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Compositional /

Clusters: American Piano Explorations
Rory Cowal is a distinctive pianist, one who draws liberally on classical chops, ample experience with improvisation, and a predilection for the new and uncharted. This makes him especially attractive to composers who wish to blur the boundaries between traditional styles and genres. A musical adventurer at heart, Cowal seems drawn to challenging and unusual projects. The eight pieces on this CD reflect this willingness to experiment, to not just play the same old (now canonic) warhorses of the …
Schtyx
"All his life, my father played the trombone and sang; just before he died, he became a music critic. He said "Chords, yes Alvin, but it needs more melody." SCHTYX was the answer. It opens with a dotted quarter at 50. From the start, implications appear and never cease. They remain open for business like a river. The melody, first thought terminal, is recycled on a child's buzz saw, but then reappears as a mensch. Ten minutes later, it turns up a 5/4 Waltz scrutinized by a group of unemployed ha…
Distant Fragments
With "Distant Fragments", Camilo Mendez presents an album of solos and duos that showcase his most intimate and reflective works, creating a rich sound tapestry. While Mechanical Resonance I: Iridescent Resonance explores cloud luminescence through prepared violin and viola, Five Fragments deals with the themes of variation and polyphony. Cancion de la Distancia, on the other hand, reflects the fleeting nature of memory and time, inspired by Arturo’s poetry. Recorded by Roberto Alonso, Linus Fun…
Sounded Voice, Voiced Sound
In the heart of 21st-century Japan, Yu Kuwabara emerges as a composer of remarkable versatility and resilience. Inspired by Japanese mythology, Buddhist chants, and Edo songs, Kuwabara explores the energy of the Japanese language through her compositions. Her works, such as Bai and Dharani and Toward the Brink of Water Or the Verge of Dusk, blend Western classical influences with traditional Japanese elements. Kuwabara’s research in traditional arts fuels her innovative approach, capturing the f…
Near Distant
Near Distant by Michelle Lou explores the intricate interplay of stasis, time and perception. Lou’s compositions challenge conventional interpretations, presenting music as a constantly evolving landscape. Through “static” or “stasis-variation” she reveals the complexity within seemingly unchanging sounds, inviting listeners to explore subtle transformations in pitch, timbre and dynamics. This album embodies Lou’s unique approach, emphasizing our active role in perceiving and transforming the in…
Zensolence
"Zensolence" embodies the auditory canvas of Osmo Tapio Räihälä, a synaesthetic composer who transforms the visual into the musical. For Räihälä, art forms transcend their mediums and speak a universal language through diverse expressions. His experience of colours, shapes and textures in music is reflected in this eclectic album, where the traditional meets the innovative. Räihälä draws inspiration from the abstract and translates it into a musical lexicon that is as diverse as it is distinctiv…
To Byzantium and Beyond
The album is inspired by the poetry of William Butler Yeats, in particular his work Sailing to Byzantium. The main composition, which features five recorder sizes from tenor to garklein, explores themes of time and transcendence, depicting a journey to an imaginary Byzantium where the poet is transformed into a golden bird. The four movements correspond to stanzas in Yeats’ poem, with recurring elements such as a lyrical refrain and a gyre reflecting the poet’s themes. The trajectory of the piec…
Paul Hindemith / Alfred Schnittke
After three acclaimed solo piano programmes for the label, here Anna Gourari widens the instrumental spectrum with the Lugano-based Orchestra della Svizzera italiana under Markus Poschner’s direction in striking performances of Alfred Schnittke’s Concerto for Piano and String Orchestra and Paul Hindemith’s The Four Temperaments. Gourari’s pianistic command is one of “virtuoso polish and with flawless action”, to quote the German daily Süddeutsche Zeitung, and her holistic, wide-reaching grasp of…
…we return to ground…
Other Minds is pleased to present …we return to ground…, a new recording by Irish composer Karen Power and Quiet Music Ensemble. This double CD features three of Power’s large-scale pieces pairing natural sounds with musical instruments, written for and with Quiet Music Ensemble over an 8-year period. Beginning with instruments of ice in 2015, Power's experience of pairing natural sounds with musical instruments has evolved into a transformative body of work. Her approach to composition, creatin…
In Glow of Like Seclusion
Samuel Andreyev’s music is incredibly varied, from the sparse resonance of the Sonata da Camera, the ‘cartoon music’ – as the composer puts it -of Vérifications, characterised by primary colours and strong instrumental timbres; the Sextet in Two Parts which in contrast focuses on minute timbral shadings; and of course the cantata for solo voice and ensemble which is the title track of the album. Performed by Ensemble Proton Bern, conducted by Luigi Gaggero with the magical soprano voice of Peyee…
With love
Georgia Denham (b.1997) draws on anecdotal experience to create her music. She studied with Andrew Hamilton at Royal Birmingham Conservatoire and now with Richard Causton at the University of Cambridge for her PhD. She lives with her husband, a theoretical computer scientist, and their many beloved plants. “This collection of chamber music from 2018–2022 wakes scores I thought were long since sleeping, where I first learned to write the delicate sounds I loved. With music written during my studi…
Supports & Surfaces
Paolo Griffin is a composer and curator based in Toronto/Tkarón:to whose music has been described as placing “… the listener in a kind of sonic microgravity” (PANM360) and as “…uncompromising and thoroughly engrossing.” (LvT). Paolo’s work involves ongoing research about the sounding and perception of microtonal rational intonation (Just Intonation) combined with a rigorous, process-based approach to sonic form and structure. The work he creates explores the creation of colour/shading/densities …
Ricercari for rainy days
Eden Lonsdale is a composer of acoustic music living and working between London and Berlin. His music focuses on exploring the various ways that movement and stasis can co- exist, as well as the inter-connectedness of harmony, timbre, melody and rhythm. Often using very limited materials, his dense and immersive sound-worlds attempt to draw the ear into the smallest details and hope to inspire the listener’s self-guided exploration into the music’s manifold layers. The three pieces from this alb…
The Nordheim Tapes
*2024 stock* Arne Nordheim might not be the best known early electronic music composer, but with this fabulously presented double disc of work it should help his music achieve at least a little wider recognition. He might be best known (at least outside his native Norway) for the discs on Rune Grammofon, but here we get some of his earliest tape work from the 1960s, possibly his most interesting period, at least to me. As a die hard Radiophonic Workshop enthusiast this collection seems to come f…
Dystophilia
Dystophilia: A fascination with the rate of societal decline. An unravelling of order as it careens into a dystopian AI future where melodies pile helter-skelter over phrases, genres melt seamlessly into one another, metal textures crash into chamber-like enclaves, forms teeter on the edge of collapse, violent rhythms transform into ghostly voices, and spiralling polyphonies end in jazz riffs or pop songs. The music of this album from MC Maguire’s apocalyptic aural imagination, is poured into tw…
Kinesis, Vol. 2
In 2021, the Galan Trio – an epic classical piano trio hailing from Athens – built a bridge from Greece to the USA in the form of ten new works for piano, violin, and cello from composers based in the Southeast and Northeast. The project, aptly named Kinesis, met with such acclaim that their odyssey now continues with another phase: twelve commissioned works covering the Midwest and South Central states. Praised by Fanfare magazine for the “open ears and flexibility they display in so many idiom…
The Night Shall Break
Violinist, Hanna Hurwitz, is a musician who champions the very latest contemporary classical works – she is a member of Chicago’s cutting-edge Grossman Ensemble and Ensemble Dal Niente after all – but she is equally at home among solo and chamber works from past eras. For this album, she goes back one hundred years into neglected jewels of the repertoire from that time, bringing her fresh perspective to current ears. She writes, “I wanted to highlight my orientation toward collaboration through …
Infinity Avenue
Robert Carl is no stranger to space. Standing on the shoulders of such visionaries as Charles Ives, Carl’s early compositions ranged far and wide through musical history, the “ultramoderns,” and beyond. Recently, however, his works have forged a new direction: a personal take on the ever-expanding spiral structures of the overtone series. Infinity Avenue offers six of these monumental sound experiences, taut in their simplicity yet expansive in consciousness. A state of being “close to nature” i…
Cello Unlocked
It is often said that the cello seems like an extension of the human body; the intimate, resonant pairing melds the two into a larger instrument. It is said too that the cello ‘sings’ when played well. In this album, however, it becomes an even larger whole and enters the realm of speech and language, melody and narrative. In the hands (and vocal cords) of Bryan Hayslett, the cello-human bond takes on new dimensions. Cello Unlocked is a foray into the synthesis of language and melody, blurring t…
Outermost Melodies
Double CD of percussion works by Jürg Frey, featuring definitive recordings of works composed between 1994 and 2022. Performed by Ian Antonio, with members of Talujon percussion ensemble on one track. Comes with a pdf of the cover artwork, plus jpegs of the photos used on the cover, and an interview with Ian Antonio about the music