Works For Voice And Chamber Ensemble
2009 release ** "Denissow avoids postmodern clutter by putting critical distance between himself and the music - this is a fantasy. Jürg Henneberger and Hedwig Fassbender avoid the hard sell, keeping the make-believe sound world allusive and inscrutable. And they bring comparable qualities to one of the best Folk Song cycles around - a work whose charms have, arguably, been dinted by overfamiliarity but that has now been calmly reassessed."
Chamber Works 1943-1951
"There is something quite ephemeral and special about the prepared piano – it’s mostly to do with how every instrument responds differently to these treatments but also that it’s not very exact, even if, in the case of Cage, is quite precise. His instructions seem quite prescriptive: although, unless you know actually piano model he was using and the objects he was talking about, you’re always making adjustments. The preparing is just like other notation – there is quite a bit of interpretation …
Mine but for its sublimation
A 64-minute piano solo composed in 2021, performed by Jack Yarbrough. "'Mine but for its sublimation' is about resonance, register, and touch. It is about where we lead ourselves when we trust ourselves. It is experiencing trust as a chain of clearings, a sequence of becomings, openings, centerings. It is about letting go; othering; finding presence through evaporation. Obliteration." - Timothy McCormack
Homestead
"The idea for Homestead came in 2023 during my time as Artist in Residence at Homestead National Historical Park in Beatrice, Nebraska, in whose archives I found the materials referenced in the titles of the movements, as well as the images on this album. As a fifth-generation Nebraskan, growing up on the native lands of the Chatiks si chatiks people (Pawnee), this project is a part of my process of learning, listening, and developing a relationship with the land and its stewards in my home stat…
Listening Time
A 45-minute piece from 2024 composed by Ferdinand Schwarz in collaboration with AREPO ensemble.
Dust Book
A 50 minute solo for viola d'amore played by Marco Fusi. The piece was composed in 2022-2023, and has six movements.
Patience
*300 copies limited edition* Patience is the debut full-length album by Sante Fe-based artist Theodore Cale Schafer. Alternately murky and narcoleptic and bristling with grit and light, this collection of eight pieces is a delicate play of contrasts. Impressionistic settings unfurl with an unhurried gait, opening with the dream-like disorientation of "Gold Chain" in which a degraded location recording gives way to a soft web of treated piano motifs. Schafer's compositions are sumptuous yet unfus…
Kaivajaiset
*300 copies limited edition* Students of Decay presents "Kaivajaiset" by Finnish composer Niko-Matti Ahti. Best known for his work alongside his partner Marja as Ahti & Ahti, Niko-Matti has been an active participant in the Finnish underground since the late 1990s. "Kaivajaiset" is his first solo recording and was originally conceived of as an installation. Part horspiel, part musique concrete, it is a piece of music that draws comparisons to the work of pioneering avant-garde composers such as …
Moving
Moving is the abstract translation of long travels through the southern US into music for pedal steel guitar, chamber ensemble, organ, and electronics. The live performances of Moving feature 5 video projections with video art by Chaz Underriner which form the basis of the design of the CD. Moving particularly focuses on waterways in the south, including recordings from Blue Springs in Florida and the Atchafalaya Basin in Louisiana, the largest wetland and swamp in the US.
Chaz Underriner (b. 1…
Imaginary Cycle (Music For Piano, Brass Ensemble And Flute)
Idiosyncratic, large-scale and in its fundamental disposition one of a kind, Florian Weber’s Imaginary Cycle, conceived for the unique instrumentation of brass ensemble and piano, is a hybrid of multiple musical languages that seamlessly blends the harmonious with the oblique. Here Weber presents a cycle in four parts, plus an opening and an epilogue, in which the German pianist is joined by a group of four euphoniums, a trombone quartet as well as flautist Anna-Lena Schnabel and Michel Godard o…
Music with Changing Parts
Founding work of minimalism, Music with Changing Parts is a piece with free instrumentation. The musicians choose which part to play among the 8 staves of the score. At each indicated cue, the musicians can change part, which produces an abrupt change of instrumentation. While the music is based on a melodic material limited to a few notes that are repeated in patterns that expand or contract, the changes in orchestration refresh the listening experience by producing sonic contrasts. These tec…
Lac Noir - La Serpente 1992
Unreleased material composed by Bernard Parmegiani in 1992
Night, falling
Gerald Eckert’s third release on Mode, night, falling, is a 2-CD set of mostly works for orchestra, often with electronics. Eckert says: “I am fascinated by orchestral works containing the structures of chamber music. For me, the definition of orchestra is not characterized by its large scale, but genuinely through its individual voices.”His music explores the marginal edges of sound, fractures in tonal constructs, crystalline solidification and instabilities which (for him) always symbolize exi…
Gaku-No-Michi Materials
Big Tip! The 5-CD set Gaku-No-Michi is a grand experiment that shatters conventional musical concepts. Electronic music and soundscapes merge, inviting the listener's consciousness into an infinite universe. With this work, composer Eloy pursues the ‘path of sound’ and opens up new horizons of aural experience. In this work, the composer Eloy combined Western musical traditions with Eastern thought to create a unique musical world. Gaku-No-Michi is not just a musical work, but a meditative exper…
Fluit Douceur - Recorder Music From The 20th Century
1998 release ** Music for recorder by Paul Hindemith, Harald Genzmer, Francis Poulenc, George Auric, Jacques Ibert, Walter Leigh, Gail Kubik, Ulrich Staeps, Benjamin Britten, Hans Poser, Ervin Henning, Konrad Boehmer, Marjo Tal. "In thinking of the recorder, one normally sets his or her sights upon the many composed musical works from the 16th and 17th centuries, when the instrument was accorded the status of an official court instrument, as well as being the choice for regional folk and ceremon…
Music 4 Flutes
1993 release ** "Sur cette gravure, Irmela Nolte propose un beau jeu allié à une technique nécessaire quant à ce répertoire, agile, au service des œuvres regroupées ici et dont l’on n’entend pas outre mesure son souffle ni sa respiration. Un panorama intéressant, avec 2 des 4 pièces en solo (1,3) et l’autre moitié où la flûte sera aidée d’un autre dispositif (synthétiseur en 2, bande et enregistrements préalables en 4) qui diversifie les procédés et rompt une monotonie possible dans ce genre de …
Now
1989 release **
Marubatoo (13:05) John Wyre Fauna (13:17) William CahnCymbal (11:55) Bob BeckerRain Tree (11:10) Toru TakemitsuRemembrance (9:36) Robin Engelman
"This is a fine collection of pieces performed by one of the premier percussion ensembles in the world. The Canadian quintet Nexus approaches the notion of the percussion ensemble with an ear for innovation and a discipline for virtuosity. Nowhere is this clearer in this disc than on the album's centerpiece, "Cymbal," by group leader Bob…
Orbits • Western Springs • Hieroglyphics 3
1999 release ** "In 1950 Henry Brant began to write spatial music of a particular kind in which the planned positioning of the performers throughout the hall, as well as on stage, is an essential factor in the composing scheme. This procedure, which limits and defines the contrasted music assigned to each performing group, takes as its point of departure the ideas of Charles Ives. Brant's principal works since 1950 are all spatial; his catalogue now comprises nearly 100 such works, each for a di…
Orchestral Space
2009 release ** "Japan-for-U.S. CD reissue of Varèse Sarabande LP configuration (VX 81060), featuring contemporary, avant-garde classical performances, recorded live at Tokyo's Nissei Theatre in 1966 by the Yomiuri Nippon Symphony Orchestra, conducted by Seiji Ozawa and Hiroshi Wakasugi, featuring performances of the works of nineteen separate composers, of which four were selected for this particular release. The packaging features an eight-page booklet with liner notes "based upon notes by Kun…
The Henry Brant Collection, Vol. 2
2004 release ** Let no-one say that Henry Brant, America’s senior experimental composer, doesn’t have a sense of humor. If Charles Ives had been into Monty Python it would not have reached the heights of epic grandeur and inspired lunacy heard on this second volume of Henry Brant works. Here are three concertos: a triple concerto for Oberlin College’s zaniest, a violin concerto for Daniel Kobialka (violin wizard of the San Francisco Symphony), and a double bass concerto for Lewis Paer (who has r…