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2009 release ** "Denissow avoids postmodern clutter by putting critical distance between himself and the music - this is a fantasy. Jürg Henneberger and Hedwig Fassbender avoid the hard sell, keeping the make-believe sound world allusive and inscruta…
"There is something quite ephemeral and special about the prepared piano – it’s mostly to do with how every instrument responds differently to these treatments but also that it’s not very exact, even if, in the case of Cage, is quite precise. His ins…
A 64-minute piano solo composed in 2021, performed by Jack Yarbrough. "'Mine but for its sublimation' is about resonance, register, and touch. It is about where we lead ourselves when we trust ourselves. It is experiencing trust as a chain of clearin…
"The idea for Homestead came in 2023 during my time as Artist in Residence at Homestead National Historical Park in Beatrice, Nebraska, in whose archives I found the materials referenced in the titles of the movements, as well as the images on this a…
*300 copies limited edition* Patience is the debut full-length album by Sante Fe-based artist Theodore Cale Schafer. Alternately murky and narcoleptic and bristling with grit and light, this collection of eight pieces is a delicate play of contrasts.…
*300 copies limited edition* Students of Decay presents "Kaivajaiset" by Finnish composer Niko-Matti Ahti. Best known for his work alongside his partner Marja as Ahti & Ahti, Niko-Matti has been an active participant in the Finnish underground since …
Moving is the abstract translation of long travels through the southern US into music for pedal steel guitar, chamber ensemble, organ, and electronics. The live performances of Moving feature 5 video projections with video art by Chaz Underriner whic…
Idiosyncratic, large-scale and in its fundamental disposition one of a kind, Florian Weber’s Imaginary Cycle, conceived for the unique instrumentation of brass ensemble and piano, is a hybrid of multiple musical languages that seamlessly blends the h…
Founding work of minimalism, Music with Changing Parts is a piece with free instrumentation. The musicians choose which part to play among the 8 staves of the score. At each indicated cue, the musicians can change part, which produces an abrupt chang…
Gerald Eckert’s third release on Mode, night, falling, is a 2-CD set of mostly works for orchestra, often with electronics. Eckert says: “I am fascinated by orchestral works containing the structures of chamber music. For me, the definition of orches…
Big Tip! The 5-CD set Gaku-No-Michi is a grand experiment that shatters conventional musical concepts. Electronic music and soundscapes merge, inviting the listener's consciousness into an infinite universe. With this work, composer Eloy pursues the …
1998 release ** Music for recorder by Paul Hindemith, Harald Genzmer, Francis Poulenc, George Auric, Jacques Ibert, Walter Leigh, Gail Kubik, Ulrich Staeps, Benjamin Britten, Hans Poser, Ervin Henning, Konrad Boehmer, Marjo Tal. "In thinking of the r…
1993 release ** "Sur cette gravure, Irmela Nolte propose un beau jeu allié à une technique nécessaire quant à ce répertoire, agile, au service des œuvres regroupées ici et dont l’on n’entend pas outre mesure son souffle ni sa respiration. Un panorama…
1989 release **
Marubatoo (13:05) John Wyre Fauna (13:17) William CahnCymbal (11:55) Bob BeckerRain Tree (11:10) Toru TakemitsuRemembrance (9:36) Robin Engelman
"This is a fine collection of pieces performed by one of the premier percussion ensembles…
1999 release ** "In 1950 Henry Brant began to write spatial music of a particular kind in which the planned positioning of the performers throughout the hall, as well as on stage, is an essential factor in the composing scheme. This procedure, which …
2009 release ** "Japan-for-U.S. CD reissue of Varèse Sarabande LP configuration (VX 81060), featuring contemporary, avant-garde classical performances, recorded live at Tokyo's Nissei Theatre in 1966 by the Yomiuri Nippon Symphony Orchestra, conducte…
2004 release ** Let no-one say that Henry Brant, America’s senior experimental composer, doesn’t have a sense of humor. If Charles Ives had been into Monty Python it would not have reached the heights of epic grandeur and inspired lunacy heard on thi…