Reissues
1969-1973
LAST COPY with the additional LP Kluster and friends- 1969-1973 6LP - + 1 sided lp - (black vinyls/black labels/black inner sleeves) box, spray painted (stencil/lettering by Troglosound) in gold or silver or bronze (3 versions) and with clear plastic insert (rare photos). A massive Kluster UNRELEASED MUSIC!from Qbico's words... "when i mailed the news about the closure of qbico in 2010, some friends and musicians wrote me back... one was Conrad Schnitzler wondering if i wanna close with THE BOM…
I Don't Wanna
LP version. After nearly a year on the assembly line, we're tickled to unveil the 5th in Locust Music's ongoing archival releases of Henry's work. He's made his mark with his brand of ecstatic North Indian Raga inspired minimalism on C Tune (Locust3), the full bodied experimentalism anthologized on Raga Electric (Locust6) and the avante-hillbilly bumpkin fiddle joyride on last year's Back Porch Hillbilly Blues Volume 1 & 2 (Locust 16 & 14). Now it's time to make a place in your heart for I Don't…
Man From The East
Originally released in 1973 for Island Records, “The Man from the East” was the soundtrack to a fascinating theatre-piece Yamashta presented in Paris and London in 1972. Several of these songs (‘Poker Dice’, ‘One Way’, ‘Memory of Hiroshima’) appeared on the film soundtrack of The Man Who Fell to Earth (1976) and have since attained mythical status among fans.
Freedom Is Frightening
Originally issued by Island in 1973. Stomu Yamash'ta is a master percussionist who studied jazz drumming at Berklee School of Jazz. In the 1970s, he recorded a string of innovative albums for Island records fusing his percussion talents with jazz, electronic and classical music. Freedom Is Frightening features a fine band, including Soft Machine bass guitarist Hugh Hopper and guitarist Gary Boyle. It was a fine achievement which propelled Yamash'ta to a wider audience which would eventually lead…
D.o.A. The Third And Final Report
1991 CD reissue of the 2nd TG album, originally issued in 1978; digitally remastered by Chris Carter. Adds 2 bonus tracks from the legendary Sordide Sentimental 7" ("We Hate You (Little Girls)" & "Five Knuckle Shuffle". Breaking from the live sound of the previous Second Annual Report, D.O.A. finds the group assembling collages of computer noise, cassette tapes on fast forward, looped feedback and tape hiss, surreptitiously recorded conversation, threatening phone calls, and much more, all to a …
Zombie
A record full of magical chants & even more magical grooves (anyone who would wish the part seven minutes into "Zombie" would end has no soul & probably does not have a soul). Fela Kuti's music transcends barriers of taste & culture, due to the inevitable desire of all human beings to throw their hands up & shake their rumps with no remorse.
Underground System
At 28 minutes in length, the title track boogies from fat funk break to fat funk break as though James Brown possessed the structural ambition of Duke Ellington. Recorded when Fela's 34-piece band was at its apex, this indispensable Fela disc has it all: wavelike call-and-response blowing and singing, thundering-herd percussion, dynamic electric grooves, and potent lyrical invective. The title track excoriates a government no less corrupt today than when it was written.
Teacher, Don't Teach Me Nonsense
In Teacher Don't Teach Me Nonsense, Fela explains the role of the teacher in any society with the concept that all the things we consider to be problems and all that we consider to be good in life begin with what we are taught, whether it's by our mothers at home, our teachers at school, lecturers at University or the government beyond that. Who then is the governments teacher? 'Culture and Tradition' says Fela.
Stalemate / Fear Not For Man
Originally released in 1977, this is a studio recording so it has a more polished sound than on the recent Best Best. BTW, none of these tracks are on Best Best... Stalemate and Fear not for Man are the stand outs, but the rest of album is good too. It's another intoxicating organic mixture of African harmonies, bebop, and James Brown. Listen to the samples!
Shuffering And Shmiling / No Agreement
Nigerian musician Fela Anikulapo Kuti specialized in the percolating jam, peppered with idiosyncratic horn stabs and political chants, underpinned with sinuous, interweaving guitar and bass lines, and propelled by Tony Allen's Afrobeat percussion, blending traditional Yoruban rhythms and contemporary James Brown beats. SHUFFERING AND SHMILING is trademark Fela, mixing several lengthy, irresistibly danceable tracks (including "Dog Eat Dog," a collaboration with Art Ensemble of Chicago trumpeter L…
Shakara / London Scene
These percolating, horn-heavy grooves simmer while Fela lays down his trademark rants, often in deliberately skewered pidgin English....totally unstoppable in its mix of music and message. His voice, interlocking guitars and percussionist Tony Allen turn grooves that often have 1 or 2 chords into complex statements - minimalism made for dancers.
Roforofo Fight/Fela Singles
This is essentially a CD reissue of Fela Kuti's 1972 album Roforofo Fight, with the addition of two previously unreleased tracks from the same era. It's true that Kuti's early-'70s records tend to blur together with their similar groupings of four lengthy Afro-funk jazz cuts. In their defense, it must be said that while few artists can pull off similar approaches time after time and continue to make it sound fresh, Kuti is one of them. Each of the four songs on Roforofo Fight clocks in at 12 to …
Original Suffer Head/I.T.T.
Nearly every one of MCA's twofer reissues of the best albums in Fela Kuti's discography is worthwhile, and this pairing of 1980's I.T.T. and 1982's ORIGINAL SUFFER HEAD is no exception. By the early '80s Fela had already honed his intensely polyrhythmic Afrobeat sound to perfection, and these two recordings feature all of the extended vamps, roiling rhythms, searing horns, call-and-response vocals, and political invective he was known for. ORIGINAL SUFFERHEAD marks the debut of Fela's Egypt 80 b…
Opposite People / Sorrow Tears And Blood
His mixture of raw energy and sophistication is as remarkable today as it was when he first put it all on wax.
Brain Damage in Oklahoma City
Previously unreleased material recorded between 1967 and 1970. "Comprised of eight tracks, the acme of this collection is the two large ensemble pieces, "Dreamweapon Benefit for the Oklahoma City Police Dept. parts 1 & 2," featuring Angus Maclise (barrel conga), Hetty MacLise (tampura), the poet Jackson Maclow (recorders and voice), Henry Flynt (song flute and voice) and Tony Conrad (limp string). These tracks, recorded in May of 1968, are the apex of maximalist loft style psychedelic improvisat…
Monkey Banana / Excuse 0
"Monkey Banana/Excuse O" is another gem in the Fela two-albums-on-one-CD reissue series. (By the way, the cover art posted on this page is that of "Upside Down" not "Monkey Banana.") It should be noted that unlike some of the other titles in this series, the song "Monkey Banana" was previously available on the original Celluloid label release of "Zombie" in the mid-1980s. Both the original "Monkey Banana" (with its b-side "Sense Wiseness") and "Excuse O" (with its b-side "Mr. Grammarticalogylisa…
Live!
It's hard to go wrong with Fela Kuti's work from the 1970s, and LIVE!, which features the Afrobeat innovator backed by his powerhouse band Africa '70 and ex-Cream drummer Ginger Baker, is no exception. Like all of Fela's recordings from the era, LIVE! consists of just a few tracks, each of which approximates or exceeds the ten minute mark. Yet the arrangements are so dynamic on these tracks, the criss-crossing polyrhythms so absorbing, and Fela's incantatory vocals so entrancing that the long ru…
Astral collapse
rare LP version, long deleted "Shadowy weirdo and adventurer Angus MacLise was a member of La Monte Young's Theater of Eternal Music and later, on the recommendation of his roommate John Cale, the first drummer for the Velvet Underground. MacLise was not present at any of the band's recording sessions, and he quit in late 1965 when the band got its first paying gig (because playing music for money was selling out). He tried to rejoin after the VU started getting some underground credibility, but…
Koola Lobitos 63-68/69..
Recorded between 1964 & 1969. Includes liner notes by Mabinuori Kayode Idowu, Jacqueline Grandchamp-Thiam & Rikki Stein.Mojo (Publisher). Intriguing...KOOLA gathers 6 highlife tracks from 1964-68, ranging from the almost-Caribbean via trad jazz to the nascent funk of 'Wayo'....by THE 69 LA SESSIONS [Fela] had discovered African music in California and the 10 tracks are life-affirming slabs of soul music.
J.J.D. / Unnecessary Begging
"JJD/Unnecessary Begging" is another gem in the Fela two-albums-on-one-CD reissue series on MCA. As original LPs, "JJD (Johnny Just Drop)," recorded live at Fela's home/club/compound, Kalakuta Republic, was released in 1977, while "Unnecessary Begging" and its b-side "No Buredi (No Bread)" were issued a year earlier in 1976. These albums were part of what was arguably Fela's greatest period as he released more than a dozen albums between 1975-77! While "Zombie" and "Opposite People" are clearly …