Reissues
October Language
*2022 repress, Limited edition of 300 copies, 3 digital bonus tracks, incl. download.* "October Language" is the debut album by New Orleans based duo Belong, comprised of Turk Dietrich and Mike Jones. Since it's release in early 2006, Belongs debut masterpiece has accumulated a dedicated cult following, with comparisons to the work of Christian Fennesz and Gas, with some claims that it plays like My Bloody Valentine's "Loveless" sans the songs. While these comparisons are useful for filing this …
Trans
*2022 Stock.* The Stockhausen Edition No.19 contains two recordings of the enigmatic orchestral work Trans, which highlights sometimes comic soloists playing against a backdrop of percolating winds and slowly-modulating strings. The imagery and general sonic characteristics of Trans came to Stockhausen in a dream he had in 1970. The result was an orchestral work where the most active members of the orchestra are hidden from view, and a slow-moving wall of string players hosts several comically b…
Sternklang
*2022 Stock.* Sternklang features a roaming studio recording, documenting the five spacially-separated electro-acoustic chamber groups of Sternklang, a harmonically-modulating piece structurally similar to the all-vocal Stimmung. Some soloists are also highlighted in the mix as they migrate from one group to another. This 2 CD recording features members of the English new music groups Intermodulation and Gentle Fire, as well as Annette Meriweather (vox), Harald Bojé (synth), Michael Vetter (vox,…
Für Kommende Zeiten
*2022 Stock.* Für kommende Zeiten is a relatively contemporary recording of some intuitive music pieces from Stockhausen's second collection of text scores, recorded by the Ensemble for Intuitive Music Weimar (Michael von Hintzenstern (piano/harmonium), Matthias von Hintzenstern (cello), Hans Tutschku (synthesizer), Daniel Hoffmann (trumpet)) on May 28, 2005. During a period of personal upheaval and crisis, Stockhausen wrote a set of texts, Aus Den Sieben Tagen, which are essentially verbal inst…
Stimmung – Pariser Version 1968 In Zwei Aufnahmen Von 1969 Und 1982
*2022 Stock. Includes 124-page booklet in German and English.* “Stimmung” was a commission from the City of Cologne, for an ensemble at the Rheinische Musikschule; Collegium Vocale Köln. It was written early 1968, in February and March, in a house on Long Island Sound in Madison, Connecticut, where Stockhausen and his wife Mary Bauermeister and their children lived a couple of months. This commission for a vocal work took on a completely new direction when Stockhausen – out of consideration for …
Gruppen / Carré
*2022 Stock. Includes 32-page booklet in German and English.* On volume no. 5 in the ongoing Stockhausen Edition we meet large-scale orchestral works for the first time in the series. The first piece on this CD originates in a commission that Stockhausen received from the WDR, but nobody – perhaps not even Stockhausen – could foresee the kind of music that would eventually come out of this commission. The end result was no less than revolutionary, in its totally new concept of music moving in sp…
Kontra-Punkte / Zeitmaße / Stop / Adieu
*2022 Stock.* The best, most efficient way to hear Stockhausen's works is through his official record label and publishing house. The Stockhausen Edition CDs are meticulously assembled with often voluminous booklets in English and German, filled with sketches and other documentary artifacts. Almost all of the recordings originally released on Deutsche Grammophon, Wergo, Nonesuch and other labels were reacquired by Stockhausen, and then remastered and repackaged under the Stockhausen Edition cata…
Formel / Schlagtrio / Spiel / Punkte
*2022 Stock.* Starting off with a merry, but very cautious fairytale melody, the little figures trip down a spiral staircase, then move in sudden rash movements across the stage, hide behind a tree or a rock, stick their heads out in a peek-a-boo-manner, look cautiously around with big apprehensive eyes, then dart forth again, to the next hiding spot – until they feel more at ease, and expose themselves center stage, holding hands or arms, dancing around, still looking and listening, in the spot…
Chöre Für Doris - Choral - Drei Lieder - Sonatine - Kreuzspiel
*2022 Stock. Includes a 32-page booklet in German and English.* This first volume of the Complete Edition highlights voice-driven student works and two chamber works. Kreuzspiel (Crossplay) is probably Stockhausen's first "key work". Although these works were composed in the early 1950s, these premier recordings are comprised of performances from the 1970s. Listening to the first works being issued in the large-scale the Stockhausen Edition series, one might expect some give-aways as to a possib…
Strings Revisited
Strings Revisited revives and revamps the sound of Strings, a now-classic recording of Henrik Otto Donner´s compositions by tenor saxophonist/flautist Juhani Aaltonen together with a jazz group and strings that was originally released in 1976 and has become one of the cornerstones of modern Finnish jazz. Strings Revisited was born from the idea of building on the music of the original album in order to create new music. Three compositions from it were recorded as new contemporary arrangements an…
Infinite Emanation
Killer! 1st pressing, already sold-out at the label. A duo live recording of Takehisa Kosugi and Mototeru Takagi held at Kunteki Shrine in Kochi City on January 19, 1985. Kosugi radiating a roaring sound using violin, electronics, and voice together with Takagi's sharp saxophone
Homo Audiens (Book)
Jo Kondo – one of Japan’s most celebrated living composers – sets out his conception of music as a ‘shared object of listening’, an ultimately hopeful vision of music as a purposeless – non-instrumentalised – activity that brings together composers, performers, and audiences as equal partners in the shared creativity of listening. At once an exploration and critique of the aesthetics of absolute music from German Romanticism to the present day as well as an argument for diversity in both interpr…
Black Lights
A little psych-dub masterpiece recorded in 1981 by the elusive Minus Group, a mysterious studio band led by multi-instrumentalist Enzo Minuti (aka Ezy Minus). The two tracks on this single are different arrangements of the same composition, the first, on Side A, being an afro-dub version with phrasings on sax and synth (both played by Minuti himself), weirdly processed choir vocals, and obsessively repetitive percussion. Side B, on the other hand, contains a tropical-downtempo mix, with claves a…
Now! : Writings 1982-2021 (Book)
* 320 pages with many drawings, music examples and photographs * Peter Ablinger used to say that he communicated in sound, not words. But his literary legacy is substantial, as this book demonstrates. He is a composer whose work is questioning basic assumptions about music as time-based performance-generated art form. Even though conceptually homogenous, his works are perplexing when observed through the traditional contexts of musical presentation. Most of the clues for their understanding come…
Solitude Transit
Transversales Disques is very glad to announce the release of Solitude Transit, unpublished archives by electroacoustic music pioneer Luc Ferrari. Music composed for contemporary dance, choregraphed by Anne-Marie Reynaud. Affiliated with French Radio's Groupe de Musique Concrète, co-founder of the GRM with Pierre Schaeffer in 1958, Luc Ferrari (1929-2005), a major figure of musique concrète and electroacoustic music broke away to pave his own path of individualistic expressions of minimalist mus…
Working Touch (USB)
USB in digipak; 11 films, three hours 55 minutes. Films includes: Praised Fan, for bassoon (2016, 17 min) Dafne Vicente-Sandoval, bassoon. Commissioned for the Adelaide Festival, Australia, by Ilan Volkov. Material recorded at Marcus Schmickler's P I E T H O P R A X I S studio in Koln, Germany. First Out, for guitar (2015, 22:14) David First, guitar. Completed in November 2015 in Hong Kong. Premiered on Czech Radio in Prague, Czech Republic, Nov. 27 2015. Material recorded at Berklee School of M…
Since There Were Circles
Singer-songwriter Bob Lind will forever be immortalized by his 1965 hit, »Elusive Butterfly«, but his career is so much more interesting than the fading wonder of that one hit. Once a hard-partying buddy of Charles Bukowski, Lind was the inspiration for the character »Dinky Summers«, a down-on-his-luck folk singer in Bukowski's 1978 novel Women. Lind also doubled as a writer, penning a number of novels and plays as well as serving as a long-time staff writer at the lowbrow tabloid Weekly World N…
P.O.X. Sound
*Limited edition of 500 copies.* Sonor Music Editions team was able to rescue from oblivion the lost tapes of this incredible recording, composed and orchestrated by the great Italian arranger and pianist Paolo Ormi. Originally conceived in 1972 at RCA studios in Rome, the album has been never officially released on any commercial/physical format until now. A promo Stereo-8 was only issued at the time on a ridiculous run, and only distributed for non-commercial purposes among the TV circuits. "P…
Sister, Brother, Lover....
*2022 Stock.* Originally issued by Regal Zonophone in 1971, this highly sought after release has been reissued on LP officially. The band's sound has been likened to that of the twin lead guitar style of Help Yourself/early Wishbone Ash with refined vocals. The songs are spiced with tasteful organ/piano and additional percussion throughout. The recording took place at Regent Sounds Studio in London where The Rolling Stones, The Yardbirds and Pink Floyd also recorded, as well as at equally renown…
Miles Davis Live - What It Is (Montreal 7/7/83)
This double LP release features one of Miles Davis final great bands: John Scofield on guitar, Bill The Other Bill Evans Evans on saxophones, flute and electric piano, Darryl Jones on bass, Al Foster on drums, and percussionist Mino Cinelu. Miles was back in amazing form (incandescent and iridescent as ever, critic Greg Tate noted), when he mounted the stage at the Theatre St-Denis during the Festival International De Jazz De Montreal in July 1983, and this revelatory performance has been loving…