We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
After introducing his new trio with pianist Paul Bley and double bassist Steve Swallow in two 1961 albums on Verve, clarinetist Jimmy Giuffre embarked on a tour of Europe, this recently discovered, well-recorded concert in Graf, Austria the perfect example of his unique concepts yielding intensely focused, harmonically challenging, rhythmically abstract, and exquisite chamber jazz.
Drawing on material from Billy Strayhorn, Thelonious Monk, Michel Legrand, Harry Warren, and Victor Young, the lyrical duo of saxophonist Alex Hendriksen (Swiss Jazz Orchestra) and double bassist Fabian Gisler (Jurg Wickihalder European Quartet) cite the art form of storytelling as central to their music as they reflect thoughtfully on the American Songbook.
An essential part of the New York jazz scene since the mid-80s, pianist Russ Lossing's compositions employ concept and space in unique and personal ways, as heard in these 8 original works performed with his trio of long-time collaborators, double bassist Masa Kamaguchi and drummer Billy Mintz, for an album of highly evolved and lyrically sophisticated music.
Trumpeter Marco von Orelli's piano-less quartet with Tommy Meier on tenor saxophone, bass clarinet, Luca Sisera on double bass, and Sheldon Suter on drums is caught live at Theater am Gleis, in Winterthur, Switzerland in 2018, and at Boudoir au Revoir, the same year, performing von Orelli's compellingly clever compositions, plus one each from Adam lane and Tommy Meier.
Captured live at the 2016 Jazz at the Factory Festival in Sao Paulo, this addition to New York pianist Matthew Shipp's catalog finds the masterful player presenting his own compositions like "Symbol Systems", "Gamma Ray" or "Invisible" light alongside unique takes on "Angel Eyes", "On Green Dolphin Street", "Yesterdays" and "Summertime".
Taking his quartet on a European tour in the fall of 1962, Coltrane's band with McCoy Tyner on piano, Jimmy Garrison on double bass, and Elvin Jones on drums performed in Graz, Austria at Stefaniensaal, the concert beautifully recorded by ORF Steiermark and here released as the first of two volumes, showing both Coltrane's lyrical origins and expanding free inclinations.
With the essential sidemen to express his unique voice and approach to free jazz, saxophonist Albert Ayler, double bassist Gary Peacock, and drummer Sunny Murray, recorded these sessions in 1964 for the ESP label as "Prophecy", this excellent reissue & remaster also adding the live "Albert Smiles with Sunny" (inRespect) from the same concert; essential.
Ebalunga!!! presents a new bomb for all lovers of old rare music! First reissue of the second and last album by legendary Soviet Kazakh "Vocal and Instrumental Ensemble" licensed directly from the band’s leader Murat Kusainov. Restored original artwork and old-stylish vinyl.
The album was recorded in 1982, released in 1983 and re-released in 2019! For now, this is one of the most wanted and important records of the Old Soviet Rock scene. Ten finest songs with shining melodies, rich arrangements,…
A duo by Osamu Kitajima and Fumio Miyashita, formed at the end of 1971 when Osamu Kitajima returned from his trip to United Kingdom where he got influenced by exploding psychedelic rock scene that was happening at the time. After recording his debut under moniker of “Justin Heathcliff”, he got together with Fumio Miyashita of Far East Family Band and Far Out. Together they worked on an amazing psychedelic / progressive rock album, with a foly, yet pastoral, mellow approach.
This is the third album by Osamu Kitajima, one of Japan’s most prolific artists from the ethno rock, world music and progressive department. You can certainly not divide all the mentioned stylistic aspects from each other for they were all incorporated in a homogenious sound and complex arrangements. It is the same with his other albums like "Benzaiten“ and or his fourth "Masterless Samurai“; traditional Japanese music meets Western jazzrock and progressive sounds to form a new style unheard by …
Osamu Kitajima continuously experimented with various music genres that include Japanese traditional music, Ethno Jazz and Progressive Rock elements. “Dragon King” is a very well recorded album that contains Funky tunes and mellow Soul songs, as well as Jazzy elements. It’s his last album that would end a certain chapter in Mr. Kitajima’s career. After “Dragon King” he stopped working in Progressive / Funk / Soul / Jazz / Fusion and started his second career with Electronic / Ethno / New Age mus…
Everland Jazz have picked a real gem for a reissue here! Originally released in 1980, “A Safe Return” is the second album by the Surinam jazz flutist Ronald Snijders. It is a strong alloy of soul, funk, jazz and smooth disco sounds! Mersmerizing musical craftsmanship! “Lenox” the opening track, has a playful haze escaping from every groove,with a solid hypnotical rhythmical base and haunting flute melodies that have the character of the lead vocals. Despite the slower pace, the jazzy approach of…
Renowned as both choreographer and dancer, Merce Cunningham (1919–2009) also revolutionized dance through his partnerships with the many artists who created costumes, lighting, films and videos, and décor and sound for his choreographic works. Cunningham, together with partner John Cage, invited those artists to help him rethink what dance could mean, both on the stage and in site-responsive contexts. His notion that movement, sound and visual art could share a “common time” remains one of the m…
Virus, from the Bielefeld area in Westphalia, were the best and most famous local progressive group there in the early seventies. In 1970, they won the well-known competition in the Recklinghausen Vestlandhalle – still under their old name of Man’s World. The first prize: Recordings for their first own LP, under the direction of sound magician Conny Plank. That LP, “Revelation”, was released in 1971 and is partly reminiscent of the early Pink Floyd, e. g. in the final part of “Endless game”. The…
The story of Klamm started in Martorell, 30km near Barcelona, in 1976. Teenagers Josep Saus "Toto", Antonio K. Puertas and Leo Mariño got together under the influence of bands like Can and King Crimson. The original line up consisted of guitar, bass guitar and drums, and they were barely 16 years old when they began. From there, they evolved and also went though different personnel changes, added new influences, had experimental progressive jazz-rock periods, were touched by the works of bands l…
New and old compositions for Luigi Russolo’s legendary Intonarumori. After publishing his visionary manifesto, the Art of Noises, in 1913, the futurist painter Luigi Russolo designed and built a revolutionary family of new instruments with which to compose with noise: black, wooden boxes, fitted with huge acoustic horns, crank-handles (to drive them) and levers (to vary the pitch). They came in different varieties – designed to give composers access to five of what Russolo had identified as ‘the…
**300 copies** "NoBusiness presents a live recording of The Vincent Chancey Trio taken at the Kraine Art Gallery, NYC on 21st October, 1987, and featuring Vincent Chancey on french horn, Wilber Morris on bass and Warren Smith on drums.Mastered by Arūnas Zujus at MAMAstudiosDesign by Oskaras AnosovasLiner notes by Ed Hazell
"NoBusiness presents archive studio recordings by DUX Orchestra, which featured Mats Gustafsson and Will Connell, Jr. among its revered members. Duck Walks Dog (With Mixed Results) was recorded on 16th October, 1994 in NYC by Steve Guttenberg and features music by guitarist JC Morrison, arranged in collaboration with Dave Sewelson.Dave Sewelson - baritone saxophoneMats Gustafsson - baritone saxophoneWill Connell, Jr. - alto clarinetDave Hofstra - bassSusie Ibarra - drumsWalter 'Sweets' Perkins -…
"For this first volume of Musax Background Music Library, Farfalla Records continues exploring the maze of the french library music through one of its most discreet and prolific representatives: Jacky Giordano and one of his many projects, the Musax label. Farfalla Records carefully selected this tracklisting among LPs recorded between 1978 and 1979 of which the originals became particularly sought after by the collectors. Jacky Giordano who appears under his aliases Joachim Sherylee and José Ph…