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2019 Repress. Speech melodies extracted from sources as various as language instruction recordings, hypnotists and televangelists are re-synthesized and applied to digital musical instruments, becoming eerily beautiful, "the singing of voices more ancient than language." Performed by Paul DeMarinis Hidden beneath speech's words and music's melodies I hear the singing of a voice more ancient than language. Brain's secret convulsions making muscles articulate, shaking the world with a song now lo…
Edition of 100, signed and numbered. In the last 10 years Akira Matsuoka (aka Veltz) has established himself as a key figure in the next generation of Tokyo noise artists. His work covers a wide range: metal junk noise, erased tapes, field recording and audio dedications to analogue television. Analogue broadcasting in Japan was switched of in 2011, an event recorded by Matsuoka and presented at the end of this album. The collection of broken televisions he has since amassed have become his prim…
From the moment it emerged during the mid 90’s, mystery has swirled around Galactic Explorers’ sole LP - Epitaph for Venus. Released by the Psi-Fi imprint as a long lost Krautrock gem from the mythical Pyramid label’s archives - said to be have been recorded by Toby Robinson in Cologne circa 1972/73, it has been loved by many, while others have cried hoax. Some ventured further, implicating none other than Genesis P. Orridge as the creator. The truth isn’t publicly known, but the foggy origins p…
Robert Palmer (1915-2010) produced more than ninety symphonic, choral, chamber, and solo works throughout his career, earning a reputation in the mid-twentieth century as one of the country's leading, most daring, and -- at the same time -- appealing modernists. Palmer's unique musical language combined a deeply emotional impulse with complex counterpoint and rhythmic structures, drawing comparisons to Hindemith, Bartók, Lou Harrison, even Brahms. Aaron Copland famously included Palmer on his 19…
In January 2016 arts and music organisation Santuri East Africa invited guest producer Jan Schulte to join the Nile Project gathering in Aswan, Egypt -- an intensive two-week musical experiment featuring musicians drawn from all around the Nile Basin that functioned as both a creative cauldron for cross-border collaboration, and a forum for artists and cultural activists to discuss the issues affecting the Nile river. Wolf Muller aka Jan Schulte has been a resident of Dusseldorf's era-defining S…
** Edition of 300 copies, totally sold out at source ** Another incredible archival work from Cabiria Records here, a genuine holy grail of Italian post-punk music, Andy Warhol Banana Technicolor’ legendary 'Color Color' tape is remastered and issued on vinyl for the first time, this is an indispensable slice of ‘80s Italy’s underground experimental rhizome. Like their international tape-scene allies, Andy Warhol Banana Technicolor reacted to this world thru a matrix of mono-synths, drum machine…
Canadian private press mega-rarity/obscurity from the artistically schizophrenic Bob Bell. Recorded in 1978, Bell splits the difference between his love of basement psych splatter/pummel and squalling free jazz ramble, the former occupying side A with a stunning four-part suite of wasted guitar scuzz and churning Krautrock-like drama with an akin to German Oak, Roland Kirk, Albert Ayler, DNA, Melt Banana (minus the vocals) and Guru Guru. The latter represents Bell as a saxophonist on side B, and…
Martin Bartlett was an inspiring and original thinker, composer, writer, performer, and organizer. His preoccupation with building aleatoric elements into electronic music distinguishes his work. He devised elegant and open interactions for instrumental performers and computer-controlled synthesizers which included building his own electronic devices and extensive work on the Buchla 400. He worked with or studied under Pauline Oliveros, John Cage, and David Tudor, and collaborated extensively wi…
** Hawaiian new age music from the early ’80s ** A key figure in Hawaii’s groundbreaking new age movement of the 1980s and early 90s, Robert Aeolus Myers’s sonic storytelling has echoed through the decades, growing in volume since the 2017 retrospective on Aloha Got Soul. Composing and performing music for dance, transformational theatre, worship or rebirth, Robert’s talent has taken him across the globe, allowing him to expand his mind and enrich the lives of those around him. During the mid ni…
Venerable composer and pianist Charlemagne Palestine revisits his seminal 1976 work ‘The Golden Mean’ in duo with enigmatic artist Rrose, reprising a dialogue started 10 years ago when Rrose was studying at Mills College and looking for a score to Charlemagne’s amazing ‘Strumming Music’…“In 2018 the Festival Variations in Nantes commissions Palestine to perform The Golden Mean, reworking the piece for two pianists. Palestine chose Rrose to join him in this new rendition of the work. Together, th…
Shawn Phillips' first major album, recorded in 1968 with help from the members of Traffic, among others, is a condensation of a far more ambitious studio original that was intended to fill three LPs. The range of sounds on this record is shockingly diverse, from breezy folk-rock ("Man Hole Covered Wagon") to pieces incorporating classical guitar and phantasmagoric lyrics ("L Ballade" finds Phillips' at his most Donovan-like, but with a better voice), and, in between, bouncy throwaways ("Not Quit…
Killer! 300 copies packaged in a double gatefold ruby recycled cardboard sleeve with silver embossed text on front, including a 32-page booklet. Archival and live recordings from Australia’s premiere prepared acoustic improvising trio. Formed in 2002, Melbourne’s Pateras/Baxter/Brown toured heavily between 2004 and 2008, playing a regular residency at the Empress in North Fitzroy in between extensive European tours. They performed multiple concerts in classical, electronic, jazz, grindcore and a…
A 5-disc overview of exploratory works written between 2005 and 2018, including long-form ensemble pieces, idiosyncratic trio combinations and a collection of 10 solos investigating various po tential in teractions between instrument and tape. Anthony Pateras is an Australian composer, pianist and electronic musician whose current work focuses on electro-acoustic orchestration, temporal hallucination and sound phenomena. Pateras has created over 75 works, receiving performances from the Los Ange…
Talking About The Weather: Teacher and student. Past and present. Two drummers. Two men. Two fathers. Friends. A conversation. A dialogue of the drums. Following up on a drum/percussion duo Eric Thielemans and Billy Hart did in the Summer of 2016 at the Jazz Middelheim festival, these two drummers decided to dedicate time to continue and deepen their versatile dialogues on and around the drums. The meeting and recording of Talking About The Weather took place on January 7-9, 2018 at "Figure 8 Re…
Edition of 400 copie, on marbled vinyl. Yannick Franck (Orphan Swords, RAUM) presents his new project: Mt Gemini. A deconstruction of ska, rocksteady, and skinhead reggae from the '50s, '60s, and '70s. Rather a passionate deconstruction of a genre than compositions or remixes per se, this incantatory tribute favors abstraction using loops, distortion, compression, variations of speed and height, and effects (delay, reverb, chorus). Recorded in different states of altered consciousness, Mt Gemini…
Available now is the authorized history of the obscure and influential Los Angeles art and music collective World Imitation Productions (WImP).
Emerging as creators of collaged and photocopied mail art and
publications in the late 1970s, World Imitation is perhaps best known in
its musical incarnation, the band Monitor, which was active
between 1978 and 1982, with live performances as well as two
self-produced 7" singles and one LP. (The LP was reissued by Superior
Viaduct in 2013.) Afraid…
Monster Mélodies presents an unpublished recording of Opus Minor, an underground Parisian group with undeniable musical qualities, who gave numerous concerts during its brief existence from 1970 to 1973 but never had the opportunity to publish its recordings. The record consists of an instrumental track, seven songs sung in French and three more songs in English, in which the band, beyond its influences, creates its own musical universe. In September 69, at the École Normale Supérieure of Cachan…
Mental Experience presents a reissue of Care Of The Cow's Dogs' Ears Are Stupid, originally released only on cassette in 1983. The album is a fascinating blend of psychedelic folk, minimal electronics and post-punk weirdness. Acid fuzz guitar, incredible vocal harmonies, drum machines, and analogue synths make it one of Chicago's best kept secrets, with a history that goes back to 1974. A trio formed by Victor Sanders, X Baczewska, and Sher Doruff, they had a very unique and eclectic sound, expe…
Includes download card. Out-Sider present the first ever reissue Hasting's Street Opera's Slippery When Wet, a US private pressing from 1969 unknown until now. Underground, psychedelic, electric jazz-rock/improv sound with mellow folk-rock moves and homemade/basement atmosphere. Mostly instrumental with some cut-up vocal sounds and effects. A mix of self-penned songs and amazing cover versions of classics like "Summertime", "Scarborough Fair", or "A Taste Of Honey" turned into hip, extended jams…
Highlights of their first 2 concerts in about 20 years, live in Brussels (2007-2008), shows the trio of Gilbert Artman, Jac Berrocal and Jean-Francois Pauvros anarchistic, powerful and controversial as ever. Uncertain rockers, exacerbated freejazzmen, pranksters, Jean-Francois Pauvros: guitarist, Jac Berrocal: trumpeter and vocalist, Gilbert Artman: drummer and pianist are a bit of everything, rock stomping, boring the avant garde, enraging the virtuosity. Trespassing the unbreakable with the su…