Pietra e Oggetto
A sparse and subtle jungle comprises the pieces that make up "Pietra e Oggetto". It is subtle, as such it remains in the memory. Thanks to the device of silence, which is like the air in between things, it allows time for what we have heard to imprint on our acoustic sketchpad. Like closing your eyes to preserve a memory and then moving on to the next. We feel a certain privilege in listening to these undecidable environments; these composite and hybrid objects filled with synthetic biodiversity…
Shade / Gradient
**425 copies, 3-color letterpressed jacket with large 20-page booklet containing the full score and a lengthy interview with the composer** Catherine Lamb’s work is characterized by an insistence on what she calls the “interaction of tone”. Precisely tuned intervals, played slowly at subtle volumes, blend and generate a host of difference and combination tones, phasing, beating and aural illusions. Her ensemble and orchestral compositions have been performed in grand halls and d.i.y. spaces alik…
Simmetrie di Ritorno
Six compositions for chamber ensembles performed the Ensemble 2e2m by Giuliano D’Angiolini, ethnomusicologist and composer who "is a positively unique figure in contemporary music. His profound, well-conceived and stubborn take on music has led him to what he calls »impersonal« music — music that has fully abandoned the idea of development or form. Through successive states of presentation, which aim to elucidate, d’Angiolini wanted to leave place in sound so that music could become less volunt…
The Winds Rise in The North
Composer Harley Gaber wrote this piece for strings as an emotional examination of the questions posed by Taoist philosopher Chuang Tzu, here performed by a quintet including violinist Malcolm Goldstein