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This 1984 release marks the beginning of the intense split-tape activity that characterized and distinguished the Amen fanzine. From Alessandria, Viridanse debut here with 4 tracks that already prefigure the sound of a band destined to leave their mark on the Italian New Wave scene. On the B side, the debut of The Art of Waiting from Bari, 6 tracks of pure Gothic Rock from one of the cult bands of this music scene.
*2026 stock* “The Missing Boys” is a film born from the need to tell the story of the emergence and affirmation of a forgotten music scene, like much of the youth movement that spread in metropolitan areas as well as in the provinces more than forty years ago, dealing with the same critical issues of everywhere. It’s a story of mostly unknown bands, who from Sardinia, especially from Cagliari and Sassari, interrupt the blissful isolation of an island, only apparently distant from that revolution…
*2026 stock* Originally attached to the new version of the book "Skiantos una storia come questa non c'era stata mai prima e non ci sarà mai più" by Gianluca Morozzi & Lorenzo "Lerry" Arabia, now available wiithout the book.
Huge Tip! 300 copies. Originally issued in 1978 by Cetra, Follie Del Divino Spirito Santo emerges from a singular moment in Antonio Infantino's artistic practice - a moment when his early immersion in international Beat circles and avant-garde gestural music had crystallized into something entirely his own: a ritualistic and shamanic engagement with the musical traditions of Southern Italy.
From 1964 onward, Infantino had moved through collaborative circles with Vittorio Gelmetti, Sylvano Bussot…
On Raw Power, Iggy And The Stooges compress lust, nihilism and amplifier abuse into eight songs that still feel like a structural flaw in rock itself, James Williamson’s scorched‑earth guitar and Iggy’s feral charisma defining the template for punk and everything unwholesome that followed.
On Banco, Banco Del Mutuo Soccorso refine their baroque, hard‑charging Italian prog into a fiercely lyrical epic, where Francesco Di Giacomo’s operatic voice rides labyrinthine suites of piano, organ and guitar that feel both fiercely intellectual and wildly emotive.
On Sketches of Spain, Miles Davis floats through Gil Evans’s lush, flamenco‑tinged orchestrations like a solitary witness, turning Spanish folk and classical themes into slow‑burning tone‑poems where jazz improvisation melts into modal ritual.
** Special Time-Limited Offer ** The Indianapolis-born trumpeter Freddie Hubbard introduced his prodigious talent on Blue Note Records with a run of remarkable albums recorded thru the early 1960s. At first rooted firmly in hard bop, Hubbard began to broaden his approach on his masterwork Ready for Freddie, recorded in August 1961. “The way in which I’m most interested in going is Coltrane-like,” Hubbard told liner note writer Nat Hentoff. Hubbard had recorded with Coltrane earlier in the year o…
** Special Time-Limited Offer ** Unity is one of the great organ records precisely because it refuses to behave like one. Larry Youngbrings the Hammond into a post‑bop, modal context alongside Woody Shaw on trumpet, Joe Henderson on tenor saxophone, and Elvin Jones on drums. The tunes – including originals by Young and his bandmates – are harmonically rich and structurally intriguing, offering the soloists wide latitude. Young’s playing is astonishing: he voices chords in unexpected clusters, sp…
** Special Time-Limited Offer ** On Life Time, Tony Williams upends expectations of a drummer’s debut, convening shifting ensembles that include Sam Rivers, Bobby Hutcherson, Herbie Hancock, Ron Carter, and Gary Peacock. Rather than a showcase of drum solos, the album is a series of explorations in texture, space, and form. Williams’ playing ranges from explosive to whisper‑soft, but always with an acute sense of placement: each cymbal stroke, roll, or accent is structural, not ornamental. The o…
** Special Time-Limited Offer ** Further Explorations pairs Horace Silver’s piano with Art Farmer on trumpet and Clifford Jordan on tenor sax, plus Teddy Kotick on bass and Louis Hayes on drums. Silver’s blend of blues, gospel, and hard‑bop sophistication is very much in evidence, but the writing nudges things into slightly more intricate territory. Catchy themes, smart modulations, and rhythmic hooks abound, yet everything feels natural and unforced. Farmer and Jordan bring contrasting horn col…
** Special Time-Limited Offer ** Juju finds Wayne Shorter working with McCoy Tyner on piano, Reggie Workman on bass, and Elvin Jones on drums – essentially the John Coltrane Quartet’s engine repurposed. The tunes, many with subtly African‑inflected rhythmic ideas, open broad spaces for exploration while maintaining clear thematic profiles. Shorter’s improvisations wind through these spaces with a storyteller’s sense of pacing, lingering on simple motifs before leaping into unexpected intervals. …
** Special Time-Limited Offer ** Newk’s Time captures Sonny Rollins in a quartet with Wynton Kelly on piano, Doug Watkins on bass, and “Philly” Joe Jones on drums, midway through one of the most fertile stretches any saxophonist has enjoyed. Rollins brings his huge, flexible sound and restless imagination to a set of standards and originals, bending them to his will without ever disrespecting the material. Rhythmic play is central: he toys with the beat, displaces phrases, and locates unexpected…
** Special Time-Limited Offer ** Search for the New Land shows Lee Morgan in a more reflective, exploratory mood, joined by Wayne Shorter on tenor, Herbie Hancock on piano, Grant Green on guitar, Reggie Workman on bass, and Billy Higgins on drums. The compositions stretch out over modal frameworks and evocative themes that suggest journeys as much inward as outward. The band plays spaciously yet intently, building tension through dynamics and texture more than sheer speed. Morgan’s tone is full …
** Special Time-Limited Offer ** Evolution documents Grachan Moncur III stepping out as a composer‑leader with Lee Morgan on trumpet, Jackie McLean on alto, Bobby Hutcherson on vibes, Bob Cranshaw on bass, and Tony Williams on drums. The pieces blend post‑bop structures with freer approaches to metre and harmony, resulting in music that feels constantly tilted yet never topples. Moncur’s trombone leads themes that are by turns mournful, eerie, and boldly declamatory; the band responds with solos…
** Special Time-Limited Offer ** On No Room for Squares, Hank Mobley leads shifting line‑ups that include Lee Morgan and Donald Byrd on trumpet, Andrew Hill and Herbie Hancock on piano, John Ore and Butch Warrenon bass, and Philly Joe Jones on drums. The compositions are tightly constructed, full of memorable heads and smart twists that keep everyone on their toes. Mobley’s solos retain his trademark flowing lyricism but with a noticeably harder edge, reflecting the changing climate around him. …
** Special Time-Limited Offer ** On Let Freedom Ring, Jackie McLean fronts a quartet with Walter Davis Jr. on piano, Herbie Lewison bass, and Billy Higgins on drums, and turns the LP format into a manifesto. Stark, ringing themes and open, modal frameworks give the music a declamatory character, while McLean’s alto pushes into the upper register with cries and shouts that go beyond tidy bebop language. Higgins and Lewis oscillate between march‑like insistence and freer undercurrents, and Davis’ …
** Special Time-Limited Offer ** Destination... Out! sees Jackie McLean stepping decisively into less charted territory, flanked by Grachan Moncur III on trombone, Bobby Hutcherson on vibes, Larry Ridley on bass, and Roy Haynes on drums. Moncur’s compositions stretch form and harmony to the point where the music hovers at the edge of abstraction while still clinging to memorable themes. McLean responds with heightened intensity; his alto lines slice through the ensemble’s cool, translucent textu…
** Special Time-Limited Offer ** On Bluesnik, Jackie McLean teams with Freddie Hubbard on trumpet, Kenny Drew on piano, Doug Watkins on bass, and Pete La Roca on drums to prove there is still plenty to say within the twelve‑bar form. The band leans heavily on the blues but treats it as a living language, shifting tempos from strolling to urgent and varying the feel from tough swagger to reflective drag. McLean’s solos are full of sharp edges and vocal inflections, while Hubbard brings a more ext…
** Special Time-Limited Offer ** Demon’s Dance (often mis‑typed in catalogues) captures Jackie McLean with a younger, firebreathing band: Woody Shaw on trumpet, LaMont Johnson at the piano, Scott Holt on bass, and Jack DeJohnette on drums. The tunes are packed with rhythmic snaps and melodic hooks, yet the improvisations regularly veer into more angular, exploratory territory. McLean’s alto tone is piercing and urgent, cutting through the ensemble with authority, while Shaw’s harmonically advanc…