copies from a dead-stock, possible wear due to ageing on covers ** On September 25, 1965, at UCLA’s Royce Hall, Charles Mingus took the stage with an octet of some of the most forward-thinking jazz musicians of the era. The occasion was not just any concert, but a determined response to an earlier set…
Mingus Dinasty
Recorded in jazz’s golden year of 1959, Mingus Dynasty is often overshadowed by Mingus Ah Um, but it stands as one of Charles Mingus’ most ambitious works. Expanding his regular band with additional players, he pushed his compositions into more intricate territory. With a lineup featuring Richard Williams, Jimmy Knepper, John Handy, Booker Ervin, Roland Hanna, and Dannie Richmond—plus guests like Benny Golson and Jerome Richardson—Mingus crafted a dynamic set blending gospel-infused grooves (Slo…
The Composer Of Desafinado, Plays
Antonio Carlos Jobim’s first American album is a masterpiece of understated elegance, presenting a dozen songs that would become bossa nova standards. Despite claiming to be out of practice, Jobim’s sparse, single-hand piano style lets his flowing melodies shine. Claus Ogerman’s signature arrangements—airy flutes, brooding strings, and lush harmonies—enhance timeless gems like Desafinado, Corcovado, The Girl from Ipanema, and One Note Samba. A defining moment in bossa nova’s global ascent.
Federico Fellini's 8½
The complete original soundtrack to Federico Fellini’s iconic 8½ features music by the legendary Nino Rota. The film, starring Marcello Mastroianni, Anouk Aimée, and Claudia Cardinale, won two Academy Awards, including Best Foreign Language Film, and received three additional nominations. Recognized by the New York Film Critics Circle as the best foreign language film, 8½ remains a cinematic masterpiece, complemented by Rota’s unforgettable score.