1990 release ** Music by young French-Italian composers or performers of contemporary music: Griffith Rose, Enrico Correggia, Fabrizio De Rossi Re, Giulio Castagnoli, Mauro Cardi.
2025 stock ** "British compositions dominate Lush Laments for Lazy Mammal. Both Gavin Bryars (born in Yorkshire, 1943) and Laurence Crane (born in Oxford, 1961) belong to the classic experimental scene in England, a scene that developed in the wake of the conceptual New York School music in the 1960s. The Englishmen draw inspiration from composers such as Cage and Feldman, as well as from earlier cult figures such as Eric Satie, who anticipated genres such as minimalism and ambient as far back a…
1992 release **
Felix Werder - Three Night Pieces Op. 121 (1972) Klaus Hinrich Stahmer - König Wiedehopf (1981) Frank Michael - Trio Op. 58 (1985) Wolfgang Hildemann - Suoni Serale XI/XII (1989/90) Klaus Hinrich Stahmer - Hallo - Georg Philipp! (1981) Wilfried Jentzsch - Paysages FI G Für Flöte Und Computerklänge (1984)
Flute, Alto Flute, Piccolo Flute – Hanna PatzeltFlute, Bass Flute, Alto Flute – Winfried Meier-EhratFlute, Piccolo Flute, Bass Flute – Frank MichaelGuitar – Andre…
1990 release ** ""In illo tempore" composed 1979 and recorded June 3-4, 1983 at WDR, Köln, Germany. "Je vis - Je meurs" composed 1979-80 and recorded November 15-16, 1984 at WDR, Köln, Germany. "Nomos protos" composed 1986-87 for piano, flute, clarinet, trumpet, horn, posaune, percussion, two violins, bratsche, cello and double bass. Recorded April 23, 1988 at Nedeltschev Sound-Studio."
1991 release (VERY RARE) ** Rarely performed Italian contemporary compositions for guitar by Bruno Maderna, Goffredo Petrassi, Franco Margola, Carlo Mosso, Lorenzo Ferrero, Gilberto Bosco, Heitor Villa Lobos, Giulio Castagnoli, Fabio Vacchi, Daniele Bertotto, Davide Ficco.
2025 stock ** "Intolleranza 1960 was Luigi Nono's first work for the opera stage and is a flaming protest against intolerance and oppression and the violation of human dignity. The year in the title refers to the time of the work's origin. Nono himself said of this work that it "did mark a beginning for me, but in no sense did it constitute a tabula rasa or in response to 'divine inspiration'". It was commissioned for the 1961 Venice Biennale by its director Mario Labroca. The first performance …
1989 release **
Jeroen van Dijk - De tijd betrapt 11:54Chiel Meijering - Zou het pijn doen 09:09Huub de Vriend - Reggae 04:05Hans de Jong - Diaspora 07:02Charles E. Ives - Overture and March 1776 03:21.Dolf de Kinkelder - De Verloedering 2 13:29Mauricio Kagel - Fünf Märsche um den Sieg zu verfehlen 07:43
1991 release ** "Dutch composer Louis Andriessen is often spoken of as one of the great neglected minimalists. But his work tends to be far less strictly minimalist than that of early Steve Reich or Philip Glass and much more akin to the grab bag ethos of John Adams. In fact, much of "De Staat," a single movement composition with text drawn from Plato's The Republic written from 1973-1976, echoes Adams both in the favored tonalities and in the mix of minimalist styles. The work, as performed by …
2025 stock ** "The present recording, recorded in a studio by an ensemble of first-call freelancers led by two ideally sympathetic conductors, Eric Wubbels and Taylor Ho Bynum, provides eloquent evidence of what Laubrock has achieved. Both of her orchestral pieces – Vogelfrei, with its variegated textures, animated rhythms, swooping vocals, and inexorable momentum; and Contemporary Chaos Practices, where four instantly distinguishable soloists (Mary Halvorson, Davis, Wooley, and Laubrock herself…
*2025 stock* This live recording of the epic composition “Time Passing…” by Barry Guy based on texts by Samuel Beckett, Edwin Morgan and Kerry Hardie, features the stunning achievement of the singers Savina Yannatou, Anja Pöche, Matthew Brook and bass improvisations by Barry Guy who acted also as conductor of the brilliantly performing Camerata Zurich.
1993 release ** "Between 1963 and 1973, because there were almost no instrumentalists who I could interest in my music, I wrote very little instrumental music, contenting myself with making taped pieces, often for dancers. Since then I have been fortunate enough to find players for whom to write. At the same time, I have seen developing in my music what I think is really a revolutionary system of tonality. It is a system with all the structural, rhetorical and affective capabilities of classica…
1998 release ** "For the first time, we can hear Giacinto Scelsi playing piano! It's short (3:51) and the recording quality substandard, but Scelsi's improvisation with Carin Levine, Krishna e Radha, gives a window into the mind of one of the greats--that until now we could only hear through the veils of transcription and composition. The other premiere is Quays, for alto flute (1954). Levine has made her mark in the avant of avant-garde flute. The remaining pieces here have all been recorded a…
1990 release ** "The seven-minute chamber work Eclat (1965) sounds like a direct continuation of the musical world of Pli selon pli, with its shiny percussion sonorities and mesmeric fixity. In 1970, Boulez added a new continuation, Multiples, to the original Eclat, with the intention, he said, of eventually writing a forty-minute piece using ever greater numbers of instruments – though thirty years later he has yet to fulfil this promise and the work remains unfinished. Despite this, the existi…
1994 release ** "Composer, performer and improviser René Lussier is one of the dominant figures in contemporary Canadian music. In 1989 he won the Paul Gilson Prize for his radio work Le Trésor de la langue which he recorded on the Ambiances Magnétiques label and which he presented in concert version in Canada and abroad. Here he presents his latest album entitled “Le corps de l’oeuvre” which is made up of a series of instrumental pieces for large and small ensembles written and refined over the…
For her new and most radical album "Electroacoustic Works for Halldorophone", Martina Bertoni used the electronic instrument at EMS Stockholm to create four pieces that are massive in scale and incredibly intimate, sonically restrained and emotionally overwhelming—almost ambient and always demanding your full attention.
In 2013, Claire Chase instigated a project designed to cultivate an entirely new body of work for flute. A MacArthur Fellow, Harvard professor, and indomitable musical force who co-founded the International Contemporary Ensemble, Chase began commissioning work, with the idea of doing so until the centennial of Edgard Varése's seminal flute solo "Density 21.5," in 2036. This deluxe 4-CD set is the first fruit of these commissions, realized in the first three years of the project, featuring 17 wor…
Chant 1450 Renaisance Ensemble sings and plays the sacred and secular repertoire of the 15th and 16th century. Including musicians trained at the widely renowned college for early music Schola cantorum in Basel, Switzerland, chant 1450 appeared live in January 2005 and sang then a highly acclaimed first tour in Switzerland with La contenance angloise - sacred music of the 15th century, followed by more than 250 live performances in Germany, Italy, Czech Republic and Switzerland until today. chan…
This is volume 2 in a collection created in collaboration with Echonance Festival, Amsterdam, coming just one year after volume 1 (Phill Niblock / Looking for Daniel) and just in time for the third edition of the festival in February 2025. Here is and opus centered on the piano by composer and sound artist Gabriel Paiuk. Those thought provoking pieces are rendered with exquisite precision and depth by the extraordinary musicians, pianist Reinier van Houdt, Maurice Quartet, and Paiuk himself.
Book edited by Cat Hope and Lindsay Vickery on John Cage's eight Variations (1958-76), with a CD of the complete Variations performed by the Australian ensemble Decibel using annotated digital scores, acoustic instruments and electronics.
These are selected forsaken recordings, demos, abandoned versions etc. of music from 2016 - 2025. Most of these pieces are going to be released in their original context.
Thank you wholeheartedly to those of you who have reached out.
Special thanks to Thorbjørn, Admeta String Quartet, L, Jeppe og Jonas.
One of Carola Bauckholt's major talents is the gift of attentive and passionate listening. Through persistent research, she uncovers the hidden musical potential of ambient sounds such as the gurgling of a fountain, a grinding crank, birds, dogs, construction machinery or a babbling baby, which then become the core of entire works. These sounds need a mediator like Bauckholt who translates them, thinks them through musically, and places them into often surprising contexts. This album features th…
Chris Otto (violino), Austin Wulliman (violino), John Pickford Richards (viola), Jay Campbell (violoncello). The world class JACK Quartet, both individually and as an ensemble, have had a personal relationship with Zorn for well over a decade. Here they deliver passionate and virtuosic recordings of his complete string quartets. Zorn’s writing for strings is legendary, and his eight string quartets, written in a thirty-year period from 1988–2017, are some of the most important and original works…
John Cage's works for speaking percussionist on Blu-ray, with Bonnie Whiting in 51'15.657" and other pieces and Allen Otte in his own Cage-related piece, plus a 73-minute video interview about Cage and the works.
*2025 stock* "Stefan Winter, head of the Winter & Winter boutique label, has a different attitude to popularising classical music. Rather than relying on the familiarity of old favourites, he believes that contemporary classical music is more accessible than its ascetic, atonal reputation suggests, and can find an audience outside its assumed intellectual elite. Hence this compilation of excerpts from the label's catalogue…" - The Independent"Winter & Winter is something of a special case when i…
*2025 stock* "In composing a piano trio, I fulfilled a long-fostered desire. This is a genre which, like the string quartet tradition, can slightly intimidate any composer. I too waited patiently but anxiously to make my own contribution. The pre-history of the piece is closely tied to my Music Epic about the devil, La Trahison orale (Oral Betrayal), which I wrote in 1981-83. When conceiving this work, I had already decided to compose character pieces, relatively short numbers with a particular …
Teodora Stepančić writes "music that doesn't try to draw attention to itself." The Serbian-born, Brooklyn-based composer describes her aesthetic simply: "How much do I need to add to everything that I hear?" These two chamber works for Ordinary Affects—written five years apart, yet fitting together with eerie logic—make a persuasive case for restraint.
OA (2018) and FG (2023) share surface features with Wandelweiser repertoire: low volume, generous silences, slow pacing. But unexpected elements …
*2025 stock. 300 copies limited edition* A twelve CD box set of Anthony Braxton’s complete Syntactical Ghost Trance Music (SGTM) - the subset of Braxton’s revolutionary Ghost Trance Music compositional system written especially for the human voice. The recording also introduces the Tri-Centric Vocal Ensemble - a twelve member choir featuring some of the most exciting and accomplished singers in creative music. The recording is available digitally and in a limited edition 300-copy pressing, a del…
*2025 stock* Trillium J is a Braxton opera, and documents a surreal and witty installment in Braxton’s ongoing Trillium cycle. Available as a four-disc box set in both physical and digital forms and live performance video on Blu-ray disc, it includes a booklet with libretto, photos, and critical essays. Live performance recorded April 19, 2014 at Roulette, Brooklyn. Studio realization recorded April 21-22, 2014 at Avatar Studios, New York, NY.
*2025 stock* Trillium E is the first-ever studio recording of a Braxton opera, and documents a surreal and witty installment in Braxton’s ongoing Trillium cycle. Available as a four-disc box set in both physical and digital forms, it includes a 72-page booklet with libretto, photos, and critical essays. Each of Trillium E’s four acts features a different episode: a genie in a bottle, the invention of human cloning, interplanetary space travel, and the exploration of a jungle pyramid. The perform…
First recording of Iannis Xenakis's Kraanerg (1968) for 23 instruments and 4-channel tape, with the tape restored from the analog masters, played by the Callithumpian Consort conducted by Stephen Drury.
Chamber works by Earle Brown from 1952 to 1999, from Folio and Four Systems to Tracer, with Christian Wolff and Joan La Barbara among the performers and the tape piece Octet in a new transfer.
First recording of the twelve Piano Etudes by Roger Reynolds, in two Books written in 2010-11 and 2016-17, played by Eric Huebner. Second of two volumes celebrating the composer at 85.