Reissues
Worldfood
Worldfood is a wild, psychedelic warble & drone of looped, overlayed tape pieces produced by 'goosing' an ampex tape player with a computer calibration device. The resulting two pieces -- 'Worldfood vii (To See With my Eyes)' and 'WorldfoodXii' -- both part of a number of variations in a series -- make for gorgeous, careening sungazing music. Leave your glasses behind. Ramon Sender is a legendary figure in the Bay Area scene -- first paving the way for the San Francisco Tape Center with Morton S…
Wave field
Reissue of the 2nd album by this Portuguese guitarist/composer Rafael Toral, originally issued by the small Moneyland label 1995, which was not widely distributed. This record is what every guitar/drone/crunch/snap,crack and pop afficionado has ever wanted. It's epic, it's intimate, it's a personally served 10 course meal at a table for two at the edge of the Grand Canyon. Dedicated to Alvin Lucier, with instructions to be played very soft or very loud, this features toral's trademark sound (lus…
Battimenti
Pietro Grossi was one of the pioneers of the experimental musical scene in Italy. This CD shows one of his visionary electronic works: "Battimenti", an electronic work composed and realized in 1965, made by the 94 combinations of near frequencies, organized in groups of 2, 3, 4 and 5 sine waves. This coupling originates the "harmonic beatings", overtones born out of the intersection of frequencies. Originally thought by Grossi has a "working material" for his famou…
Le solfège de l’objet sonore
This book, accompanied by 285 tracks on 3 CDs of examples is a unique and indispensable resource work for all those interested in electroacoustic music. Examples by Parmegiani, Henry, Bayle, Xenakis, Luc Ferrari etc. illustrate Pierre Schaeffer's text. This was originally designed to accompany Schaeffer's seminal work Traite des Objets Musicaux, but is a wonderful and enlightening tutorial in its own right.Le Solfège de l’Objet Sonore (Music Theory of the Sound Object.), a sound recording that a…
Labyrinthe!
First performance commissioned by Radio France in March 2003. ’For the first time during my journey and ventures into the world of creation, I dreamt of a breath of fresh air deriving from the electronic realm. ‘Labyrinthe’ emerged as the result. All in all, a collaborative work achieved, overcoming the distance between its sources. The sound cuts from GRM reached me as set of reflections, like ‘cadavre exquis’. Fragments in any order, all on CD, sent by post, 7 composers, 7 colleagues sent me …
Les Premières Machines 1968 - 1988
Manipulating and experimenting in all directions, Pierre Bastien gets help from a lot of human-being (Percussions, piano, cello & accordion) but also from machines: toy robots play percussion, xylophone or even the guitar. The result is surprising, varied, funny, crazy but always very interesting. Part of the now famous collection Les Zut-O-Pistes, 'Les Premières machines - 1968-1988' includes the artist's debut works. Starting with the simple 'Sans Titre', recorded in May 1968 during his school…
Music by
"Features The Soldier String Quartet performing in 'Five More String Quartets', a piece for five multi-tracked string quartets and in 'Early Winter' for flute, bass flute, string quartet and synthesizer, also featuring Susan Stenger (flute) and Eberhard Blum (bass flute)." This is purely awesome drone work and one of the loudest, most commanding minimal works you could ever dream of basking within, even living up to the following: "Dense, elusive trance music distinguished by its singular method…
Four Full Flutes
Here is the complete CD catalog of this superior NYC composers collective label (aka Experimental Intermedia); although pretty low-profile, there are some amazing releases on this label in the spirit of long, droned tones and advanced new music composition. Don't let the title to this Niblock thing throw you off -- this is massive trance music and a key work in the unspecified field of "pure sound". "...adjacent tones beat violently against one another while clouds of harmonics hover above the w…
40 years and one
This man and his work represent the real "speculum musicae" of the past 40 years. The example of his music embodies a lifelong commitment to an integral radicalism. . . . this is a venerable tradition that Philip has written so eloquently about, and continued in his music. A tradition that stems from "Charlie" Ives through John Cage and Lou Harrison. All of these composers would ultimately admonish us to do one thing: to open our ears--and LISTEN! —Peter GarlandPerhaps the single most striking …
Extreme Positions
Philip Corner was an active member of Fluxus, a founder of the Tone Roads Chamber Ensemble, the resident musician and composer for the Judson Dance Theatre, and co-founder of Gamelan Son of Lion. The musical opportunities that these ensembles and their performances offered Corner ensured that he was both prolific and had or developed a deep understanding of the important artistic influences of that time. Corner uses a variety of scoring methods. He is truly the equal of John Cage in forcing us t…
A doughnut in both hands
Solo singing. The variety of sounds that this man can make with his voice and mouth is totally unbelievable. Reissue of Rift 3 with extra material from the same and slightly later sessions. 56 minutes.
Experimenting with household chemicals
Experimenting With Household Chemicals' is a 1995 album by the laregly elusive post-minimalist Downtown experimenter Peter Zummo. Whilst possibly best known for his work on classic Arthur Russell recordings, he's been a mainstay of New York's vaunted experimental scene since the the mid-late '70s, but only released three solo albums proper. This is his 2nd, exploring "a trombone-specific method for generating melodic movement, as well as a collection of related, "spinoff" melodic material for en…
Kick that habit
Made in 1988/89 (16mm), a film around Voice Crack (Andy Guhl, Norbert Möslang + Knut Remond) in trheir daily work. A great film now on DVD!
Day for night
This CD represents a 25-year collaboration between renowned British avant-garde improviser Peter Cusack and instrument builder and sculptor Max Eastley. Cusack and Eastley have made these short episodes together between busy careers recording experimental music alongside artists such as Nicolas Collins, Steve Beresford, and David Toop). With numerous releases on ReR and Incus, the two musicians are mainstays of the British improvised music world, and Eastley is particularly prominent for his wor…
Madam I'm Adam
2015 restock. The music of of the Finnish experimental music pioneer Pekka Airaksinen has been far ahead of it's time for most of his 40-year long career. His finest recordings from the 60's are more reminiscent of Industrial Music and Noise (which would emerge ten years later) than of the music of his precursors and contemporaries. Later, in the early 80's, few people, if any, were mixing mechanic beats and free jazz like he did. Favourable conditions for this kind of music didn't really exist …
The Minexcio Connection: Live at the Rosendale Cafe
One of the most unexpected yet fruitful partnerships of recent years: in the mid-1990s, Pauline Oliveros, electronic music pioneer and sage of the environmental drone, began working with Reynols, the prolific and resolutely undefinable Argentinian group. Their first joint effort sent Oliveros' music through the rigours of Reynols' heavily processed studio treatments.
The Minexcio Connection: Live! At The Rosendale Cafe finds them collaborating on-stage in real time. Recorded in August 2000 duri…
No mo
"In the summer of 1966 I worked in the classical Electronic Music Studio at the University of Toronto for six weeks. The system I used to create No Mo and Something Else consisted of Layfette tone generators, noise source and tape delay. In the Fall of 1966 I was the newly appointed director of the Mills Tape Music Center formerly the San Francisco Tape Music Center and now the Center for Contemporary Music at Mills College. Bog Road was created at the Mills Tape Music Center in the Summer of 19…
Alien Bog / Beautiful Soop
Pauline Oliveros completed Beautiful Soop (1966) and Alien Bog (1967) utilizing the original Buchla Box 100 series created for the Tape Music Center by Don Buchla and her tape delay system. "I was deeply impressed by the sounds from the frog pond outside the studio window at Mills. I loved the accompaniment as I worked on my pieces. Though I never recorded the frogs I was of course influenced by their music."
Electronic Works
One of our favourite "pure drone" album consisting of 3 amazing long tracks by Pauline Oliveros. I of IV was made in July 1966 at the University of Toronto Electronic Music Studio and was first released by CBS alongside works by 2 other young composers - 'Come out' by Steve Reich and 'Night music' by Richard Maxfield. It is really only in recent years (born out of the more radical elements of dance music, Electronica and ambient music) that music like this is being rediscovered by a growing numb…
The Wanderer
2018 repress now packaged in a 6 panel digipak with heavy-duty stock and a matte finish. The Wanderer is based on a single modal scale (B C# D D# E F# G#) and rhythmic modes based on a meter consisting of 3/4 and 3/8. Part I, "Song," is intended to explore the unique resonant qualities of accordion reeds through long sounds. Subtle variations come about from differences in tuning and air pressure. Part II, "Dance," demonstrates the sharp accenting power of the accordion bellows in a mixture of c…