Four
*In process of stoclking. 2023 stock* A new vision of John Cage, via his complete works for string quartet. Spanning forty years of the artist’s activities, these three masterworks illuminate the different stylistic periods in the output of this 20th century icon.
Baobab
*2023 stock* "Originally written for orchestra, Phill Niblock’s Disseminate (1998) and Baobab (2011) were arranged by the composer specifically for the Bozzini Quartet, or rather, for ‘multiples’ of the Quartet: twenty different tracks are mixed in each piece — twenty different instruments, the equivalent of five string quartets. The music is essentially a work on the shifting nature of overtone patterns that arise from acoustic instruments. As composer Robert Ashley convincingly argued, these p…
Brutto, Ignudo
Proudly co-produced with Teriyaki records, this volume is simply Unique!
Ys
Florence Cats is a poet, visual artist, sound composer, performer and acupuncturist. Born in Vilvoorde in 1985, she is currently living and working where Brussels meets the Sonian forest. Ys is a generous debut. A genuine personal statement. It's raw and courageous. Sunken Cathedral is Florence interpreting Claude Debussy’s La Cathédrale Engloutie (trans. the Sunken Cathedral). The track reminds me of one of those fabled Charles Ives home recordings. Recording himself on Speak-O-Phone - an old b…
Solastalgia
*In process of stocking. Limited edition of 400 copies.* We haven’t found them yet, the words to talk to each other about the worrying signs of climate change. Feeling worried when walking on autumn leaves in the beginning of August should be completely normal. But how do we communicate about it? We don’t want to be just the next hysterical doomer. With this music I try to focus on the climate pain itself, gently inviting the listener to investigate their latent feelings of unease and growing co…
In the Asylum
This album collects works for piano through piano quartet by Irish composer Gerald Barry. All, except for In the Asylum are first recordings.
Night Will Fade and Fall Apart
"As I perceive it, in much of Magnus Granberg’ work, going back as far as projects such as Sheriff, there’s an in-drawing nurturing of self. However one may read the beautifully poetic, frequently melancholic nature of the titles of the pieces, this is far from a flattening of the nature of existence but rather a celebration of the interior life of the individual, both of the composer and his growing, attentive, audience, accumulated over time due to a remarkably consistent series of releases. T…
Works for Cello and Piano
With their 2018–2019 Isang Yun Recording Project, ItalianCellist Luigi Piovano and Pianist Aldo Orvieto pay homageto the late Korean composer and the tragic course of his life. “The events that marked Isang Yun’s life emblematically show the miserable short-sightedness of the human being, unable to act authentically and with love towards others, in striving for a common good and reach a common spiritual elevation. When confronted with the exceptional musical depth and the dramatic power of Isang…
Live im Haus des Rundfunks
The story of six soulmate musicians meeting at the intersection of classical composition, pop, electronic and minimal music begins in 2016 with their celebrated performance at the Cologne Philharmonie. After follow-up performances at the Bundeskunsthalle Bonn as well as the Hamburg Elbphilharmonie, Gregor Schwellenbach, Daniel Brandt, John Kameel Farah, Paul Frick, Erol Sarp and Kai Schuhmacher made a guest appearance at the invitation of Radio Berlin Brandenburg in the iconic Haus des Rundfunks…
Gaps, Absences
A beautifully recorded and produced cycle of pieces that combine complexity and precision with rich and unfamiliar timbres. The ensemble pieces amplify and enrich a core piano with various combinations of harmonium, double bass, violin, percussion, Hungarian zither, citara bassa, bowed cymbals, alto clarinet, melodica, sampler and field recordings, all sparsely but powerfully deployed. This is a deep and powerful music with both crystalline clarity and cinematic low frequency power. And no fat o…
Funnel to a Thread
Since the late 1970s Biota has ploughed its own furrow, producing a body of work that resembles nothing anyone else has done or is yet doing. Their compositions evolve in long, constantly shifting timbral blocks filled with fragments and echoes of quasi-familiar musical languages and sounds – or none - and use instrumental resources that span half a millennium and two thirds of the planet to create unique combinations of timbral colour in constant motion; this is a music in which everything is i…