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Contemporaneous examples of some of the pieces described in the classic manual, Search & Reflect by John Stevens. Outrageous sounds produced by a workshop orchestra directed by him in 1973 - an SME-type improvisation; instrumental & vocal drones; a mechanically rhythmic yet unpredictable piece; and an all-out improvisation featuring non-vocal mouth sounds, vocal sounds & instruments. This is followed by what is perhaps the pinnacle of Stevens' attempts to make music with a large (21 strong)…
Parachute presents a reissue of art rock unit Starfuckers' legendary Sinistri LP, remastered and pressed on vinyl for the very first time since its original release in 1994 on Underground Records. Formed in 1987, Starfuckers, an Italian avant-garde band primarily from the 1990s, were considered to be a notable part of the experimental rock scene and one of the more "out there" acts during their active tenure. Originally inspired by '80s post-Stooges noise and New York City no wave, Starfuc…
Candida Cosmica is a collection of recordings made between 1973–75 by electronic innovator Patrick Cowley and Candice Vadalla. Cowley met Vadalla, stage name Candida Royalie, in 1972 when he was living in Haight-Ashbury. A singer, actress and art student from Queens in New York, Vadalla took her new name when she began performing in porn films. She went on to work as a music producer, a sex educator, and directed feminist erotic films, before her death in September 2015.
Cowley arranged an…
Last Expo 70 recording at Wright's home studio that produced "Black Ohms" / "White Ohms" , this recording captured similar moods and themes as those albums. A collection of more nods to early Krautrock and New Age minimalism with bouncing melodies and shorter themed tracks. "Cleverly Mystique" was captured back in 2011.
English guitarist and songwriter John Renbourn (8 August 1944 – 26 March 2015) was possibly best known for his collaboration with guitarist Bert Jansch as well as his work with the Folk group Pentangle, although he maintained a solo career before, during and after that band's existence (1967–1973). On his 1965 self-titled album you can detect some of the influence on traditional Blues like "John Henry" and "Candy Man".
Bert Jansch recorded his second album in 1965, just after his self-titled debut earlier that same year. The sessions were a step-up from the intimate, field-recording setting of his first album, although still not labored over too much in the studio. 'I figured that the faster I put down the tracks, the faster I could get out of the place,' Jansch told NME, 'so I just ordered about a dozen bottles of wine, put the microphone in front of me and off I went, for three hours.' The lyrics of I…
Scottish singer-songwriter Bert Jansch recorded his first album in producer Bill Leader's London flat with a borrowed guitar, sitting on the edge of the bed and singing into a portable tape recorder. As author Richie Unterberger writes in the liner notes, "When Bert Jansch's self-titled debut LP was issued in April 1965, he was already a major figure on the British folk scene. His synthesis of traditional British folk with blues and a bit of jazz was at the vanguard of a new generation of UK fol…
Bursting into the 1980s on a new label (the then-upstart, now-legendary Rough Trade) and with an augmented, audibly panicked lineup, The Fall's Grotesque is the true pure-bred Fall release from the Marc Riley era. Released in the immediate wake of The Fall's most beloved single (Totally Wired), the album carries over that righteously famed teeth-chattering, bolstered in no small part by the drumming of new addition Paul Hanley, brother of bassist Steve Hanley and aged only 15 at the time of reco…
If The Fall truly is a cult band, then Slates both benefits from and reinforces such shrouded obsessions. In presenting these six particular songs as a 10-inch EP, the inherent and attractive difficulty of The Fall's sound is made physical, framing the urgency of their singles from this period (notably How I Wrote 'Elastic Man' and Lie Dream of a Casino Soul) alongside lengthy rumblings normally restricted to long players.The tumbling and phased "Middle Mass" begins on an incredible high note, s…
2016 repress. Electronic Sound is George Harrison's second solo album, and the second and final record released on the Beatles' short-lived Zapple Records (an offshoot of Apple Records), before it was folded at the insistence of The Beatles' then-manager Allen Klein. Released in May 1969, it features two lengthy pieces - one per side on the original vinyl release - performed on the Moog synthesizer. Portions of white noise from "No Time or Space" are used throughout "I Remember Jeep", one of sev…
A superb collection of rare early tracks from electronic pioneers Tangerine Dream! Features 2 tracks from the ’60s psych-rock band that preceded Tangerine Dream, The Ones, plus rare tracks from the early ’70s era of the band when they were at their most adventurous, composing epic pieces that clocked in at over 10 minutes each such as “”Asteroid Agenda”" and “”Overture. Amazing floating space cosmic psychedelia
Exact replica, officially reissued by EMI. 180 gram audiophile pressing with printed inner sleeve; digitally remastered from original tapes. This reissue was "researched, spearheaded and co-ordinated" by Tom Recchion who has supplied rare artwork for the inner sleeve -- and, in general, this is a state-of-the-art edition. The fourth and final album to be released during Faust's original lifespan, originally released by Virgin Records in 1973. "As an album, IV matches the band's trajectory: Jumbl…
Limited and numbered edition of 100 copies on clear vinyl. From 1983. Neuronal radioactivity, supported by ancestral sounds that emanate from atomic testing flows that absorb a loss of fallen energy. The mutant nucleus emits subtle scents of chemical processes for synthesizing the listener decay. Considered a high-water mark of early industrial, Maurizio Bianchi Aktivitat went against the grain prevalent at the time; rather than pushing the boundaries of volume and pummeling rhythm (f…
The album “Kontraktion” is the result of two long sessions that have been recorded on tapes by Conrad Schnitzler and Siegmar Fricke in Con’s former studio Leberstrasse in Berlin. The five soundscapes (produced in November 1986 and July 1987 with EMS-Synthi A, KORG MS 10+20, delays) contain all the machinistic energy and infernal industrial sound-eruptions similar to Conrad’s first three albums “Schwarz”, “Rot” and “Blau” and to the rumbling train-wheel-rhythms of “Zug” (from the CON-album 1978).…
Steve Reich’s Drumming , more than forty years after its composition, stands as a watershed document of modern music. In its ambitious scope, intellectual rigor, and artistic seriousness, this piece, along with Terry Riley’s In C and Philip Glass’s Music in Twelve Parts, went a long way toward establishing minimalism’s quickly expanding influence in the early 1970s.Most of Steve Reich’s early music is focused on phase patterns, in which a fixed rhythmic pattern is layered and moved in and out of…
Goodness me this is a little bit special - a dangerously low priced boxed set of all the major work of one of the 20th century's most important composers Steve Reich. Containing five full cds and a booklet (with loads of useful info to read while you're listening) this has everything a Reich beginner could possibly need: 'Music for 18 Musicians' (probably Reich's greatest achievement and spanning the entire first disc), 'Different Trains', 'Tehllim', 'Eight Lines', the Counterpoint series…
Marking the occasion of Steve Reich’s 80th birthday (hup, big man!), The ECM Recordings compiles three CDs of the venerable minimalist composer’s major works, which were consecutively released in 1978, 1980 and 1982, and continue to influence and inspire myriad forms of modern music. Named “our greatest living composer” (The New York Times), “America’s greatest living composer” (The Village Voice), and “…the most original musical thinker of our time” (The New Yorker), Reich’s ardent, incisive wo…
Steve Reich composed WTC 9/11 in 2010 in homage to the victims of the attack on the World Trade Center, September 11th, 2001. First performed on March 19, 2011 at Duke University in North Carolina by the Kronos Quartet, WTC 9/11 would be played for the first time in New York, at Carnegie Hall, in late April of the same year.WTC 9/11 is written for a string quartet playing live, on which are juxtaposed pre-recorded voices and two string quartets. With a playing time of 16 minutes, the work is in …
Jack Rose was a practitioner of his own unique brand of modern Appalachia, a master of the steel string, whether finger picking or playing with a slide, Rose can coax amazing sounds from a guitar, and all by his lonesome create lush steel string guitarscapes, that range from haunting and mysterious to folky and familiar.
This lp originally released in 2008 gathers up three long live tracks, all quite different. The first is a track from Kensington Blues, a big favorite around here, recorded…
Back in the day, a new Jack Rose record was always cause for celebration around here. Along with James Blackshaw, Ilyas Ahmed, Richard Bishop and a few others, Rose was one of the new modern masters of the steel string guitar, helping to reinvent and redefine neo-Appalachia or modern folk or whatever you want to call it.Dr. Ragtime from 2008, features more of Rose's gorgeous steel string beauty, gossamer sheets of buzzing shimmer, droning ragas, traditional bluegrass, slippery slide, melancholy …