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The album Nagual by Matt Choboter is a sonic ritual that dissolves the boundaries between composition and improvisation, tradition and innovation. Drawing on just intonation, Balinese tuning systems, and South Indian rhythmic theory, Choboter and his ensemble craft a vivid, shape-shifting musical world—at once ancient and otherworldly. Nagual resists the comforts of familiar forms, embracing ambiguity, sensory multiplicity, and intuitive collective listening. This music does not follow a path—it…
*75 copies limited edition* On Not here but somewhere, the Japanese ambient guitarist crafts freeform soundscapes that feel less composed than discovered. Each track unfolds like a whispered conversation between emotion and environment — guitar lines ripple like wind over water, subtly shifting direction, as if carried downstream by a current of pure intuition. The result is a quietly enveloping odyssey, where every piece becomes a new place, felt more than defined.
EM Records is proud to present 8 Automated Works, the first full release by Componium Ensemble, an "indeterminate chamber music" ensemble helmed by Spencer Doran of Visible Cloaks. The project is inspired by the long history of automated musical instruments, beginning with the ancient Greek Archimedes and further developed by the Banū Mūsā brothers in 9th century Baghdad, who "first perfected the concept of a programmable, automated musician: a mechanically controlled flute which used hydraulic …
"Hyperrealist Music, 2011-2015" is a selection of late masterpieces by Noah Creshevsky, a proponent of "Hyperreal Music," which opened a new door to cyber-human music.
American composer Kory Reeder’s 10th album In Place returns to the Grid Series heard on 2 of the 4 tracks from Reeder’s debut release on Edition Wandelweiser Records Love Songs/Duets. With raw recordings of three works from the mid-phase of this Series of 45 works, In Place is the first release exclusively containing pieces from the Grid Series and features Reeder on piano with long-time collaborators Kathleen Crabtree and Michael Moore on violas. Each track is a space to dwell, on the edge of s…
Veiled Erosion, the debut album by Anqi Liu, invites listeners into a world of spectral nuance, cultural memory, and fragile connection. Her music breathes through thresholds—between noise and tone, breath and bow, self and other. In the closing Etude for Friends, Liu renders friendship as a sonic practice: intimate, unstable, and quietly transformative. Drawing from Mongolian long song and microtonal chamber traditions, she composes sound as a site of listening, learning, and being-together. Ve…
Rispecchiato in quarzo, Dal nero immenso, lèvita, and Traspare assente albore unfold as structured sequences of transformation—transparent, hypnotic, fairy. Each solo instrument (piano, contrabass clarinet, bass flute) interacts with multi-layered electroacoustic textures built entirely from acoustic sources. These “electronics” remain sensitive and natural, shaped through breath, resonance, and subtle manipulations. An 1876 Steinway, spectral clarinet multiphonics, and whispered flute tones for…
A Bridge Between Spaces traces a decade of Andrew Greenwald’s singular compositional journey—across rigorously constructed sonic terrains and into freer, more intuitive musical dialogues. Drawing from two major violin cycles and culminating in the expansive title work, this album captures a shift from analytical exploration to expressive openness. With sound worlds that feel both extraterrestrial and deeply human, Greenwald’s music invites us into a landscape where metaphors fail and sound speak…
2002 release (RARE) ** Transfigured Wind III (1984) for flute, ensemble, and tape / Ambages (1965) for flute / Mistral (1985) for chamber ensemble. "Pierre Boulez was widely praised as an innovator for his Rèpons when he premiered it at IRCAM in 1981. This is a piece where a computer samples the live sound of a chamber ensemble, recalculates it to a programmed algorhythm and then scatters the sounds back out into the hall. Not to knock Boulez, but American composer Roger Reynolds had been workin…
Big tip!!! Firework Edition Records is proud to announce the release of a new 7-CD box documenting Lars-Gunnar Bodin's (1935-2021) musical and artistic output during the years 1960-1987. Apart from more than 8 hours of electroacoustic music and text-sound compositions, the box also features extensive documentary visual material, along with essays by Jesper Olsson, Sanne Krogh Groth, Leo Nilsson, Åke Parmerud, Svante Bodin, Charlotta Bodin och Axel Bodin.
It is hard to give a picture of such a m…
1996 release (light storage wear) ** Gianfranco Pernaiachi’s Abendland is a solitary and profound piano solo meditation on sound and silence. The piano hints, rings out and whispers. The sound is crystal clear; essential and like a prism that divides sound into mysterious harmonics and distant resonances. "Abendland“ is a work of great musical poetry, a musical meditation by a composer warranting close attention.
2012 release ** "Complex and expressive vocal writing, blending elements of traditional choral music with more modern, experimental techniques. Wolfgang Rihm has not usurped the immense reputation he enjoys in contemporary artistic life. The works of this worthy heir to the German musical tradition invariably oscillate between monumentality – immutable blocks of sound – and ethereal movement – instrumental or vocal lines opening towards the infinite. His choral music is characterised by a syncre…
2019 release ** "In most of Ana Sokolović’s work, an extra-musical element serves as a source of inspiration. This particular compositional process is intimately linked to the importance of “pluralities” for Sokolović; a diversity of approaches, putting different art forms in dialogue. Short Stories by Sokolović’s long-term collaborator, Quatuor Bozzini, enables us to listen to the encounter taking place between the composer’s artistic sensitivity and four of her sources of inspiration. In the r…
2011 release ** "Stemming from the homonymous biennial festival in the Czech Republic, Ostravská Banda – with its twenty musicians – thrives under the direction of Peter Kotik, a veteran of unconventional orchestration and artistic director of the S.E.M. Ensemble in New York City. Standing out among the large group is Joseph Kubera – a name already referenced in a contemporary context – a talented pianist with a resume rich with collaborations with masters such as Alvin Lucier, Robert Ashley, Mo…
2019 release ** "Dust is a collection of music for solo violin and electronics. Daniel describes the record as 'a full exploration of the sound world a violin allows. The electronics meld with, lift, surpass and dance around the organic rawness of the strings. The piece is all my years of not conceding or diluting myself to the needs of others, compressed into one long musical expression. It is hope and birth and death and melancholy'. Music by: Valgeir Sigurðsson, Edmund Finnis, Heinrich Ignaz …
*100 copies limited edition* Still Forms in Air is the debut album by Italian composer Francesca Marongiu under her own name. It draws inspiration from mid-1980s Japanese ambient music — Hiroshi Yoshimura, Satoshi Ashikawa, Takashi Kokubo — and, more subtly, from Italian experimental echoes rooted in both personal and cultural memory.
The album unfolds like suspended time, like architecture that quietly bears witness to the shifts that have shaped our cities and the ways we live in them. These t…
Luigi Nono (1924 –1990) was a great innovator in the use of spatialization of sound and experimentation with performance space, non-linear time and the collapsing between sound and silence. Beginning in 1959, he distanced himself from serial orthodoxy and the Ferienkurse compositional scene. His new works reflected a concern in political and cultural events and introduced the use of tape and electroacoustic technology. His compositional process was increasingly involved with specific performers,…
Award-winning producer and composer Giorgi Koberidze offers up a head-spinning debut of Georgian modern classical music shot through with 360° electroacoustic textures.
Inspired by minimalistic icon La Monte Young and guitarist Allan Holdsworth, Nightclouds is a powerful collection of jazz pieces for solo pipe organ. Over long improvisation and shorter compositions, Swedish composer and installation artist Ellen Arkbro employs her usually epic chord structures and adds in a more self-reflective tone than previously.