“In these six tracks Dreyblatt’s stylistic imprint is always recognizable, that distinctive “ringing” based on the different repetition of tonal cells by which the musicians, in the unfolding of their ever-changing unison, seem to access a ritual dimension where the dominant rhythms and notes become the epicenter of an absolute harmony, deprived of signification to shine through the act of pure sound creation.”

Originally published by Esoteros.Read the original article on Esoteros