We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
* Italian Language Edition * 2024 Stock * Fernando Grillo (Foggia 1945 - Perugia 2013) contrabbassista e compositore, è stato tra i protagonisti dell'avanguardia musicale del '900, pioniere nell'esplorazione di nuove tecnichedi produzione del suono sul contrabbasso. Per lui hanno scritto compositori quali Salvatore Sciarrino, Iannis Xenakis e Luciano Berio. Karlheinz Stockhausen lo definì "il Buddha del contrabbasso", mentre Carmelo Bene, per il quale lavorò alle musiche dell'opera poetica "I ma…
CD digipack. In his “Pulse Music” compositions of the mid-1970s, composer John McGuire forged a unique interpretation of European serialism. A student of Karlheinz Stockhausen, Krzysztof Penderecki and Gottfried Michael Koenig, McGuire moved to Cologne, Germany in 1970, where he become associated with the world-leading Studio for Electronic Music at Westdeutscher Rundfunk (WDR) in Cologne. Like Stockhausen, McGuire found his musical imagination both constrained and inspired by the technology tha…
*2024 stock. Custon CDr* Noa Ain gives us a surreal portrait of violinist Yoko Matsua in “Used to Call Me Sadness,” Joel Chadabe encourages a solo percussionist to interact with an automated electronic system in “Echoes,” Ann McMillan manipulates animal sounds with recording techniques in “Whale I,” Gordon Mumma offers audience members “Do It Yourself” participation in “Cybersonic Cantilevers” and Vladimir Ussachevsky suggests a pre-biblical story of the creation of the world depicted by electro…
*2024 stock. Custon CDr* Works by Talib Rasul Hakim, William Bolcom, Howard Swanson and Frederic Rzewski are presented here. Highlights include Bolcom’s "Whisper Moon" for chamber ensemble and three of Rzewski’s songs, whose lyrics are drawn from words by Frederick Douglass, Langston Hughes and Guatemalan revolutionary Otto Rene Castille.
*2024 stock. Custon CDr* Trumpets and trombones twist through dense pockets of sound in Lucia Dlugoszewski “Angels of the Inmost Heaven”; the voice of a lone guitarist punctures the silence in James Fulkerson’s “Patterns” II and VII; flute, bassoons, viola and vibraphone are intended to “turn some dancers on” in Carman Moore’s “Youth in a Merciful House”; and a guitarist laments to the hum of an Elizabethan-type string and woodwind consort in Stanley Silverman’s “Planh.” This is a thoughtfully b…
The inaugural release in Greyfade’s innovative new FOLIO music release format, composer Kenneth Kirschner’s Three Cellos is the culmination of a five-year collaboration between Kirschner, arranger & producer Joseph Branciforte, and cellist Christopher Gross.
The name Painjerk, the musical project of Kohei Gomi, didn’t come to mind for a long time. Offhand, I’d say it is likely that I reviewed very few of his releases. Many of those he released himself, and the ones of Harbinger Sound, Editions Mego, Alternative Tentacles and Hospital never reached me. He’s among the few musicians leaving the harsh noise behind and doing other projects. He calls it the “exploration and practice of kinematics of electro-acoustics using unorthodox methodologies, mainly…
Kontakt Audio and Infinite Fog Productions proudly present the 25-th anniversary reissue of the one of most unique albums on avantgarde/neoclassic music - Ihor Tsymbrovsky - Come, Angel.
The latest in a prolific string of solo and collaborative releases by James Rushford, Turzets collects a pair of new works primarily created and recorded last year while the Australian composer-performer was in residence at La Becque, an art center on Lake Geneva in Switzerland. The side-length piece “Fallaway Whisk” explores hesitation in its many forms—reticence of speech, sonic restraint—using live, abstracted translations of text from English to German against a lush and swelling soundscape.…
*2024 stock* Bernd Alois Zimmermann (1918–1970) was one of the most distinctive composers in the musical avant-garde after the Second World War. While Karlheinz Stockhausen served as a kind of ‘generator’ in Cologne during the 1950s and 60s, inventing completely new sounds and techniques, Zimmermann was in many ways his opposite, a ‘transformer’ who redefined previously existing material by placing it in new contexts and collage-like structures, anticipating the ideas of the Postmodernists.
Zimm…
For decades, Ludger Brümmer has represented a unique, courageous, and often instantly recognisable voice in electronic, algorithmic, and computer music. He develops structures that lead to aesthetic experiences normally found, if at all, only in the most expressive of instrumental works.
Ludger Brümmer’s music is dominated by processes. All processes are on a trajectory towards a climax or evolve from a climax to a minimum. Ultimately, a complete lack of orientation is to be achieved in the clim…
*2024 stock* Live recording of the piano recital for the eightieth birthday of composer Hans Otte that Philipp Vandré and Elmar Schrammel presented at the Akademie Schloss Solitude in Stuttgart. A selection of John Cage's "Sonatas and Interludes" for prepared piano was interwoven with selections from Hans Otte's piano cycles "Das Buch der Klänge" (The book of sounds) and "Stundenbuch" (Book of hours). This concert experiment, conceived by Ingo Ahmels, paid quiet homage to the "beautiful piano so…
"Each composition arises from a clear idea that the listener can grasp. That is their beauty, I’d argue – there’s no need for, or possibility of, any process of beautification. They are conceptual art in the broadest sense, but vividly concrete in their sonorous properties. So they are a paradigm of musical art – for music is an art that is abstract in form, concrete in utterance." - Andy Hamilton
Swiss composer Jürg Frey writes masterful soundscapes, calm and vast. With his sensitive ear for colour, sound and precision, he composes music of great serenity and lyricism; a poetic weightlessness in search of silence in sound. “My music is slow, sometimes static, often delicately shifting between standstill and movement. And yet, after more than an hour, this music has arrived at another place. Standstill, little happens, — it is this atmosphere from which my music emerges and to which it al…
Other Minds is proud to present The Possibility of a New Work for Electric Guitar, a new limited-edition 12” 45 RPM vinyl disc of music by Morton Feldman and Christian Wolff, performed by Wolff and Wendy Eisenberg. Side A features two performances of Morton Feldman’s The Possibility of a New Work for Electric Guitar, written for Wolff (who professes to be “not really a guitar player”) in 1966 as an experiment on the instrument. On his way to perform The Possibility of a New Work for Electric Gui…
Tricatel is proud to present, in a limited edition of 777 hand-numbered copies, the superb double vinyl/book dedicated to 7×7, inspired by Bertrand Burgalat.
*150 copies limited edition* "Most of the music I am attracted to represents some kind of undoing. Sun Ra's undoing of the big band, or of the jazz solo. Schoenberg, Berg, and Webern's undoing of the classical music concert. The A.A.C.M.'s undoing of the jazz combo and the club date. Pauline Oliveros' undoing of the musical score. Alice Coltrane, Don Cherry, and Cornelius Cardew's various undoings of the profession. What's more, none of these undoings are antagonistic or destructive. The thing u…
"Other Minds is happy to present The Water Has Found its Crack, the debut album by composer Joseph Bohigian. Consisting of four new works written since 2018, the collection finds the composer expertly handling a variety of performing forces, from laptop ensemble to string quartet. Each piece engages with a different aspect of the California-born composer’s position as a member of the Armenian diaspora. These include the legacy of displacement since the 1915 genocide, maintaining culture in exile…
The ensemble consists of 10 musicians from different parts of the world, coming from various musical backgrounds: Thea Soti (voice), Ferdinand Schwarz (trumpet), Jonas Engel (alto sax, clarinet), Victor Fox (bass clarinet), Emilia Gołos (piano), Zoe Argiriou (vibraphone, bass drum, timpani), Magdalena Lorenz (violin), Jonas Gerigk (double bass), Anthony Greminger (drums) and Wojcik himself on electric guitar. The album is an attempt to escape and find an alternative to the hierarchical composer-…
The sixth volume of the collection, Arbor Vitæ, pays homage to the Canadian-American composer James Tenney with performances of the complete quartets and quintets. These works were composed over a period of more than 50 years, from the first string quartet, written at 21, to the last, posthumous quartet. Through various acoustic and musical phenomena, Tenney creates broad, open musical spaces, making music that is both rigorous and sensual. We feel privileged and honoured to be associated with t…