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Cornelius Cardew's graphic score Treatise in the only performance of its 2-hour version, recorded live in Prague on 15 October 1967 by the QUaX Ensemble directed by Petr Kotik, remastered from the original analog tape.
Chamber music by Hans Werner Henze, weighted toward pieces drawn from his theatre works, played by the Naples-based Ensemble Dissonanzen: Ein kleines Potpourri from Boulevard Solitude, Toccata Mistica, Drei Tentos and Neue Volkslieder und Hirtengesänge among others.
Lydia Kavina plays theremin works with Ensemble Sospeso: first recordings of music by Howard Shore, Olga Neuwirth, Christian Wolff and Percy Grainger, and Miklós Rózsa's chamber version of Spellbound, premiered at Lincoln Center in 2000.
Four recent works by Frank Denyer for very quiet voices and rarely combined instruments, including muted strings, flute, clarinet and percussion, played by The Barton Workshop under Denyer and James Fulkerson.
Six compositions from 2001-2004 by Tim Hodgkinson, co-founder of Henry Cow, for ensembles, clarinets and electronics, with the Hyperion Ensemble and other guests and Hodgkinson himself on clarinet and bass clarinet.
Feldman works for voices and instruments from 1949 to 1971, three of them first recordings, including Journey to the End of Night, The O’Hara Songs and Four Instruments, played by The Barton Workshop.
Feldman's indeterminate works: the complete Projections and Durations series on one disc, the first recording of Two Pieces for Six Instruments, and The Straits of Magellan, played by pianist Philipp Vandré and the Turfan Ensemble.
Two string quartets by John Cage played by the Arditti Quartet: String Quartet in Four Parts (1949-50), in a new recording, and Four (1989), a first recording written for the ensemble. Composer-supervised sessions.
Second volume of John Cage works for saxophones, played by Ulrich Krieger and his ensemble: early pieces of unspecified instrumentation, saxophone parts drawn from Atlas Eclipticalis and Concert for Piano and Orchestra, and the first saxophone version of Two.
Five Xenakis works for ensemble recorded in New York in 1996 with the composer's participation: Akrata, Echange, Xas, Okho and the first recording of A la Mémoire de Witold Lutoslawski, by the ST-X Ensemble.
All of Xenakis's chamber music for strings except the quartets, from Syrmos (1959) to the first recording of Ittidra (1996), played by Ensemble Resonanz under Johannes Kalitzke, with John Eckhardt on solo contrabass in Theraps.
Two George Crumb works of the 1970s: Black Angels in an arrangement for string quartet and string orchestra, with Cuarteto Latinoamericano, and Makrokosmos III for two amplified pianos and percussion, conducted by Juan Pablo Izquierdo.
Elliott Carter's Quintet for Piano and Strings, Quintet for Piano and Winds, Syringa, Tempo e Tempi and two miniatures, recorded under his supervision for his 95th birthday with Ursula Oppens, the Arditti Quartet and Ensemble Sospeso.
Two CDs covering 37 years of Christian Wolff's music, mostly first recordings including the graphic score For 5 or 10 People and Schoenen met veters, played by The Barton Workshop with James Fulkerson.
All of Christian Wolff's works for violin and piano: the first recording of Pebbles (1999) and two performances of Duo for Violinist and Pianist (1961), played by the Canadian duo Sabat/Clarke with the composer present.