Reissues
Your Prayer
Super Tip! Reissue, originally released in 1967. Frank Wright returned to the studio in May 1967 to make his second album using a quintet of players little-known at the time but now legends to free-jazz cognoscenti. Trumpeter Jacques Coursil, who almost made an album for ESP-Disk' himself, went on to the greatest fame of the players besides Wright; alto saxophonist Arthur Jones was not recorded nearly as often as his talents deserved; Steve Tintweis's stint playing with Albert Ayler raised the y…
Frank Wright Trio
Reissue, originally released on ESP Disk' in 1966. Frank "The Reverend" Wright was one of the most powerful saxophonists to pick up on Albert Ayler's freedom and ferocious playing. Born in Mississippi and raised in Memphis, TN and then Cleveland, OH, he started in music as a bassist in blues bands but switched to tenor sax under the influence of his Cleveland friend Albert Ayler. Wright's "energy music" approach to tenor saxophone was influenced by Ayler but at the time in the '60s Wright's inte…
Jaime & Nair
Vampisoul present a reissue of Jaime & Nair's self-titled album, originally released in 1974. Loaded with an exquisite quality, marked by all good aspects the Brazilian popular music of the '70s, and obscure as hell, the self-titled debut by the duo Jaime & Nair is a revelation of all sorts. Recorded in 1974, when the artists had just turned 22, the album was released on CID a company that -- at that same moment -- had signed other important musicians like Nana Caymmi and Emílio Santiago. Outsid…
Toshi Ichiyanagi, A Pianist
Limited 80 copies. V.A “Toshi Ichiyanagi, A Pianist” (special edition) CD+CDR
1_Table tennis performance at Katsumi Asaba Exhibition / 2009 / 13’57”Influenced by Asaba, who even coached a Japanese national team player, Ichiyanagi is also known as a very good table tennis player. A ping-pong table was also brought to the event and a demonstration was held before Ichiyanagi's performance. A contact microphone was attached to the ping-pong table where audience members, as well as Ichiyanagi, played…
Electric Holy Man
Exact repro edition of this LP, originally issued in 1968. 180 gram vinyl reissue of pioneering electronic and psychedelic albumby Henry Tree, a trio that features Leroy Markish on guitar and lead vocals, Carmen Castaldi on drums and Charles McLauughlin on bass. One of the best Mainstream psychedelic Lp's of the second generation from 1969. The tunes are all pretty long
The Land Where Nothing Is As It Seems
You are in an unknown land. It looks similar to the one you've lived in so far, but everything is weird, out of place, subtly disturbing. How did you get here? You don't remember. You suspect it is a dream, but if it is, your sleep is really heavy, so much so that you cannot wake up. You just have to set out and find the road that leads out of this nightmare. Welcome to the land where nothing is as it seems.
The musical team behind the first episode of Dunjon Magik is back to transport you to a …
One Day I Was So Sad That The Corners Of My Mouth Met & Everybody Thought I Was Whistling
"A puzzlingly great album. Ah, the halcyon days of bungled Kurt Weill renditions, overactive splicing hands and tape-loops lasting only a few seconds before being smudged by hyper fast-forwarding, like a random, operatic battle of thermopylae as re-created by members of NWW. Faced with omnipresent latter-day refined-aesthetic cognescenti, whose duty it is to remind one of the gravity of modern music, I find myself defending such gut-level joyous stupidity and its gung-ho determination to vertigi…
Distruct
“On this, their second LP, P16.D4 solicited tapes from several artists from Europe, England, the U.S., Canada, and Japan, and mixed that with their own material. Though in the current digital age collaborations from artists thousands of miles apart is quite normal, this was a quite radical approach back in 1982, when work on this LP began – an interesting concept that actually works quite well, since these artists, which include Bladder Flask, DDAA, the Haters, Merzbow, Nocturnal Emissions, Nurs…
Kühe In 1/2 Trauer
“Though this German group started out as a the new wave band P.D., by the time of Kuhe in 1/2 Trauer, their first LP under the P16.D4 name from 1984, they had developed far beyond into extremely experimental music similar to other post-industrial artists working with abstract avant-garde soundscapes. There’s a bleak industrial feel to the gritty, lo-fi electronics and tape loops, while the group throws in enough curve balls to keep it interesting. On some pieces, strange, looped choirs bubble ou…
One Day I Was So Sad That The Corners Of My Mouth Met & Everybody Thought I Was Whistling
"A puzzlingly great album. Ah, the halcyon days of bungled Kurt Weill renditions, overactive splicing hands and tape-loops lasting only a few seconds before being smudged by hyper fast-forwarding, like a random, operatic battle of thermopylae as re-created by members of NWW. Faced with omnipresent latter-day refined-aesthetic cognescenti, whose duty it is to remind one of the gravity of modern music, I find myself defending such gut-level joyous stupidity and its gung-ho determination to vertigi…
Distruct
“On this, their second LP, P16.D4 solicited tapes from several artists from Europe, England, the U.S., Canada, and Japan, and mixed that with their own material. Though in the current digital age collaborations from artists thousands of miles apart is quite normal, this was a quite radical approach back in 1982, when work on this LP began – an interesting concept that actually works quite well, since these artists, which include Bladder Flask, DDAA, the Haters, Merzbow, Nocturnal Emissions, Nurs…
Kühe In 1/2 Trauer
“Though this German group started out as a the new wave band P.D., by the time of Kuhe in 1/2 Trauer, their first LP under the P16.D4 name from 1984, they had developed far beyond into extremely experimental music similar to other post-industrial artists working with abstract avant-garde soundscapes. There’s a bleak industrial feel to the gritty, lo-fi electronics and tape loops, while the group throws in enough curve balls to keep it interesting. On some pieces, strange, looped choirs bubble ou…
Total Digital
Having completed his military service as a naval radio operator, Gunther Wüsthoff was in the midst of his German and fine art studies when he encountered Rudolf Sosna and Jean-Hervé Peron. It was May 1969 and each of them had a guitar so they decided to make music together. Polydor International headhunter Uwe Nettelbeck tracked them down on February 23 1971, prompting them to form the legendary krautrock band Faust with three other Hamburg musicians a few days later. Wüsthoff stayed with the ba…
Meridian / Greenfingers (The EP Collection)
** Limited Edition Color Wax ** Camberwell, in South London, pops up infrequently in pop culture. Perhaps you know it from the Camberwell Carrot, the heroically sized joint smoked in cult movie Withnail & I, or perhaps – if you’re attuned to experimental music – you know of Camberwell Now. The group formed from the ashes of This Heat, the art-noise group whose catalog was reissued on Modern Classics Recordings in early 2016.
Not so much a supersession as a continuation of that group, Camberwell …
Mesopotamian Death Cult
* Deluxe LP edition with Obi + Extensive Booklet + RPG module w/map! * The legend of the god Pazuzu cult is quite common along the banks of the Eufri river... In the taverns of the city of Mesopoli, you can hear about enormous treasures hidden inside its ancient temple excavated in the depths of the mountain. Pazuzu was a great evil god worshiped by an empire buried in the folds of the centuries.
Your name is Yamade and you are a warrior-priestess of the Sun-God Lamaztu’s cult. But all those rul…
Geogaddi
Tip! "Let's talk about what makes Geogaddi different. The first thing that comes to mind is the shift in mood from the previous Boards of Canada albums. While the band continues to traffic in childhood and nostalgia, the atmosphere on this album is a shade darker than on previous releases, and comparatively tense with a noticeable thread of paranoia. Boards of Canada have always had a disorienting cast to their music, in part because of their proclivity for the quivery modulation of their analo…
La Materia Verbal (The Verbal Matter: An Anthology of Peruvian Sound Poetry)
** Edition of 300 ** This compilation brings together 22 sound poems, including both pioneering and current pieces, and constitutes itself as the first great overview of sound poetry from Peru. It continues a cycle that began in 2009 with the appearance of a CD called Inventar La Voz: Nuevas Tradiciones Orales [To Invent the Voice: New Oral Traditions] and was followed up in 2011 with another one called Irse De Lengua [To Let It Slip], both of which contributed to articulate diverse manifestatio…
Ayahuasca: Musica Para Cine De Luis David Agular 1978-1983
** Edition of 300 ** Ayahuasca: Music for Film, by Luis David Aguilar (1978-1983) compiles works by Luis David Aguilar, one of the most prolific composers of film scores in Peru. It shows the great versatility and avant-garde style that has distinguished his work. Luis David Aguilar (Arequipa, 1950) occupies a fundamental place in the history of film music in Peru, not only because of the prolific nature of his work (which also includes music for television and advertising), but because of the s…
Warm Up: The Complete Live At The Highwayman 1965
Limited edition double compact disc, in a gatefold digipack, of the never-before-released complete performance of the Don Rendell - Ian Carr Quintet at The Highwayman in November 1965. Includes a 20 page booklet with an essay written by Simon Spillett and previously unseen photographs. Only 1,000 copies available worldwide. The never-before-released complete performance of the Rendell-Carr Quintet at The Highwayman in November 1965.
“Live. Up close and personal. Palpable. Almost within reach. T…
