Reissues
Discography
Restocked, reduced price. Awesome catalogue raisonné of Dieter Roth’s work as musician and music publisher. There is a long list of records, CDs and cassettes that document the music of Dieter Roth. He played in many ensembles and made recordings, both in public concerts and in private spaces. One important series of audio documents is the collection of different records with the collective title Rarely heard music. These recordings were made in collaboration with friends and artist colleagues s…
Innerconnection
Unreleased session from 1975. "Trumpeter Ted Daniel's Energy Module was a short-lived band. They played exactly two gigs in the course of one week in the fall of 1975-and never played again. They gelled quickly as a quintet, however, in large part because everyone knew each other from working in Daniel's big band, Energy. However, the Energy Module was a less formal affair than the large ensemble, in which they played Daniel's original compositions and arrangements. "We had a couple of re…
Interconnection
Big Tip! Unreleased session from 1975."Trumpeter Ted Daniel's Energy Module was a short-lived band. They played exactly two gigs in the course of one week in the fall of 1975-and never played again. They gelled quickly as a quintet, however, in large part because everyone knew each other from working in Daniel's big band, Energy. However, the Energy Module was a less formal affair than the large ensemble, in which they played Daniel's original compositions and arrangements. "We had a couple of r…
3. Berliner Dichterworkshop
First part in the reissue series of all Selten Gehörte Musik records. CD in printed CD sleeve packaged in fullcolour 12" LP sleeve (reproduction of the original artwork) and printed 12“ innersleeve featuring rare photos and an english text on Selten gehörte Musik by Gerhard Rühm. This is the reissue of the first SGM release from 1973. Recordings of the 3rd Berliner Poetsworkshop (First Berliner Musicworkshop) with Dieter Roth, Gerhard Rühm, and Oswald Wiener, Berlin 12th & 13th July 1973. Editio…
Live at Tarcento Jazz
** Second edition, 200 copies on black vinyl ** Konstrukt is the free jazz revelation of the last ten years.This incredible quartet of saxophonist Korhan Futaci, guitarist Umut Caglar, drummer Korhan Arguden and percussionist Ozun Usta is blowing a real stream of fresh air, like the Art Ensemble of Chicago did in the 70s. This live multi-channel recording by Giulio Moratti captures their whole performance at Tarcento Jazz Festival (July 18th 2014) giving a perfect taste of their Cosmic–Turkish f…
Two pianos and other pieces, 1953-1969
A double CD of music for multiple pianos from what is arguably the most experimental and interesting period of Morton Feldman's development as a composer. Some of the pieces have been very rarely performed or recorded, and have probably never been in better hands. The music featured on these two discs testifies to the intensity of Feldman's experimentation with notation and sound during the 1950s and 60s. Considering the works chronologically one senses the composer trying out, teasing and deve…
Le passe' du Futur est toujours present
Jean-Noël Cognard is a big initiator of projects and collaborations both in the studio and on the stage. With his label, Bloc Thyristors, he documents these musical sparks. One recalls the great epoch of Soixante Étages, which, at the instigation of Dominique Répécaud, attempted crossing genres in studio recordings for the benefit of the music. Tribraque, is Jean-François Pauvros (guitars and voice), Patrick Müller (electrosonic), Jean-Noël Cognard (drums & percussion). A surprising trio which e…
Red Bird/Anticredos & Voiceprints
ICR is proud to announce the re-release of a double CD of 2 seminal works of UK electroacoustic music by Trevor Wishart. "This Double Album brings together many of my major pieces from the last 40 years. "Red Bird" has been held up as a pioneering work, using both a "cinematic" approach to audio, and sound morphing, especially because it predates the use of computers but prefigures many of the techniques later used for making computer sound art. "Anticredos" brought together my research int…
Quarta Pagina
**CD version** Another amazing find of our research - this obscure album by The Braen's Machine is dated 1971 and is part of one of the most fascinating and enigmatic periods of Italian music history. Library Music, made for radio and TV mainly, pressed on a few vinyl copies..."Quarta pagina" portrays with great ability some possible - who knows if they ever had been realized - crime scenes, with hard-boiled and dark atmospheres, alternating with the Psych-Funk rides that have always characteriz…
Rarities (Volumes 1 & 2)
Lindsay Cooper was a rare and extraordinary woman; at home in rock bands (Henry Cow, National Health), Jazz ensembles (Mike Westbrook Orchestra, Maarten Altena Octet) Concert Halls (Concerto for Sopranino Saxophone and Orchestra, Songs for bassoon and Orchestra); she also founded the Feminist Improvising Group, scored feature films and wrote for television, dance, radio, theatre, contemporary ensembles and orchestras - as well as being highly respected as a virtuoso performer on several instrume…
Memory Space
The central concept behind Alvin Lucier's Memory Space is the representation of another time and place through the use of a new set of sounds. In his instructions, Lucier asks the performer/s to go to an environment and record by any means (notes on paper, graphics, audio recording or by memory) the sound situations that are present, then, at any later time, in a different space, attempt to recreate that situation. The purpose of the work is to avoid elaboration or embellishment, but given that …
Home Handover
2025 stock ** "In 2010, Jean-Luc Guionnet and Éric La Casa were invited by Arika to the Uninstal festival in Glasgow (Scotland) to carry out a series of recordings with some inhabitants of this city, in their home spaces. Based on predefined rules, including the single-sequence shot as a recording method, these people became the actors in a story about their everyday life. Guionnet and La Casa considered this work as a composition under the form of a score with four phases."
Music from the Tudorfest: San Francisco Tape Music Center, 1964
In the spring of 1964 Pauline Oliveros organized a festival celebrating the work of pianist David Tudor, which featured compositions by Oliveros, George Brecht, Toshi Ichiyanagi, Alvin Lucier, and John Cage. The Tudorfest was a watershed event in the brief history of the San Francisco Tape Music Center, which not only provided its members with an opportunity to collaborate with Tudor, but also to promote their own work. Co-sponsored by KPFA, the Tudorfest demonstrated the artistic diversi…
Hortexte Zwei
A precious double picture disc LP and booklet of radio plays (Horspiele) from sound artist and poet Ferdinand Kriwet, presenting 6 works including Hortext I, and Rotoradios I & II. Ferdinand Kriwet (b. 1942, Dusseldorf, Germany) is a German visual and audio artist who has produced films and sound works for radio and television, in particular throughout the 1960s and 1970s. As a sound artist, Kriwet is more known for his Horspiele (radioplays) series named Hörtexte (Radiotexts) produced for G…
Gruen
Conrad Schnitzler's green album (aka Grün), originally released in 1981 on Edition Block. "Schnitzler's tracks in the 1970s were lengthy and shared a musical pattern which varied only minimally. Hence the green album has just one track on each side and any changes in melodic structure are subtle in nature. Both pieces are very much typical of Schnitzler in style, but less so tonally. An analog rhythm machine ploughs almost brutally through the astoundingly delicate electronic veil of 'Der…
Forms Of Forgetting
Forms of Forgetting is a studio construction investigating memory/forgetting and attention/inattention as catalysts for formal development in long-duration sound work. An extension of Seth Cluett’s gallery-based practice and created out of a sequence of materials developed for performance, the piece is the culmination of two years of in-situ live experimentation. Part site-specific performance, part modular, mobile form, this work employs techniques that aim to explore the fallibility of …
The Golden Hour
Portland guitar wizard Marisa Anderson's long-awaited solo guitar record. Marisa has been a fixture on many a music scene for years and years, playing with everyone from the Evolutionary Jass Band to Tara Jane O'Neil to The Dolly Ranchers. In any context, she can't escape her rag/blues/folk roots, no matter how hard she tries. On this LP featuring only guitar, no vocals, no overdubs, we are treated to a very intimate-sounding home recording filled with delicate grace. Comparisons to John F…
The Long Hot Summer/Interview Oct. 1969 /Waiting for Commercials
This CD restores three documents from the Charlotte Moorman canon. One happy example is a choral work performed on the 3rd of September 1964, during the second New York Avant Garde Festival, a performance of Jackson Mac Low's composition "The Long Hot Summer." This very relevant concert, distinguished by a marked ethico-political intonation and valence, sees in an exceptional reunion the names of Charlotte Moorman, Nam June Paik, Benjamin Patterson, Philip Corner, and Malcolm Goldstein, as well …
TV cello
Of the famous "TV Cello," conceived by Nam June Paik for Charlotte Moorman as a "living sculpture," this CD offers an in-situ recording released on one of the three days inaugurating the Paik retrospective at the Museum of Contemporary Art in Chicago, on the 11th, 12th and 14th of September in 1982. This version contains, respectively, the "TV Cello Duets" with Paul Garrin and the "Concerto for TV Cello and Videotapes," largely improvised, "including a tape collage by Ornette Coleman prepare…
Aachen Konzert, July 25th, 1966
This CD presents a concert from July 25th, 1966 in the Theatersaal in Aachen, Germany. In addition to the New York concert on September 12th, 1964, the recordings of this European concert well represent the kind of performances that Charlotte Moorman and Nam June Paik presented in Europe in the second stage of their historical "duo" exhibitions. This Aachen event, in fact, is testimony to the progressive and always more pronounced emergence of meta-musical elements deliberately turned toward the…