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The third of the experimental electronic releases on the PDU label (along with recent Wah Wah's offerings Elektriktus' Electronic Mind Waves and Roberto Cacciapaglia's Sonanze) was released in 1978 and offered amazing cosmic passages in the purest Gillet Lethman & Cosmic Jokers style, built with piano, synth and even a spice of disco rhythms, plus sensual voices in a Cantori Moderni d'Alessandroni or Edda Dell'Orso feel adding for an exotic touch. Reissued for the first time in a limited edition…
At some point all great explorers, from Amundsen to Kishan Singh Rawat, come to an opening up and cast their minds across a big space. A clearing, a promontory, a look out from a place no one's been before. Jakob Olausson ventured deep on Moonlight Farm, his debut for De Stijl in the winter of 2005. His singular expression returns on Morning and Sunrise, an explorer's codex, a gaze through to what's more important and less seen. The path yet traveled and the sun arcing over it. Morning and Sunri…
Exact reproduction LP of a Swedish release from 1970. A bit of confusion surrounds this release: The album has been credited to Träd, Gräs och Stenar, but they aren't featured on it. Bo Anders Persson did, in fact, in collaboration with Solvieg Bark, compile, edit and release this album. Bo Anders Persson, was a member of the legendary Swedish bands Harvester, International Harvester, Pärson Sound, and Träd, Gräs Och Stenar. Solveig Bark was one of a few young composers that, through the UNM (Yo…
Issued for an art event recently presented at the Galleria Milano in the first week of April 2012, the recordings on this LP edition represent a very specific and intimate moment in the creative sound production of Davide Mosconi with NADMA associates Inez Klok and Gustavo Bonora.For Davide Mosconi and for all the artists and musicians involved in the groups he founded (the legendary NADMA, Organic Archestra, Il Quartetto, Alea), improvising sessions were a daily practice that founded their very…
Collection gathers pre-Wooden Wand and the Vanishing Voice material from James Jackson Toth's Golden Calves project. Originally released in 1996; limited to 1000 copies. "It was really all about The Godz, Jandek, The Shadow Ring, Strapping Fieldhands, Swell Maps and Tower Recordings. Beyond these, I had only heard the 'classic' and most available free jazz, krautrock and noise albums. I was a long way from, say, the second Comus album or Charles Gayle. But this music changed my life. It was a re…
When psycho-spatial composer Nelson Gastaldi passed away in 2009 at the age of 77, he left behind a unique musical legacy that is only now beginning to be unveiled. A self-described “musical nihilist with noble and mystic origins” (as well as an accomplished visual artist), Gastaldi supported himself and his family with a job at an electric company in Buenos Aires, Argentina, while creating an astonishing body of work that went virtually unheard during his lifetime. Synthesizing his wide-ranging…
Wergo presents the third volume of the Earle Brown Contemporary Sound Series. Recorded between 1960 and 1973, the original LPs from which these CDs were taken have long been collector's items. These rare and historically important recordings of international avantgarde music have been carefully digitized and remastered by the Earle Brown Music Foundation. The series presents the extraordinary world of contemporary and avant-garde music that fl ourished in Europe, the United States, Latin …
Featuring The Manhattan Percussion Ensemble, John Cage (conductor), Paul Price (conductor), Christoph Caskel (percussion), David Tudor (piano), Aloys Kontarsky (piano), Bernhard Kontarsky (celesta), MEV (Ala Bryant, Alvin Curran, Frederic Rzewski, Richard Teitelbaum & Ivan Vandor), AMM (Cornelius Cardew, Lou Gare, Christopher Hobbs, Eddie Prevost & Keith Rowe). "Wergo's Earle Brown Contemporary Sound Series focuses on the extraordinary world of contemporary and avant-garde music that flou…
BOX edition: Psychedelic drone sounds, experimental electro-acoustics, minimal music and deep listening from the years 2000 - 2007 by Ilya Monosov, who is a member of the Frogpeak artist collective and one-half of the psychedelic noise group The Shining Path and the improv duo Monosov/Swirnoff. Ilya Monosov has collaborated with Bob Cobbing, Charles Curtis, Duane Pitre, Marc Schulz (in Ben Patterson's installation at the 40th Anniversary of Fluxus), Larry Polansky, Andrew Deutsch (with Pau…
“Sleeping City” is the highly anticipated and Anna’s second release in co-operation with the Mannequin label from Rome, Italy. Intelligence Dept. were Davide Carlotti (synthesisers, sax, backing vocals), Susanna Zaghi (vocals, lyrics), Stefano Panzera (bass) and Gian Paolo Di Federico (synthesisers, drum machine programming) from Ferrara, Italy. They only ever officially released three, yet totally amazing tracks on the “A White Chance” LP compilation in 1984 (White Studio Recording, WS 001; Wh…
2017 remastered edition, with new standard glossy jackets. Texture and
feeling of 1975 with boosted audiophile sound quality. Black vinyl
version. Previously unreleased album by German trio Sand,
recorded 1973-1982. Live events in the quarry and an archaic sound
formed the background music of the young atomic age. In the meantime,
after endless trance garage sessions, Sand drifted from the mythical
landscapes to Berlin and mingled with various oriental influences.
Vultures were scudding a…
Until Spring was first conceived in 1975 on the Buchla synthesizer using only analog techniques. “It was about 10 years from Silver Apples to Until Spring,” Subotnick explains, “and I’d evolved a whole concept and a technique, but I had gone as far as I could go with it. I could do everything I wanted to do, but I couldn’t do it in real time.” As computers and software developed in the coming decades, Morton Subotnick created a software-based instrument that he felt could allow him to compl…
Meredith Monk and her vocal troupe cut a line between experimental theatre and music, marking a passage through the Ancient Greek tragedy, the opera, world-music, the archaic ritual and the mystical chant. It started with "Gotham Lullaby", presenting a contralto over a desolate and stark piano sonata. Then "Travelling" set a feverish gypsy dance, a wild ritual stirring the primeval forces at play. The sonata returned in "The Tale", as the backbone to an offbeat pantomime/ theatrical performance.…
A series of piano transcriptions of some solemn, now-dark, now-affirmative religious hymns by one G.I. Gurdjieff, with none of the usual flourishes and heady flights usually associated with Keith Jarrett's solo records. Jarrett assumes the proper devotional position, playing with a steady tread but always with attention to dynamic extremes, producing a gorgeously rich piano tone with plenty of bass.
This release documents the music Masselys made for the commisioned audio-visual piece, Jimmy Polaris, by visual artist Christopher Nielsen, animator Matt Willis-Jones and Masselys.Nielsen and Willis-Jones worked together on Norway’s most expensive animation film; Slipp Jimmy Fri from 2006. For Jimmy Polaris they used early raw animation snippets from the film’s preproduction phase. Nielsen and Willis-Jones then real-time manipulated these sketches into a psychedelic visual overload, which Massel…
Exacting reissue of the 1970 debut album by this trailblazing Swedish quartet, led by composer/pianist/organist/accordionist/vocalist Lasse "Lars" Hollmer, just prior to any knowledge of anything called "RIO" (Rock In Opposition). Formed in the late late '60s in Uppsala, SMM canvassed the festival circuit (appearing on the same bill that Träd Gräs och Stenar recorded their mammoth Live Gardet 1970 album) to popular and critical appeal. Later SMM would team up with groups like Henry Cow and …
* 180 copies * Anticipating Fluxus celebrations in 2012, alga marghen proudly presents one of the masterpieces from the glorious 60s, by master of ecstatic music Philip Corner. “Remember? When you made these things at home, on the best equipment you or your other poor friends could find? And you had that Japanese tape recorder with built-in mike; indeed that was the only piece of furniture on your tatami floor on the Lower East Side that summer of 1961”.A home recording of water running from a f…
One of the pioneers of Japanese electronic music, Makoto Moroi, composed "Kusabira" for Kyogen (traditional comedy theater) with electronic sound in 1964. "Kusabira" means "mushroom." A strolling Buddhist monk, Yamabushi, tried to exterminate many mushrooms that grew in the garden of a man's home. However, his magic did not take effect on them but also the Mushrooms began to increase. The man and Yamabushi were driven out of the home by a large Mushroom, finally. In this work, Moroi used abstrac…
Subtitled: Primordial Vibration / Sound ceremonial with a contemplative character. Composed in 1983-1986. Sound ceremonial with a contemplative character for two voices of Japanese Buddhist monks (traditional Shômyô techniques - traditional temple chanting - in a larger, modern and creative form), three Japanese Gagaku instrumentalists (traditional court music in a modern and creative form), one percussionist (with a percussion instrument orchestra) and electro-acoustic (fixed interactive sounds…
First world publication for the seminal Yo-In (1980) an electro-acoustic work produced in Japan and revisited by the Museum of Modern Art of the City of Paris in 1981. “Sound Theater for an imaginary rite”. Yo-Inleads to a sort of “celebration-ritualization of the day of man on Earth”.Jean-Claude Eloy discovered the meaning of Yo-In by going deeper into the culture of Japan where he had been invited by Toru Takemitsu in 1970: “Yo-In, echo, rhyme, resonance, psychic reverberation”. Karheinz Stock…