Reissues
Larks' Tongues In Aspic
Larks' Tongues In Aspic is the fifth in a series of audiophile King Crimson vinyl reissues. Newly cut from masters approved by Robert Fripp, this super-heavyweight 200gm vinyl re-issue is housed in a reprint of the original sleeve. With its raw tone, inspired improvisations and hard hitting odd-metered rhythms, the album marked a radical departure for this most forward thinking of groups and was the first to include Bill Bruford and John Wetton as band members. King Crimson reborn yet again -- t…
Lizard
Released in December 1970, King Crimson's third studio album, Lizard, is often viewed as an outlier in the pioneering British prog outfit's nearly half-century discography. It's not easily grouped with 1969's stunning In the Court of the Crimson King debut and 1970 follow-up In the Wake of Poseidon, and along with 1971's Islands it's considered a transitional release on the band's path toward the relative stability of the Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (…
Latinoamérica
Sole release by this Colombian band that surfaces briefly after the Speakers, Young Beats, Ampex and Time Machine era comes to an end. The band boasts an Italian jazz-rock drummer Roberto Fiorilli and legendary Genesis Bassist Humberto Monroy. The record consists of one theme divided into two long experimental progressive ventures (Viaje I and Viaje II) of fierce, fluid and free collective improvisation with spacey feels and a rich texture of Hammond organ, guitar, bass, tenor sax, percussion an…
A Symphony of Amaranths
Scored for a large jazz orchestra, this highly-collectable 1971-recorded album also contains two vocal settings by Ardley, remembered also for his ground-breaking work leading the New Jazz Orchestra, these being the earliest example of his vocal music. The first is a setting of Edward Lear’s famous nonsense poem “The Dong with a Luminous Nose”, wonderfully and uniquely told by Ivor Cutler backed by an unusual chamber orchestra containing keyboards, vibraphone, harp, violin and cello that prov…
Fine Automatic & Die Form
2017 repress. This release is the unique and complete full album from one of the Die Form side projects, named "Fine AutomatiC & Die Form" (from the "Endless" short tapes serie). This one is released in double albums as two separate vinyl LPs in the context of the Archives of Industrial Music from France (offering inside this collection : identical covers, excepting specific typography of the artist or of the band and personalized logotypes) in order to point out its radical aesthetic unity and …
Sukram Gurk
Siloah were re-formed by Thom Argauer in late 1971 after their Munich hippie community had split following the release of the band’s first record. Although "Sukram Gurk" was recorded under the same elementary conditions as its predecessor and had a similar psychedelic touch, it fails a bit to achieve the sort of charisma evident in the first record. Thom now played the keyboards instead of the guitar. Re-issue from the master …
Hau-RUK
First legit reissue of the 1st Xhol album (post Xhol Caravan), originally released by the legendary OHR label in 1971. Previously bootlegged in poor fashion by Germanofon, this comes with one 22-minute bonus track (from 1974) and the usual thick booklet of liner notes and photos by Garden of Delights. This album followed Electrip and precedes Motherfuckers GMBH. One of the more confounding pieces of the Krautrock puzzle, Xhol played long, wasted lounge-blues excursions, much favored by the…
Io, Emmanuelle
Four Flies Records is proud to present the first vinyl reissue of the original soundtrack to Io Emanuelle, Cesare Canavari’s 1969 erotic-drama starring Italian scream-queen Erika Blanc.The score was composed and arranged by maestro Gianni Ferrio, who created one of his most famous and iconic soundtracks ever, with music that perfectly follows the neurotic character of the young protagonist – from moments of intimacy and introspection, to those of insanity and madness.The result is a terrific coc…
Watching The Burning Bride
Long-awaited double cd reissue of the two Asmus Tietchens/Burrows collaborations which sound still remarkably fresh today. Watching The Burning Bride was originally released on Terry Burrows' label Hamster in 1986, while the second collaboration came out on Disaster Area in 1998. As usual the booklet reproduces the original lp sleeves and a lengthy text by Terry Burrows on how the collaboration between the two artists came about is also included. The release includes two short bonus tracks.
Gamelan Coming & Going
Recorded in 1985, this long piece, unpublished until now, belongs to the Gamelan series, which Philip Corner has worked for years and counting dozens of pieces. In the word of the author, the piece, for two pianists "...represents one of the most “curious” manifestation in the Gamelan series. The increment-link, high-to-low, is maintained on the chromatic scale of the piano keyboard, giving durations from 1 to 88. However they are realized in both directions at the same time. And counted out lou…
Milchreise
Transport rushes through all sorts of unholy rituals and improvised excesses – from Tanz um den Melkeimer to the Ekelzentrum and on to the Traumbaum. A Space Odyssey without rules or certainties, apart from the filthy power of an uproar of etheric synthesizer washes and motoric drum pulses. On their Milchreise, they boldly stimulate cosmic regions of your brain that no band has stimulated before (probably apart from Amon Düül, Ash Ra Tempel and Boredoms). Milchreise is their thundering, …
Mercury's Rainbow
Zomby’s near-mythical Eski grime concept album was created over an intense two week period around 2008-2009 and features 16 uniquely formulated interpretations of Wiley’s seminal Eskibeat productions. It's been in hybernation ever since and, almost a decade later (and after many aborted attempts), is finally available for public consumption - still sounding like an ancient future. After nearly a decade in the making, Zomby finally dispatches his astonishing take on Wiley’s series of Eskibeat rel…
TV Totem 3
From Ernst Thoma's secret vaults. Live recorded on 2 Track Revox at KOPROD Studio Zürich in 1982. Chapter #3 of Mr. Thoma having fun with the Serge Modular Music System and TMS Synthesizer, accompanied by Knut Remond on drums. Proto-techno/industrial/minimal synth galore...
Bells
Reissue on 180-gram opaque white vinyl. Originally released in 1965. The transitional "Bells" was just under 20 minutes, released originally as one side of a clear vinyl LP with the other side empty of music. It was recorded at a May 1, 1965, Town Hall concert of ESP artists, displaying Albert Ayler's new group, which added Albert's brother Donald and Charles Tyler. The denser sound of "Bells" shows Ayler moving towards the bigger sonic statement made on Spirits Rejoice (ESPDISK 1020CD/LP), h…
Echoes of Harmony - Early Music Reworked
All pieces of the Renaissance Repertoire come from Cancionero de Colombina (around 1470) or Cancionero de Palacio (around 1510). Both sources are well known for their typical Spanish repertoire of this period. Electronic music artist Sylvain Chauveau did new versions of several tracks and added also some drones to the program. Daniel Manhart did the compilation and the additional sound design and mixing. All pieces on this CD are hardly ever performed or recorded -- a fine, sensitive, inter…
Cold War Night Life-Recordings 1981-84
One of Canada’s first synth-pop groups, Rational Youth was formed in the summer of 1981 by Tracy Howe (The Normals, Men Without Hats, Heaven Seventeen) and Bill Vorn (U, Sacred Noise). Inspired by the influential Kraut-rock band Kraftwerk, they set out to create their own brand of modern electronic music. Within months of their first meeting, Tracy and Bill, along with Mario Spezza, recorded and released their first 12” single “I Want To SeeThe Light” b/w “Coboloid Race” on the newly formed YUL …
Lee Hazlewood-The LHI Years: Singles, Nudes, & Ba
With his handlebar moustache and booming baritone, Lee Hazlewood was one of the defining stars of the late ‘60s. Though he’s perhaps best known for his work with Nancy Sinatra (including writing mega-hit “These Boots Are Made For Walking”), Hazlewood did stunning work away from that particular glamour queen and found latter day champions in Beck, Sonic Youth, and Jarvis Cocker. Now, for Record Store Day 2012, we are kicking off our excavation of the Lee Hazlewood archives with this anthol…
The Zürich Concert
Just when you think you are grasping the breadth and quality of the music of Julius Eastman (1940 - 1990), a recording such as Julius Eastman: The Zürich Concert shows up, and you have to go back and reassess his work and wonder what will show up next. This recording is from a 1980 solo seventy-minute improvisatory concert in Zürich, a cherished cassette made by a friend of Eastman's, who recently realized its uniqueness and decided that he should share it. The Zürich Concert was performed on Oc…
Brdo
Limited Edition of 100 copies.
It started again the CDR series, with a historical name of the ANTS catalog: Albert Mayr. This work dates back, like the previous "Suono Ambiente" of the same series, to 1978.A research project on a hypothesis of a "community rhythm" well described by Gillo Dorfles in his notes of the time:"The time-space musical analysis performed by Albert Mayr in February 1978 in the tiny village of Brdo, in Istria, is the result of long meditations and deep practical experiment…
Same Animal, Different Cages Vol. 3: Civil War Songs
"In the third volume of the Same Animal, Different Cages series, American composer David First does a 180 from the purely sound-for-sound's sake explorations of the first two volumes and gives eleven emotional outpourings performed exclusively on solo harmonica. Despite this minimalist single-instrument approach, First makes each of these songs sound fully realized; anything more would simply be crowding the sonic space. First has produced perhaps one of the first folk-music responses to …