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Compositional /

EARsalon
Works by Henning Christiansen for recorder, tenor flute, piano, tuba and bassoon, played by Michala Petri, Christoffer Møller and Jakob Munk at Klanghallen 44MØEN in 2023. Edition of 100 CDs.
Körper
Enno Poppe's Körper (2021) for big-band ensemble, played by Ensemble Modern under the composer, and Gold for mixed choir a cappella on texts by Arno Holz, sung by the SWR Vokalensemble under Marcus Creed.
Chattering Birds
Percussion works by Péter Eötvös, Vinko Globokar, Sara Glojnarić, Dai Fujikura, Ursula Mamlok, Toshio Hosokawa and Uroš Rojko, played by Leonie Klein solo and with Isao Nakamura as ISANIE Percussion Duo. Co-production with SWR2, mostly first recordings.
Prozession
First recordings of Enno Poppe's Fleisch for tenor saxophone, electric guitar, keyboard and drumset, played by Ensemble Nikel, and Prozession for large ensemble (2015-2020), played by Ensemble Musikfabrik conducted by the composer.
SAX - Contemporary Concertos for Saxophone
Four contemporary saxophone concertos by Péter Eötvös, Georg Friedrich Haas, Vykintas Baltakas and Johannes Maria Staud, all premiered by soloist Marcus Weiss, with the WDR Sinfonieorchester, Teodoro Anzellotti and Windkraft Tirol. A WDR production.
Out Into the Open
Four works written for Trio Accanto by Beat Furrer, Brice Pauset, Misato Mochizuki and Rebecca Saunders, recorded in 2024 by Marcus Weiss, Nicolas Hodges and Christian Dierstein, a WDR production.
Brisk
The idea for this album began taking shape in 2021 and has slowly evolved into a seven-track snapshot of Juli Deák’s musical world and artistic thinking. Coming from the challenging, refined, and often seemingly flawless sound of classical music, the flutist began redirecting her musical voice toward a much more personal space through experimentation and improvisation. What eventually grew into this project originally began as a handful of unfinished ideas—which only revealed their true meaning …
New Orchestral Music from Mexico
Five world premiere recordings of orchestral works by Mexican composers Hilda Paredes, Ana Lara, Andrea Chamizo, Marcela Rodríguez and Georgina Derbez, with the Mexico City Philharmonic Orchestra conducted by Scott Yoo.
Scottish Circus
Two first recordings of John Cage's Scottish Circus (1990) with the Scottish traditional group The Whistlebinkies, plus indoor and outdoor versions of 4'33" for ensemble, recorded at Inverleith House in Edinburgh on DVD with bonus interviews.
Feldman Edition 15: Morton Feldman Plays Feldman
Morton Feldman plays piano in a 1978 Deutschlandfunk concert recorded in Cologne, with flutist Eberhard Blum and percussionist Jan Williams: Why Patterns?, Extensions 3, Intermission 5 and The King of Denmark.
BLK+LND / K&L for KL
Big tip! K&L for KL and BLK+LND bring together two of Phill Niblock's final compositions, conceived by Niblock as companion works and intended to travel together. Released by Sub Rosa, the record preserves a pairing that Niblock himself wanted heard as a whole. In 2022, Niblock asked bass clarinetists Katie Porter, based in New York, and Lucio Capece, based in Berlin, to record K&L for KL, a work for two bass clarinets and electronic playback. Porter and Capece perform together as Phase to Phase…
Avant-Garde Organ
*2026 stock* The connection between these works is subtle. Nevertheless, there is an incessant search for a new sonic language, breaking an imposed norm of a secular legacy. The organ, an apparatus that is the sum total of wind, pipes and keys, becomes bigger with the imagination of those who operate it. It is a device that incites the audacity of its operator, rivalling the sonic potential of any modern instrument. This is my contribution: using a Portuguese organ that is over 200 years old in …
Space Guitars
Music for New String Instruments, composed and performed by Allan Bryant. A pioneer of underground American electronic music, Bryant helped push the boundaries as a founder member of Musica Elettronica Viva alongside Alvin Curran, Frederic Rzewski, and Richard Teitelbaum. Following his departure in 1968 he continued to independently compose, record, and archive live vintage MEV sets on his own IRML imprint until his death in 2019. During a period in the early to mid 1970s, Bryant channelled his …
Works for Organ
The album Works for Organ documents and brings to life Bernhard Lang’s engagement with this instrument – which dates back to his youth – in its most diverse forms. The musical roots lie in his own improvisational practice as part of a band, in his ongoing interest in microtonally composed music, and in his long-standing exploration of loops, a technique that can relate to various musical parameters. Furthermore, the exceptional skills of Lang’s performers and their artistic interests play a sign…
Mineralization
“The role of the composer is to act as a filter between reality and the listener, transforming real life into something different from what the listener is accustomed to,” summarizes composer Mioko Yokoyama, reflecting her personal view on her profession. She wants to show that contemporary music is not difficult or hard to listen to. In order to compose, she must first open up new realms of experience, not only through writing, but also through study and analysis. Her aim is to enable people to…
Explorations + Further Explorations Bundle
Bundled together, Gentle Fire’s Explorations (1970–1973) 3‑CD box and Further Explorations CD form the most complete portrait yet of this seminal British experimental ensemble. Studio and festival recordings of Cage, Stockhausen, Wolff, Brown and Ichiyanagi sit alongside radical “Group Compositions” and newly unearthed German radio sessions, revealing a maverick collective equally at home interpreting graphic scores, building their own instruments and inventing new forms of electroacoustic group…
itself between, of saying farewell
*50 copies limited edition* itself between, of saying farewell is an opera in two parts by Bridget Ferrill, Áslaug Magnúsdóttir and Olivia Rivière. Written through harp, electric harp, clarinet, voice, microphone, clavichord and electronics, the work moves through a strange and intimate parable of attachment, pain and release. At the centre of the libretto are three figures: Shoe, Foot and Nail. Shoe is in love with Foot. Foot is leaving to find the House of Bliss. Shoe convinces Nail to impale …
Bionic Environments
Bionic Environments by Qba Janicki is an illustrative sonic work in which organic matter and mechanical intelligence merge into a single, continuously evolving organism. Composed for amplified soundboard, electronics, electromechanics, extended voice, and string orchestra, the piece unfolds as a cinematic yet deeply material journey through hybrid environments suspended between biological mutation and synthetic architecture. The composition is based on controlled aleatorism and open improvisatio…
Exotica, The Great Learning, Cybernetics III / Contrappunto Dialettico Alla Mente
Earlier this year, Deutsche Grammophon announced and delivered one of the most exciting initiatives in recent memory: a brand-new audiophile vinyl reissue series dedicated to crucial avant-garde and experimental works from its own extensive catalog. Beginning with Luc Ferrari's Presque Rien No.1 / Société II (1970), Mauricio Kagel's Acustica (1972), and Tōru Takemitsu's Quatrain / A Flock Descends Into The Pentagonal Garden (1980), these deluxe limited editions completely blew us away, returning…
Waldmusik
Forests have inspired composers from Schubert to Messiaen, but Christopher Shultis takes it one step further with Waldmusik, a sonic chronicle of fourteen years of walking and listening. This cycle of compositions traces a personal and artistic evolution sparked by solitary walks in woodlands and mountains across the globe. The genesis of Waldmusik dates to a 2003 residency in Taos, New Mexico, where its core idea—”walking in woods / listening … / what I hear”—became a lifelong creative mantra. …
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