Reissues
As Bright As A Thousand Suns
Arcana’s As Bright as a Thousand Suns Returns: A Timeless Neo-Classical Masterpiece Reissued on CD & Vinyl.
Sky Blue Void
Matthew Bower's Total released 'Sky Blue Void' in 1994 through Freek, recorded the same year as previous NOHL reissue Skullflower's "Last Shot at Heaven." "Sky Blue Void" is the zoner of zoners, as heavenly and crushing as the rapturous cover art suggests. Release yourself to the void.
Invocation Of The Beast Gods
If "Cathedral" is one of Nigel Ayers' most celestially minded records, then "Invocation of the Beast Gods" is among his most ritualistic. We start at full throttle with suffocating tension before giving way to an uneasy release. "Tranquil" this is not, but Ayers' delicate touch allows him to explore the full breadth of the album title's implications — here you will find moments of whimsy, contemplation, and full-bore reckoning. No Holiday is pleased to offer "Invocation of the Beast Gods" alongs…
Cathedral
*2025 stock* Nocturnal Emissions' releases throughout the 1980s are eclectic, adventurous and intermittently raw. 1991's "Cathedral" is something else entirely — ritualistic, expansive, awe-inducing. It is at turns warm, ominous and ethereal. We could come up with adjectives all day, but it really must be heard to be believed. Originally released by Italy's Musica Maxima Magnetica, "Cathedral" finally gets its due on vinyl with a deluxe 2xLP edition featuring a large booklet with many of Nigel A…
Werewolf Jerusalem
*249 copies limited edition* The "static noise" project of Richard Ramirez, Werewolf Jerusalem was introduced to the world fully formed and consumed with darkness. Ramirez is no stranger to confrontation, which makes this album's mysterious approach all the more sinister. No track titles, murky and dystopian samples, and overwhelming sound that pulses and stutters but retains all of its lurching power, plowing endlessly forward until it all just stops. 24 years after its release, Werewolf Jerusa…
God Has Shot Himself
*249 copies limited edition* Reissue of the long out of print 1996 album. In the 22 years since "God Has Shot Himself" was released as a CDr by Legion Sudan, it has gained a somewhat mythic status as a notably disquieting release. Some might say disturbing — and they'd be right. But it's also more than that. "God Has Shot Himself" is the sound of abandonment, of spiritual collapse. It is just over a half hour of total blackening annihilation that still must be heard to be understood. Now on viny…
Merzbow Mixed Total
The two masters, thousands of miles apart, released this fearsome collaboration in 1997 on Sterilized Decay. Matthew Bower's source sounds were processed, mangled and reassembled by Masami Akita for 50 minutes of unbridled destruction. At once a summation and reconfiguration of both artist's incredible work throughout the 1990s. Remastered and with a new layout based on the original tape.
Red Magnesia Pink
First released by Extreme in the massive, infamous 'Merzbox,' "Red Magnesia Pink" is extracted and recontextualized as a standalone release for the first time. Recorded in 1995, "Red Magnesia Pink" sees Merzbow in peak form. A psychedelic whirlwind of synthetic transmissions; harsh, wet, screeching sounds that could only be produced by Masami Akita. Featuring two previously unreleased bonus tracks from the same era.
Freak-out Electrolyze
Reissue of the long out of print 1997 album. All performed, recorded and edited at Acty Hanazono, Summer 1997. Used Instruments: Microphone, Colorsound Pedals, Romero Theremin, 60'sFuzz, Expj Ring Modulator, Arion & Guyatone Digital Delay, Evans Super Echo and Noise Canister.
Hosianna Mantra
Newly remastered vinyl edition of this seminal 1972 release. In the history of experimental music, few artistic decisions have proven as radical or as successful as Florian Fricke's complete abandonment of electronic instrumentation on Popol Vuh's third album, Hosianna Mantra. Released in 1972, this stunning work represents not just a departure from the Moog synthesizer explorations that defined the group's first two releases, but a complete reimagining of what spiritual music could accomplish i…
In den Garten Pharaos
Mystic Synthesis at the Dawn of Electronic Consciousness! Florian Fricke's visionary second album remains a towering achievement in transcendental electronics
Allez-Teia (Heldon II)
Limited Anniversary Edition: hand numbered, White vinyl, 500 copies available! Released in 1975, this second full-length stands as perhaps the most uncompromising statement in the Heldon catalog - a work that refuses all concessions to accessibility while remaining utterly compelling from first pulse to final fade. Where the debut balanced Pinhas's most extreme impulses with moments of relative calm, Allez-Téia feels like an artist completely unleashing his vision without concern for consequence…
Third (It's Always Rock 'N' Roll)
** Limited Anniversary Edition: hand numbered, limited edition light Blue double vinyl, 500 copies available! hird album from the French spacerock electro combo masterminded by Richard Pinhas. Heldon’s darkest work lays another stone in their sonic mosaic: synths,drones, fuzz and trippy improvisations. Intense Heldon!! **
In the sprawling landscape of 1970s experimental music, few figures carved as singular a path as Richard Pinhas and his electronic storm trooper project Heldon. While their c…
The Complete Pharoah Sanders Theresa Recordings
The Complete Pharoah Sanders Theresa Recordings reveals the revolutionary saxophonist's misunderstood 1980s period. Seven discs capture Sanders integrating avant-garde fire with melodic tradition, featuring collaborators like John Hicks, Elvin Jones, and Bobby Hutcherson. Essential rediscovery of an artistic evolution long dismissed by critics but blazing with spiritual intensity and technical innovation.
Montreux II – Recorded Live At The Montreux Festival, 1970
Recorded at the 1970 Montreux Jazz Festival in Switzerland and produced by Helen Keane, Montreux II (originally issued on the CTI label) was the second of Bill Evans’ Montreux concert recordings to be released, following the Grammy Award-winning Bill Evans at the Montreux Jazz Festival (1968). It features the leader accompanied by Eddie Gomez on bass, and Marty Morell on drums. According to AllMusic writer Ken Dryden, the concert finds “the pianist in peak form” presenting “a terrific live perfo…
Further Conversations With Myself
Further Conversations with Myself, released on the Verve label in 1967, was Bill Evans’ sequel to his 1963 Grammy Award LP Conversations with Myself. As on that initial album, here all the pieces are unaccompanied solos with piano overdubs. On Further, however, he plays just two pianos instead of the three he had previously employed. According to AllMusic reviewer Scott Yanow, “The program is brief, but Evans plays quite well throughout. In particular, his versions of Johnny Mandel's ‘Emily’ an…
Reflections Of A Golden Dream
Lonnie Liston Smith was one of the most important musicians to emerge in jazz in the 1970s. His 1975 album ‘Expansions’ is one of the foundation stones of modern dance music and his recordings have been sampled by many of the biggest artists in the world. His music was a cosmically inspired spiritual interpretation of the music he had been making during his time with Pharoah Sanders, Gato Barbieri and Miles Davis.
Released in 1976,“Reflections On A Golden Dream”, the follow-up to “Expansions”, w…
...How Time Passes...
A fascinating blend of jazz and contemporary classical influences, How Time Passes is the debut album from the envelope pushing trumpeter and composer Don Ellis.
Known for his extensive musical experimentation, particularly in the area of time signatures, Ellis began his long career in the New York Citys post bop and avant-garde jazz scenes of late 1950s. Most notably he appeared on Charles Mingus Mingus Dynasty, and albums by George Russell and Maynard Feguson. But he also worked with, among ot…
Blues For Smoke
Jaki Byard was a visionary multi-instrumentalist, composer, arranger, teacher, and pianist. His early experiences with classical music fused seamlessly with a deep passion for jazz, shaping his unique style. While he mastered numerous instruments including trumpet, trombone, saxophone, and drums the piano became his main voice. By the early 1960s, he had established himself as a dynamic and forward-thinking player, joining Charles Mingus's ensemble and contributing to seminal works like Mingus, …