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This recording is roughly 80 minutes of the A&E three day performance superimposed. Performed by Paul McCarthy (Adolf / Eva) and Lilith Stangenberg (Eva / Eve).
Get Out by Pita unfolds as a seminal work in laptop-based experimental sound, capturing the raw interplay between digital entropy and sonic melody. Rehberg’s compositions navigate between turbulence and clarity, aided by precise electronic manipulations and a single-minded commitment to his artistic vision, setting a benchmark for subsequent generations of experimental musicians.
Paris, 1978. Don Cherry walks into a French studio with a suitcase full of instruments nobody expected and meets Ustad Ahmed Latif Khan for the first time. No rehearsal, no plan, just two musicians who recognize each other immediately as kindred spirits. What happens next is one of Cherry's best efforts - an album only hardcore fans know about, recorded in Paris, released only in France in 1981, disappeared, and now back again in a special edition that demands attention. This is what "world musi…
Hegel by Lucio Battisti offers a boundary-pushing, introspective journey through philosophical concepts, poetic abstraction, and experimental electronics. Its eight tracks unfold with Panella’s cryptic lyrics, reflecting on beauty, identity, and the passage of time within meticulously programmed synth-pop arrangements. As Battisti’s final work, it stands as a compelling testament to the possibilities of Italian songwriting and sonic innovation.
Cosa Succederà alla Ragazza by Lucio Battisti deepens the exploration of electronic sounds and playful, surreal wordplay from Panella. The album, centered around the mysterious figure of the “girl,” combines pulsating, synthesized arrangements with a cut-up poetic style, producing a work both hypnotic and elusive. Through eight tracks, Battisti turns pop into a puzzle, rewarding repeated, attentive listening.
La Sposa Occidentale by Lucio Battisti marks a further evolution in his sound, with surreally poetic lyrics from Panella and a sonic palette that merges synth-pop and dance electronics. The album presents a concept around a female protagonist, while adopting minimalist visual cues—a white cover with a stylized drawing—and delivering tracks of subtle complexity and rhythmic invention. The result is a sophisticated and enigmatic work that expands the boundaries of Italian pop.
L'Apparenza by Lucio Battisti marks a pivotal moment in his career, expanding on electronic and lyrical experimentation begun in his Panella phase. The album’s multilayered arrangements and poetic ambiguity invite listeners into an abstract space, where meaning slips between lines and melodic innovation comes to the fore. With tracks like A portata di mano and Lo scenario, Battisti tests the boundaries of Italian pop, offering an album that is as challenging as it is rewarding.
Don Giovanni by Lucio Battisti redefines Italian pop with a distinctive synthesis of minimal electronic textures and enigmatic poetic imagery. With Panella’s elliptical lyrics foregrounded, the album resists straightforward interpretation, instead encouraging listeners to linger over its paradoxes and musical subtleties. Each track oscillates between melodic openness and experimental abstraction, weaving a soundscape that is both contemporary and timeless.
Il Nostro Caro Angelo by Lucio Battisti is a crucial milestone marking the artist’s shift towards rock-oriented structures and deeper, more critical lyricism. The music is more electric, the arrangements more varied, as Battisti and Mogol probe the complexities of ideals and disillusionment, forging a sound that is both accessible and challenging. Each track acts as both confrontation and invitation, demanding listeners reassess inherited truths through fresh sonic and poetic codes.
Umanamente Uomo: il Sogno by Lucio Battisti reinvents Italian pop with a poetic blend of nostalgia, emotional candor, and stylistic exploration. Mogol's lyrics navigate the complexities of memory, longing, and everyday struggles, set against Battisti's evolving sound, which balances melodic intimacy with touches of folk, progressive, and pop arrangements. These eight tracks, including enduring classics, reveal an artist at the peak of his expressive powers, fusing personal narrative with broader…
Chaire is an album built on compositions written between 1974 and 1983, newly arranged, restored, and recorded by Cervello with voice tracks of Gianluigi Di Franco restored from archival tapes. Centered on the multifaceted meaning of its Greek title—blessing, greeting, care—the album moves between memory and present, fusing Mediterranean roots, symphonic structure, and visionary arrangements into a contemporary progressive suite. Paired with Live At Pomigliano D'Arco - 1973, which documents a hi…
Cervello's Melos stands as a singular gem in the Italian progressive rock canon. Released in 1973, the album draws inspiration from Greek mythology, weaving Mediterranean folk elements into intricate prog rock compositions. Dominated by dense flute harmonies and shifting time signatures, Melos envelops listeners in a dreamlike blend of mythic storytelling, technical virtuosity, and poetic lyricism.
Sister Irene O'Connor’s Fire of God's Love, reissued by Freedom To Spend, is a visionary 1976 private-press recording from Australia, blending devotional song with experimental electronics and echo-drenched vocals. The album’s raw spirituality, home studio inventiveness, and tape manipulations grant it a unique place in outsider pop, now made newly available to contemporary listeners in beautifully restored form.
Yan Tregger’s The Pop World Orchestra is a compilation highlighting the versatile French composer’s rare library music works. Characterized by lush arrangements and dynamic orchestrations, the album distills Tregger’s cross-genre flair—it’s a bright, groove-driven showcase of 1970s pop, jazz, and funk inflections, reaffirming his status as a master of mood and melodic invention.
Tip! **2025 Stock** The Chisa Years: 1965–1975 (Rare and Unreleased) gathers the most exploratory moments from a vital era in Hugh Masekela’s career, collected on BBE as part of the label’s Masterclass Series. As co-founder of Chisa Records with Stewart Levine, Masekela set out to document the crossflow between African musical idioms and the currents of soul, jazz, and R&B pulsing through the United States and beyond. The result is an archive alive with the friction and joy of experimentation—a …
You Need This!: “World Jazz Grooves Volume 2” is a double LP/CD/digital compilation curated by Jean-Claude and Victor Kiswell for BBE, released October 3, 2025. Traversing jazz experiments from Denmark, France, Brazil, Canada, USA, and Jamaica, the album uncovers rare and unreleased tracks, including contributions from Mary Lou Williams, Dadje, Cedric Brooks, John Tchicai, and Kahil El’Zabar, revealing a deeply international, cross-genre approach that celebrates the global diversity of jazz.
Mentioned on Julian Cope's essential guide Jap Rock Sampler, Food Brain released their debut album in 1970, gathering influences from prog, proto-hard and psychedelic music. By far a supergroup consisting of Shinki Chen (Speed, Glue and Shinki), Hiro Yanagida (Milk Time) and Hiro Tsunoda (Flied Egg), the band showed an incredible interplay on their nine instrumental pieces, generating a cult following aboard.
A generous and off-the-track psych-rock experiment, Space Hymns originally saw the light in 1971 on influential UK company Vertigo, home of the most forward-thinking prog bands of the time. Enlisting the pure genius of the future 10 CC Kevin Godley (drums, flute) and Lol Creme (lead guitar, synth), the band was led by esoteric frontman Ramases (aka Kimberly Barrington Frost). The vocalist had a vision in the mind to late sixties where the Egyptian Pharaoh informed him he was his new incarnation.…
Definition was the only album by the American psych folk band Chrysalis, released in 1968 on MGM Records. Together with their Velvet Underground label mates, Chrysalis, were considered pioneers of the art rock movement, thanks to their sublime vocal melodies and baroque arrangements -- ageless psych acid folk gems!
For those who still believe prog is a four-letter word, Caravan remain a mystery - More fool them, for they are missing out on some of thesweetest and most tuneful melodies in 70s rock, whether it be the jazz- inflected vaudeville of the title track of If I Could Do It All Over Again, I'dDo It All Over You, the gentle celebration of Virgin On The Ridiculous from Caravan & The New Symphonia or the funky ambition of The Dabsong Conshirtoe on Cunning Stunts. Formed, like Soft Machine, from the grou…