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Two incredible, light-speed Musique Concrète pieces from the Brazilian composer & Grupo Um member Lelo Nazario. The first, “Discurso Aos Objectos #2” managing to shove in pretty much the entire universe of sound (loud, destruction-oriented sections of recorded action - spoken / shouted proclamations in “7 linguagens diferentes” - little blasts of instrumental & site-specific sonorities - short. automated “pure” electronic & synthesizer blurst - into a relatively short 8 minutes. Then, the second…
"Perché si uccidono" by Reale Impero Britannico surely is the rarest record of the Goblin universe, together with Cherry Five of course. Released in a very small batch of copies in January 1976, as the soundtrack of an obscure movie called "Perché si uccidono" though it was recorded some time before, when the members of Goblin still called themselves Cherry Five, as the band still featured Cherry Five singer Tony Tartarini (who sings in the excellent "My damned shit") and drummer Walter Martino.…
*2022 stock* A deep mystery surrounds the movie “Nell’anno della Luna” (In the year of the Moon) and its soundtrack, which was released one year later. A beautiful work that lingers in between swing and melodies, in a fad that was popular a few decades earlier, complemented by some elements of novelty borrowed from beat and rock. The title track, “Alla brasiliana” and “Samba Querida” sound more traditional, while titles like “Afro Swing”, “Underground”, “Beatmania” (all featuring the vocal ensem…
Extracts from the Farewell performance at Kings College, London 1978. Jgjgjgjg formed at the London Sound Poetry Festival in June 1976. Reissue of tape on Balsam Flex. 200 copiesIn those days a number of British poets were producing works influenced by radical international currents in sound art, conceptual art, visual poetry and performance art. Bob Cobbing (1920-2002) was a central figure in this continuation of the ‘British Poetry Revival’, a rather loose poetry movement of the 1960s an…
Babils are an atypical Brussels underground band, mixing rock, new wave, psych, kraut, experimental, and repetitive music. Ji Ameeto is the fourth album from Babils. From the duet formed in the late '90s by Gabriel Séverin and Michel Duyck, opening out over the years, the five current members of Babils meet monthly at the Central Laboratory to improvise freely, without any restraint. All the sessions are recorded and archived. The very first album by Babils, The Joint Between, made of a sele…
The only solo outing by "Works of Electronic Music" alumnus Iván Patatich, a collection of six late-70s Electronic works realized at the Institute of Sonology in Utrecht & "H'EAR" - the Electronic Music Studio of the Hungarian Radio, including "Antiphons (Antifonák)" (1977), "Calling sounds (Hivó jelek)" (1977), "Ballade" (1976), "Ludus syntheticus" (1977), "Chinese temple with echo (Kínai templom visszhanggal)" (1979), & "Hommage à l'électronique" (1978). Much like the László Dubrovay "Live Ele…
Second title in this 199-x series - itself dedicated to working through titles that had been languishing in limbo in the Creel Pone "nominations" sector for some time while specific "Golden Circle" Cabal members feud bitterly over their possible inclusion - offering the only LP by Scott A. Wyatt, following the fantastic "in Celebration of the 25th Anniversary of the Experimental Music Studios" set. Released at the tail-end of the 1970s on the Academic "University Brass Recordings Series" (UBRES)…
Handy collection of all of Composer James Dashow's early Computer Music issued in the vinyl era, including his 1982 Edipan "Computer Music / Musica Elettronica" LP, plus his track from the "Computer Directions" collection on CRI & the piece "La Pianta Di Livio" tucked onto the end of the soundtrack to the film "Oedipus Orca" released on Cinevox. Dashow started out in the Chicagoland area, studying with J. K. Randall amongst others before heading to Italy on a Fulbright in the late 60s where he s…
The two moldy, water-logged LPs being reproduced here - the particular copies in question were steeped in Italian bog-water for decades, then recently proffered to the Mr. P.C. C.P. brain-trust - cover the self-released early-80s Electronic Free Jazz / Improv diversions of one Robert Aaron - the New York "Jazz Musician" / James Chance sideman who was recently arrested in connection to Philip Seymour Hoffman's death. That aside, let's focus on the music: both LPs - issued via Aaron's Private Arti…
Joe McPhee and Raymond Boni at Hulsey Recital Hall on the University of Alabama at Birmingham (UAB) campus on April 20, 1985. Joe McPhee - soprano saxophone, electronics and voice; Raymond Boni - electric guitar and electronics. The complete was concert inspired by the words of Eric Dolphy: "When you hear music, After it's over, It's gone, In the air, You can never capture it again."
A reissue of Antibarbarus, issued as a compact disc in 1998, was the first edition Walter Marchetti released on Alga Marghen. The Antibarbarus cycle of five pieces makes use of original tapes coming from the same recording sessions that originated some of Marchetti's major musical works realized in the '80s. This former series of works presented some homogeneous and untouched sound sources in the "concrete" status of their inner - and necessarily chaotic - level of entropy. Nevertheless this ope…
Art edition, LP edition limited to 80 copies in cardboard box with stamp, also including the original 400-page-creative-book with the same title. A killer reading of José Luis Castillejo's TLALAATALA book by Fernando Millan, recorded in Madrid in 2001. Modern or advanced writing is a direct and independent medium, i.e. it realizes and gives presence to a set of relationships without the need of further dependence (as it happened till now in literature) on other media. Words, syllables, stories, …
In 2010, Brunhild Ferrari decided to make public some of Luc Ferrari's original sound archives by offering a selected collection of recordings to other composers who may wish to use the material for the creation of original musical works. Her desire was to open this sonic treasure to other artists without wanting to impose any aesthetic direction on them, and with the only purpose of encouraging new artistic inventiveness. This edition presents the "Presque Rien Prize" winners and other selected…
"The DKV Trio formed in the summer of 1994. Our early years of work took place in Chicago at The Bop Shop on West Division Avenue, the Lunar Cabaret on North Lincoln Avenue, and at the original Velvet Lounge, when it was still on South Indiana Avenue. The band's first album, a limited edition CD recorded by Malachi Ritscher at the Lunar Cabaret and released by Bruno Johnson on his label, Okka Disk, underscored a transformation that was taking place on the Chicago music scene - new groups, new pl…
With their second album of 1981, the ensemble Zeit re-propose their own vision of a new cultural multi-geographical mosaic without boundaries. The sound confirms the inspired and eclectic vein of previous work suggesting even a greater conviction and maturity of intent. The arrangements tend to dilate in more alchemical and hypnotic sequences, while the range of inspirations (Balkan music, Greek, Turkish, Persian, African etc.) and the poly-instrumentalism are even more precious and varied. Dec…
Unreleased recordings of future members of Aktuala and I.P. Son Group! The history takes us back in the alternative Milan of the early 70’s, to the flavour of the first jam-blues of that era when musicians from different parts of the world (India, Africa or South-America), of disparate background and culture were used to gather to experiment just with an authentic sense of stay together. Here, the devotion to the blues roots remains strong but leaks in the compositions an aerial and wandering c…
The legendary Adnan Othman has long been a driving force in the Malaysian rock scene. As early as the 1960s his groundbreaking songs in the style known as "pop yeh yeh" (rock and roll sung in Malay) were attracting fans across Malaysia and Singapore. He has since gained many fans around the globe due to a renewed interest in rock music from Southeast Asia. Othman made his first recordings in Singapore in the early 1960s, when he was invited to record with highly popular backing band The Rhythm B…
Take the Funky Tramway with Janko Nilovic and the Mad Unity Band! Here is another most wanted lbrary LP composed by iconic Janko Nilovic who recorded it with some of the finest musicians from Belgium under the Mad Unity group including Koen De Bruyne on Keys, Richard Rousselet & JP Onraedt from Placebo, Synthe wizard Dan Lacksman. No need to say more, you know this album is good from start to finish. "One of the coolest projects ever from funky sound library genius Janko Nilovic – and one of his…
First ever re-issue of this obscure private tape recorded in 1984. More uncompromising sounds by Pietro Mazzocchin. Screeching old school electronic abuse with an overly obsessive approach. A very intense album with an unsettling and claustrophobic atmosphere. For fans of extreme sounds ! Lp + one sided LP in pink vinyl and blue vinyl with paste on cover. Includes a numbered pink insert. Cover images are original artworks from 1984 by Pietro Mazzocchin. Edition …
Restocked, reduced price Performing and visual artist Ben Patterson (born 1934) was a founding member of Fluxus' participatory, do-it-yourself, anticommercialist avant-garde network. While many Fluxus artists, influenced by John Cage's precedent, employed conceptual techniques borrowed from music (e.g., the event score), Patterson's fusion of art and music was informed by his background as a classically trained double-bassist. His "Variations for Double Bass" (1960), for example, was played with…