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When James Lyon touches a violin, people listen; he can turn a phrase or a tune like few others. So, after a long career teaching at Penn State, it is high time he had a solo album to his credit: Turning is a deeply personal collection of works that celebrates his 35-year tenure at the institution.
The title Turning carries multiple meanings for Lyon, reflecting both transition and opportunity. “For well over three decades, I have been taking my turn being a professor of violin,” Lyon explains. …
With Continuous Interior, Abby Fisher unveils a solo album that reimagines percussion and electronics. The album includes two immersive works that explore scale, space, and perception. The title track – the evocative Continuous Interior by New York composer Robert Honstein – draws inspiration from the modern experience of limitless, bounded spaces – shopping malls, airport terminals, vast warehouses – and translates that feeling into waves of resonant sound, where vibraphone tones sparkle above …
Forests have inspired composers from Schubert to Messiaen, but Christopher Shultis takes it one step further with Waldmusik, a sonic chronicle of fourteen years of walking and listening. This cycle of compositions traces a personal and artistic evolution sparked by solitary walks in woodlands and mountains across the globe. The genesis of Waldmusik dates to a 2003 residency in Taos, New Mexico, where its core idea—”walking in woods / listening … / what I hear”—became a lifelong creative mantra. …
Since their founding in 2007, the Madrid based saxophone quartet Sigma Project has premiered more than 85 works and introduced hundreds more to audiences from Teatro alla Scala in Milan to Teatro Colón in Buenos Aires. Their commitment to commissioning new works is the saxophone quartet’s parallel to the Kronos Quartet. Juan Antonio Cuéllar’s Cuatro Artificios is a four-movement work that follows the classical structure of the quartet or symphony (Allegro-Adagio-Scherzo-Allegro Finale) and draws…
For fifty years, the piano has been the backbone of Raymond Deane’s creative output. This journey began at age sixteen with the first Orphic Piece, a work that set the stage for a career defined by breaking contemporary taboos. Rejecting both the strict rules of traditional keys and the lawlessness of atonality, Deane creates his own temporary musical structures, constantly building them up and dismantling them again. For him, composition is a process of conflict and negotiation, allowing for th…
"I remember the first time I sat at a piano, my feet dangling over the edge. As I tested the keys, I felt a wonder and joy at the sound coming out of the instrument. I still feel that joy every time I sit at a piano. In the two drone works in this release: "December" and "Thomas," I was intrigued in the contrast of the rhythm of the hammers striking the strings with the rhythm of the swelling overtones. On "Thomas", the trumpet tones blend and contrast, sometimes revealing the piano, and sometim…
*200 copies limited edition* “Songs of Erosion” is a project by Clara Levy & Victor Guaita Igual revisiting the 13th-century Spanish songbook “Cantigas de Santa María” through the lens of erosion.
Rejecting a historicist interpretation, Clara Levy and Victor Guaita Igual develop a set of instructions inspired by geological processes. These serve as a basis for approaching pitch and rhythmic material, shaping it into new compositions. Among the cantigas explored by the duo, this record focuses on…
This is the fifth chapter, and one of the most assured. Wild Up's long reckoning with the music of Julius Eastman arrives at Gay Guerrilla, the work Eastman composed at the close of the 1970s and regarded as the point where his politics and his sound became indivisible.
Eastman remains one of the singular figures of American experimentalism, an African American and openly gay composer who moved through the orbit of the Buffalo new music scene and the downtown minimalist world before dying destit…
*100 copies limited edition* Transparent duo, for 2 string instruments. On transparent paper. One set of pages indicates bowing. The second indicates the direction and length of mostly inaudible glissando. Players overlay pages and play any number of combinations. Field recordings were taken one morning and evening, in the summer of 2025 around Narrowsburg. "Through my music, I create situations for people to play and be together, to sustain a community, to share sounds and ideas in a welcoming …
Rand Steiger’s Introspective Trilogy is a series of string quartets with electronics composed over a period of eight years for the JACK Quartet. Reflecting on emotional states through musical expression, the quartets explore intense feelings of anger, frustration, and despair in response to alarming political developments in the U.S. and globally, from 2016 when the project began, to catastrophic recent developments. Steiger relates the resurgence of xenophobia and well-known elements of authori…
The pianistic writing of Giorgos Koumendakis represents a rare encounter of delicacy, intellectual concentration, and profound compositional coherence. It belongs to a free post-modernity, rooted in the continuity of certain Eastern European composers who developed an independent and original modernity. The cycle Mediterranean Desert, which forms the central axis of this album, is a work for piano consisting of 22 pieces inspired by Mediterranean flora and fauna. It offers a distinctive sound ma…
This album is intended to be a retrospective view of Luigi Manfrin’s compositional journey. Rather than following a chronological order, it identifies loops that run through his musical production: recurrences, foldings and returns that never replicate the same pattern, but instead reactivate structural tensions in different contexts. At the core is the idea of sound as an immanent experience. The unity of the album lies not in the identity of its materials, but in the constant questioning of th…
*150 copies limited edition* Composer Vasco Mendonça presents his third album “Third Places”. The album brings together a collection of landmark performances and features some of the leading names in international contemporary music, including countertenor Iestyn Davies, mezzo-soprano Barbara Kozelj, the Porto Casa da Música Symphony Orchestra, the ensemble Het Muziek, and conductors Brad Lubman and Ernest Martínez Izquierdo. More than just a record, “Third Places” stands as a space for artistic…
Many Many Women by Petr Kotík is a large-scale composition for voices and instruments from 1975-78 on the text of Gertrude Stein's novella of the same name. It was published in Paris in 1910 as part of the book G.M.P. - Gertrude, Matisse, Picasso. In 1972, the book was published again by Dick Higgins in his publishing venture Something Else Press. Kotík used the complete text, which determined the length of the piece. Inspired by his close collaboration with the composer and singer Julius Eastma…
*2026 stock* For this collection of live performances, we approached Treatise not just as a score, but as a piece of visual art—an abstract landscape that drew us in with its raw graphic beauty. We felt compelled to translate it into sound using our instruments, while also engaging with the work on its own terms. In researching Cardew’s notes and his Treatise Handbook, it became clear that he didn’t intend the piece to be an open-ended free-for-all. Rather, he encouraged performers to develop a …
Morton Feldman’s New Directions in Music 2 is one of the true cornerstones of modern classical music. Originally released in 1959, the album captures Feldman at the very beginning of his radical journey into sound, space and silence, developing the sparse, floating language that would go on to influence generations of experimental composers and ambient musicians alike. With cover artwork by abstract painter Philip Guston and clear parallels to the chance-based ideas of John Cage, the record perf…
*100 copies limited edition* Virginie Reid announces the release of Mille Soleils à l'oeil nu, a luminous new album that explores the delicate intersection of acoustic intimacy and boundless sonic imagination. Recorded with a keen ear for texture and a fearless commitment to improvisation, Mille Soleils à l'oeil nu invites listeners into a world where small gestures expand into vast, cinematic landscapes.
Mille Soleils à l'oeil nu traces a journey through light and shadow. Reid's compositions ba…
1999 release ** Both peculiar archaism and highest sensitivity characterize this quiet, while extremely tense sound landscapes of the Sicilian composer Salvatore Sciarrino.
Salvatore Sciarrino’s music-theatre piece Luci mie traditrici (Oh my deceitful eyes) was originally based upon the colourful life of the composer Carlo Gesualdo, but when he discovered that Schnittke was also busy on an opera on the same subject, Sciarrino changed track and eliminated all references to the great madrigalist i…
Lüüp, the acclaimed international project with collaborations / contributions from musicians from different countries known for blending folk textures with cinematic ambience, releases Meadow Rituals, an expansive 3CD collection that unfolds like a seasonal hymn to nature, memory, and communal ritual. Across three discs, Lüüp weaves delicate acoustic instrumentation, ritualistic percussion, choral textures, and intimate field recordings into a cohesive sonic journey that feels both timeless and …
The interesting thing about Robert Morris’s (b. 1943) remarkable career as a composer (and a theorist) is how free he is to move from composing works of great rigor with intricate integrity in his use of pitch-class design, to works of sonic beauty to be performed in a natural outdoor environment, to imaginative electronic/computer music, to the music of acculturation. Among the latter, his monumental Carnatic String Quartet is an outstanding example. In his own words: “Carnatic String Quartet (…