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This is the sixth album by Dorothy Ashby, a Detroit born jazz harpist who passed away in her early 50s in 1986 way before her time. She left us a rich legacy of music with this 1965 release being one of her milestones. The music is pure bright and swinging with a joyful mood. Dorothy Ashby performs her lines big time with her harp and captures your soul with the melodies she picks from its strings. She is always there upfront while the brass section mostly fills the background with colour if the…
When Ira Gitler, jazz journalist and producer at Prestige, curated this album, the term "collector" was already well-established among music enthusiasts. The pursuit of out-of-print recordings, old 78 rpm discs, and unreleased material had reached an intensity comparable to the fervor seen in the vinyl-collecting market decades later. Gitler aimed to offer jazz fans unreleased Prestige recordings while meeting expectations for the amount of music on an LP. Initially dismissed as a mere compilati…
Racional Vol. 1 is the 1975 album from Brazilian funk and soul master Tim Maia, created during his brief but intense conversion to the Rational Culture cult. The album’s cosmic themes, spiritual lyrics, and deeply grooving arrangements have since made it a revered cult classic - once obscure and self-released, now hailed for its blend of spiritual quest and irresistibly tight Brazilian funk.
Le Cri du Caire is a striking mosaic of Sufi poetry, jazz, and spoken word, led by the magnetic presence of Abdullah Miniawy alongside Peter Corser, Karsten Hochapfel, and Erik Truffaz. Fusing hypnotic loops with visceral strings and evocative brass, the album channels the hopes and struggles of Cairo’s youth into a transcendent musical ritual - challenging, inventive, and brimming with emotional intensity.
2025 stock Imagine being a punk rocker before there were any others, or a hippie whose message of peace was infused with a sardonic whimsy. That’s what it must have been like to be Pip Proud, in Sydney in the late 1960s, railing against the media and its hypocrisies, making a music that cut through all lies. — David Nichols Pip Proud, sui generis, could be considered an Australian outsider, with his untutored and uninhibited singing style, his primal guitar playing, his resolutely personal visio…
Debut 1969 album by New Orleans’ The Meters. Led by organist Art Neville, the quartet was rounded out by jazz-influenced guitarist Leo Nocentelli, along with the bubbling rhythm section of bassist George Porter, Jr. and drummer Joseph "Zigaboo” Modeliste.
Their regional influences were a smashing together of rock n’ roll, syncopated ‘second line’ rhythms from Mardi Gras parades, and jazz improvisations that only could have come from the New Orleans music scene.
The Meters helped move R&B music t…
1970 seminal second album by New Orleans’ The Meters is one of their most beloved releases. Produced by one of New Orleans’s preeminent musicians, Allen Toussaint. Between backing such names as Lee Dorsey and Betty Harris, The Meters cranked out a follow-up that was even funkier than its debut.
The 1969 follow up to Silver Apple’s debut found the duo digging into the far reaches of their songwriting psyches for a darker and more emotionally charged set of songs. While the debut set the stage for a sound the world had never heard before, Contact is where the Silver Apples began inhabiting that sound with more urgency and experimentation.Sourced from the original master tapes plus inner sleeve with unseen master tape box photos. Featuring the original controversial artwork with the Silve…
If you’re as obsessed with unfairly unheralded bands as we are, bringing out a proper, well-deserved official re-release to change that course is always an honor. Case in point, Jackpot Records proudly announce Gandalf’s 1969 self-titled release as one of our proudest moments. Working alongside band member Peter Sando from the original master tapes, it is time for the rest of the uninitiated to catch up with this beautifully crafted haunting psych- pop record (fans of THE LEFT BANKE, KALEIDOSCOP…
2025 stock Reissue of an exceptional album of improvisations, recorded when percussionist Charles K. Noyes was lured to the Bay Area in the summer of 1979 by Henry Kaiser. Noyes and Maercks had played regularly as a duo when Owen was still based in Worcester, MA. But he'd shifted his ass westward in the wake of the Teenage Sex Therapist session (FTR 153-2LP), which had been organized by Kaiser following their collaborations in the band, Monster Island. Half of the album was recorded live at Woo…
Poco Prima dell'Aurora represents a significant collaboration between Ivano Fossati and Oscar Prudente, released in 1973. This transitional album weaves together folk-pop textures and progressive echoes, reflecting the vibrant creativity of Italian songwriting in the early seventies. Marked by solid arrangements and lyrical depth, its enduring freshness lies in both its authenticity and the synergy between two distinct musical voices.
J’Accuse... Amore Mio marks a pivotal moment in the career of Faust’O, standing as a radical and ambitious album within the Italian new wave scene. The work delves into urban alienation and existential discomfort through avant-garde sounds, nihilistic lyrics, and an intense metropolitan atmosphere. Its experimental approach and emotive currents secure its place as a distinctive and influential release in Italian pop-rock history.
Nadia Cassini’s album Encounters of a Loving Kind delivers a distinct blend of disco, funk, and pop, vividly reflecting the stylistic tides of the late 1970s. Despite a muted commercial reception at the time, its catchy rhythms and Cassini’s charisma earned it a cult following, securing its status as a notable crossroad for fans of sensuous, groove-oriented European pop.
Catherine Spaak's self-titled 1963 debut album encapsulates the elegant melodic pop style of early 1960s Italy, extending Spaak’s cinematic charisma into the recording studio. Produced with the collaboration of top talents and distributed internationally, the album showcases her gentle vocal approach over finely arranged tracks, balancing French chanson influences with distinctly Italian songwriting. This release reflects Spaak’s position as a cross-cultural muse and a vital pop presence in the …
*250 copies limited edition* Originally released in 1992 via Tesco, »Cancer« was recorded one year earlier by Thymme Jones, Dan Burke, Mark Klein, Mitch Enderle, Chris Block, and Jim O'Rourke.
This one was mostly a group effort focused on a dark ambient atmospheric environment and experimental minimalism that crawls under your skin. Mark & Thymme’s heavy synth is omnipresent, Mitch & Chris scraping every piece of scrap metal they could find, Jim’s extended piano & tabletop guitar is apparent, t…
Massada is a dynamic Dutch Latin band with deep roots in the Moluccan community, renowned for their unique blend of African, Brazilian, and Balearic grooves fused with soulful world music styles. Their music is a rich tapestry of rhythms and melodies that seamlessly cross cultural boundaries, captivating audiences with its infectious energy and heartfelt emotion. Since their formation, Massada has been celebrated for their ability to innovate within the Latin and world music genres, creating sou…
Tin Pan Alley is the iconic name given to a collection of New York City music publishers and songwriters who dominated popular music in the United States during the late 19th and early 20th centuries. Originally, it referred to a specific location: West 28th Street between Fifth and Sixth Avenues in Manhattan’s Flower District.
Drawing inspiration from this historic music landmark, renowned Japanese musicians Haruomi Hosono (Apryl Fool, Happy End, Yellow Magic Orchestra), Masataka Matsutoya (mus…
Originally released in 1967, Mama Too Tight stands as one of the most daring and structurally innovative albums from Archie Shepp, a pivotal figure in the free jazz movement and African-American cultural protest of the 1960s. Distinct from his more explosive works, this album showcases a refined compositional complexity, featuring avant-garde marching-band-style arrangements, masterful horn orchestrations, and a unique blend of humor and improvisational tension.
The title track, Mama Too Tight, …