Reissues
Telepathic Fish: Trawling The Early 90s Ambient Underground
The first-ever illustrated compendium recounting the seminal underground South London ambient party that surfaced at the axis through which the likes of Ninja Tune, Warp and Rising High flowed. Telepathic Fish shared fertile waters with Megatripolis and The Big Chill, moving the early 90s London back room chill-out space into the kaleidoscopic spotlight. Documenting the sights and sounds of South London’s seminal Telepathic Fish ambient parties. Hosted by Chantal Passamonte (aka Mira Calix – RIP…
The Human Zoo
An exact re-issue of The Human Zoo album, taken from the original master tapes, with all album artwork faithfully replicated!
From The Lemon Drops To Vibrations Of Sequence In Order
In 1969, The Lemon Drops sought success in San Francisco but disbanded after setbacks, leading to the formation of Watermelon with ambient composer Raphael. Their sound blends fiery psychedelic rock and haunting grooves, captured on rediscovered tapes recorded with just two microphones.
Mörk Borg
2025 Vinyl Repress. ONE DAY ALL WILL BLACKEN AND BURN. Just as the two-headed basilisks predicted. Lies, Truth, Denial and Envy embodied. Their riddling yet oddly accurate prophecies were put in ink by Anuk Schleger the monk, in the scrolls that now hold many names - The Nameless Scriptures, The Unwritten, The Dirt Pages. And so far, every promise therein has been realized, hence why both kings and beggars now cry and wail. Everything will blacken and burn. The stormy, Endless Sea will boil and …
Disguise In Love
"Disguise In Love" released in 1978, is the debut album of British punk poet John Cooper Clarke. Renowned for his quick-witted delivery and sharp humor, Clarke fuses punk rock with spoken word, resulting in a one-of-a-kind sonic experience. The album includes tracks such as "I Don't Want To Be Nice," "Valley of the Lost Women," and "(I Married a) Monster from Outer Space," highlighting Clarke's talent for social commentary and dark comedy.
Produced by Martin Hannett, known as (one of) the creat…
Sky Blue Void
Matthew Bower's Total released 'Sky Blue Void' in 1994 through Freek, recorded the same year as previous NOHL reissue Skullflower's "Last Shot at Heaven." "Sky Blue Void" is the zoner of zoners, as heavenly and crushing as the rapturous cover art suggests. Release yourself to the void.
Invocation Of The Beast Gods
If "Cathedral" is one of Nigel Ayers' most celestially minded records, then "Invocation of the Beast Gods" is among his most ritualistic. We start at full throttle with suffocating tension before giving way to an uneasy release. "Tranquil" this is not, but Ayers' delicate touch allows him to explore the full breadth of the album title's implications — here you will find moments of whimsy, contemplation, and full-bore reckoning. No Holiday is pleased to offer "Invocation of the Beast Gods" alongs…
Cathedral
*2025 stock* Nocturnal Emissions' releases throughout the 1980s are eclectic, adventurous and intermittently raw. 1991's "Cathedral" is something else entirely — ritualistic, expansive, awe-inducing. It is at turns warm, ominous and ethereal. We could come up with adjectives all day, but it really must be heard to be believed. Originally released by Italy's Musica Maxima Magnetica, "Cathedral" finally gets its due on vinyl with a deluxe 2xLP edition featuring a large booklet with many of Nigel A…
Merzbow Mixed Total
The two masters, thousands of miles apart, released this fearsome collaboration in 1997 on Sterilized Decay. Matthew Bower's source sounds were processed, mangled and reassembled by Masami Akita for 50 minutes of unbridled destruction. At once a summation and reconfiguration of both artist's incredible work throughout the 1990s. Remastered and with a new layout based on the original tape.
Red Magnesia Pink
First released by Extreme in the massive, infamous 'Merzbox,' "Red Magnesia Pink" is extracted and recontextualized as a standalone release for the first time. Recorded in 1995, "Red Magnesia Pink" sees Merzbow in peak form. A psychedelic whirlwind of synthetic transmissions; harsh, wet, screeching sounds that could only be produced by Masami Akita. Featuring two previously unreleased bonus tracks from the same era.
Freak-out Electrolyze
Reissue of the long out of print 1997 album. All performed, recorded and edited at Acty Hanazono, Summer 1997. Used Instruments: Microphone, Colorsound Pedals, Romero Theremin, 60'sFuzz, Expj Ring Modulator, Arion & Guyatone Digital Delay, Evans Super Echo and Noise Canister.
Allez-Teia (Heldon II)
Limited Anniversary Edition: hand numbered, White vinyl, 500 copies available! Released in 1975, this second full-length stands as perhaps the most uncompromising statement in the Heldon catalog - a work that refuses all concessions to accessibility while remaining utterly compelling from first pulse to final fade. Where the debut balanced Pinhas's most extreme impulses with moments of relative calm, Allez-Téia feels like an artist completely unleashing his vision without concern for consequence…
Third (It's Always Rock 'N' Roll)
** Limited Anniversary Edition: hand numbered, limited edition light Blue double vinyl, 500 copies available! hird album from the French spacerock electro combo masterminded by Richard Pinhas. Heldon’s darkest work lays another stone in their sonic mosaic: synths,drones, fuzz and trippy improvisations. Intense Heldon!! **
In the sprawling landscape of 1970s experimental music, few figures carved as singular a path as Richard Pinhas and his electronic storm trooper project Heldon. While their c…
Further Conversations With Myself
Further Conversations with Myself, released on the Verve label in 1967, was Bill Evans’ sequel to his 1963 Grammy Award LP Conversations with Myself. As on that initial album, here all the pieces are unaccompanied solos with piano overdubs. On Further, however, he plays just two pianos instead of the three he had previously employed. According to AllMusic reviewer Scott Yanow, “The program is brief, but Evans plays quite well throughout. In particular, his versions of Johnny Mandel's ‘Emily’ an…
Reflections Of A Golden Dream
Lonnie Liston Smith was one of the most important musicians to emerge in jazz in the 1970s. His 1975 album ‘Expansions’ is one of the foundation stones of modern dance music and his recordings have been sampled by many of the biggest artists in the world. His music was a cosmically inspired spiritual interpretation of the music he had been making during his time with Pharoah Sanders, Gato Barbieri and Miles Davis.
Released in 1976,“Reflections On A Golden Dream”, the follow-up to “Expansions”, w…
Reminiscences of Raktako: Huayno Guitar from Cuzco and Ayacucho, 1930-1940
Huayno has its roots in the Andes during the colonial era, when indigenous peoples began to blend their music with influences brought by European settlers. During this process the Spanish guitar naturally became very prevalent, incorporating the tunings, finger-style and rhythms of the traditional Andean harp along with it. The late Alberto Juscamaita Gastelú, known as Raktako, was a renowned guitarist, composer and mentor to generations of guitarists from his home in Ayacucho, southern Peruvian…
Big Lizard Stomp! (Teen Trash From Ps ychedelic Tokyo '66-'69)
Under the influence of The Beatles, the Group Sound Movement swept Japan in the mid Sixties. This compilation collects some of the finest cuts made by several of the leading band of the time like The Mops, The Golden Cups, The Spiders ... and more!
Early Works 1988 - 1992
*100 copies limited edition.* A raw sonic document of exile, trauma, and transformation, this CD collects early works by Hungarian artist Sándor Vály, recorded between 1988 and 1992. Created using homemade instruments, rudimentary electronics, and cassette gear, these tracks trace a turbulent path through desertion, psychiatric confinement, political escape, and cultural rebirth. Inspired by the Tibetan Book of the Dead and personal upheaval, Bardo Tödol I–II, SoulDrum, and other recordings evok…
A Night In Gloucester Avenue
*200 copies limited edition* "Once upon a time, Lol Coxhill and Veryan Weston shared a home in a grand neoclassical mansion from the Regency era, located in the garden city of Welwyn Garden City, about 40 km north of London. That mansion was Digswell House, which at the time was run as a space for young artists to live and work. It wasn't just musicians—painters and sculptors gathered there too. Lol moved into Digswell House in 1976 and lived under the same roof as the already-resident Veryan fo…