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In 1967 Z'EV took a tape music class at the UCLA night school. The leader of the course was Joseph Byrd who was the founder and theoretician of the first electronic rock band: the united states of america. So while it's almost 40 years now that he has been involved in the production of electro-acoustic music, Headphone Musics marks the first release of a product exclusively featuring this form of music. All of the source material is drawn from the collection of cassette tapes Z'EV has amassed ov…
Celebrating the 25th anniversary of the very first Zev studio album which originally came out on Backlash in 1981, Die Stadt is proud to announce the re-release of Production and Decay of Spacial Relations for the first time on CD. It features the original seven tracks from the vinyl plus six recodings entitled Reproduction and Decay of Spatial Relations made by Zev in May/June 2005. Back in the day, Zev used to bring boxes over from Holland when he would come back to New York City which he woul…
Turntables & Computers is an uncut live recording of Otomo Yoshihide and Nobukazu Takemura performing an improvised live set at the Super Deluxe club in Roppongi, for the 'Space Invaded' event on March 29, 2003. This live album documents the first performance ever of these two world renowned musicians together, and the intense collision between the sounds of Otomo's turntables and Takemura's computers.
Small overview of yasunao tone’s life / work / art, including a 3”cd containing a 1979 piece performed by david tudor, john cage, takehisa kosugi, martin kalve, and yoshiharu suenobu.
A surprising release from the radical Fluxus composer, Yasunao Tone
- an encoded description of the visual image in utmost detail. In the
mythical future, somebody can translate the sounds of this compact disc
back into pictures. Personnel: Yasunao Tone and Craig Kendall - image selection and processing; Craig Kendall - computer programming, digital sound creation, manipulation; John D.S. Adams - assistant producer and audio consultant.
2006 release. Music: the foundation of that presence in which we find ourselves shows itself as pure negative. Everything is founded on a demonstration of its own negativity: as awareness of its being negative, and does not look for an escape into a future presence that is an objective future, but, accepting its negativity, makes of this self-negation the real act, the true reality -- the true foundation, the real and actual continuity: this is music's sense. Utopia Andata e Ritorno is the…
Limited to 200 copies only, and long out of print nowadays, Walter Marchetti's Bird of Paradise: Hunting in the City. Performance time: from dawn to dusk. Leave your home, with a cool head, and carrying a briefcase full of birdcalls, of the kind used by hunters, as well as a portable tape recorder, slung across your back on a carrying strap. You will use it, at the proper time, to play a tape, which has also been placed in the briefcase. Once outside, you begin your performance of 'The Hunt' by…
Walter Marchetti's Nei mari del Sud may be regarded as the 'epitome' work of all his recent musical output. Firstly for it represents the original re-elaboration of a former work achieved in 1982; secondly, the manipulation techniques here applied rise in the same principles formerly developed for recording the Antibarbarus set of pieces, a cycle to which the new work therefore refers in terms of an ideal continuity, though it preserves some peculiar characters strictly connected with the source…
A beautiful sound art compilation featuring works by Ellen Fullman, Horatio Vaggione, Fast Forward, Takehisa Kosugi, Mario Verandi, Olga Neuwirth, celebrating the 35 years of the Berliner Künstlerprogramm. Comes with 32-page booklet.
Ellen Fullman: Transmission Particle 1 for Long String Instrument and Oboe (2001; 9:00 min)[Ellen Fullman, long string instrument; Eliza Slavet, oboe]Horatio Vaggione: Scir for contrabass flute and tape (1988; 11:37 min)Beate-Gabriela Schmitt, contrabass fluteFast F…
Archive aural document collection edited by James Nice and originally released via Sub Rosa in 1989. This unique CD compiles over an hour of original sound recordings made between 1912 and 1959 by luminaries from both 20th Century art movements, including: Marinetti, Antonio Russolo, Jean Cocteau, Marcel Duchamp, Wyndham Lewis, Guillaume Apollinaire, Kurt Schwitters, Tristan Tzara, Marcel Janco and Richard Huelsenbeck. Includes musical and interview material, tone poems, and sleevenotes. Artwork…
Released in 1995, this debut compilation is a showcase of seven London-based experimental artists. Features John Wall (sonic sampling collage wizard), Andrew Jacques (Put Put member using a microphone and guitar amplifier for disruptive sound sources, sampled by Wall), Crow (great, futuristic fragments of experimental sound/text recordings by a UK installation artist), Alquimia (dream-state mutterings and aura, from an experimental artist from Mexico City), John Grieve (powerful electronic-like …
Second edition of Paradigm Discs Variations compilation, originally released in 1998. Another collection of lesser-known and infrequently recorded artists living in London. Beautifully packaged and musically focused -- unlike so many "experimental" compilations loaded up with 30-second toss offs by "name" artists, this features nine pieces of ultra-quality sound fabrication, with the intent of providing durable home listening. Features: Akemi Ishijima (crackling electroacoustic genius), Michael …
Compilation CD with Francisco Lopez, Giancarlo Toniutti, Jeph Jerman, Seth Nehil & toy.bizarre, Kiyoshi Mizutani, MNortham, Eric La Casa. A confrontation of different ideas, views, about nature … and sound… From the electroacoustic deep soundscape of Eric La Casa to the droney stones of Giancarlo Toniutti, from the rough fresh stream field recordings of Kiyoshi Mizutani to the heavy processed insects, wood and grass sounds of Seth Nehil & toy.bizarre… from the silent nature of Francisco Lopez to…
For the very first time, original recordings by key artists, writers, poets and theorists are now gathered together on a single volume. The various recordings, made between 1929 and 1963, include poetry, interviews, lectures and manifestos. Most are in the English language, and some in French. Some, such as those by Desnos (1938) and Read (1937), have not been heard since they were first recorded onto acetate discs. The cover reproduces a painting by Yves Tanguy, This Morning (1951)15 tracks, ru…
One of the most essential collections of early electronic music ever compiled!! Raymond Scott's 'Manhattan Research Inc' boxset from 2000 is one of the finest reissues to have appeared in the last ten years. This new set from Basta is the unofficial follow up, easily their most perfectly realised project to date consisting of 4 cd's, seven booklets, posters, stickers, transcriptions and a time chart all contained within a high gloss stiff card box. It focuses on the early electronic music works …
These pieces were recorded between 1963 and 1973 at the NHK electronic music studio, Tokyo. Includes 12-page booklet with liner notes in Japanese. This version was withdrawn from sale due to objections from Takeisha Kosugi. His track was then replaced by one by Michael Ranta, and the album was re-released under a different catalog number.
1. “Divertimento” Keitaro Miho This is a live performance of live percussion instruments and electronically produced percussion instruments. Until then, …
The 3rd issue of early Japanese electronic music made by NHK (Nippon Housou Kyoukai : National Broadcasting association) electronic music studio. Engineer Satou assisted many electronic works of avant-garde composers. Contents : Makoto Moroi 'Shosange' (1967), Minao Shibata 'Display '70' (1969), Toshiro Mayuzumi 'Mandara with source of Voice and Electric sound' (1969), Joji Yuasa 'Voices Coming' (1969), Makoto Shinohara 'Broadcasting' (1973)
1. “Small Confession” Makoto Moroi The works ar…
Early Japanese electronic music made by NHK electronic music studio. Engineer Satou assisted many electronic works of avant-garde composers. The following works (except Yuji Takahashi) had released in 1967 and 1969 on LP (Victor VX-52, VX-99), and they are very rare now.' Contents : Yuji Takahashi "Phonogene" (1961), "Yori-Aki MatsudairaTrangent '64" (1964), Minao Shibata "Improvisation for the electronic sound" (1966), Joji Yuasa "IKON on the source of White Noise" (1965), Toshiro Mayuzumi "Cam…
Hiroshi Shiotani was an engineer of NHK (Nippon Housou Kyoukai: National Broadcasting association) electronic music studio, and then he cooperated with some avant-garde composers of Japan. This CD get Shiotani's works together, and released several years ago as a memorial of him when he died. It was repressed 500 copies by a private studio. All tracks are legendary early electronic works of Toshiro Matuzumi and Makoto Moroi. These works had originally released in '50s-'60s, but we have not been …
Musica Futurista: The Art of Noises" is a 73 minute collection of music and spoken word from the Italian Futurist movement 1909-1935,including original recordings by Marinetti, Russolo and Balilla Pratella. As well as period recordings,including "free verse" readings by Futurist figurehead F.T. Marinetti and the celebrated "intonarumori" created by Luigi Russolo which influenced Stravinsky, Stockhausen and John Cage, the CD includes contemporary performances of other key Futurist works.This is a…