High Carbon
With this album, Heleen Van Haegenborgh returns to her roots as a pianist. In recent years, she has primarily composed works on commission for a diverse range of ensembles, from recorders to foghorns. On this solo album, her entire journey of musical encounters and compositions comes together subtly.Van Haegenborgh doesn't think in terms of stories or boxes, but rather in colours, energy, and texture - without drifting into the abstract.
She remains true to her personal inside piano world, inclu…
Eau
"Eau" is the lovely new album from aus, the solo project of Tokyo-born composer and producer Yasuhiko Fukuzono, who has gained attention, in Japan and overseas, for his thoughtfully paced and sensitively skillful music as well as his intriguing sound design for exhibitions and experimental cinema. Having worked primarily with keyboards and electronic sound up to this point, "Eau" is a slight yet fascinating shift for aus; the album, while still primarily an electronic work, revolves around the s…
Solids For Voices
*300 copies limited edition* Valby Vokalgruppe returns with Solids for Voices — a new album landing on 7th November 2025 via Hands in the Dark. Initiated in 2008 by Anja Jacobsen, the Danish collective’s current line-cup is completed by Lil Lacy, Sonja LaBianca, Cæcilie Trier and Laura Marie Madsen. The group has written and performed a large number of cross-aesthetic pieces over the years, including an album Bah New Era released in 2012 on Eget Værelse.
Sharpened to its core, the group dives de…
In Memoriam Alvin Lucier
The influence of Alvin Lucier’s work on acoustic phenomena and the interplay between sound and space is difficult to overstate. His legacy continues to echo through the work of countless composers and sound artists today. Lucier’s music is marked by a sense of childlike wonder and sonic simplicity - shifting our perception from what we hear to how we listen.At the heart of his compositions lies the sine wave: the purest, most elemental form of sound. Clarinetist Dries Tack pays tribute to this …
Not here but somewhere
*75 copies limited edition* On Not here but somewhere, the Japanese ambient guitarist crafts freeform soundscapes that feel less composed than discovered. Each track unfolds like a whispered conversation between emotion and environment — guitar lines ripple like wind over water, subtly shifting direction, as if carried downstream by a current of pure intuition. The result is a quietly enveloping odyssey, where every piece becomes a new place, felt more than defined.
8 Automated Works
EM Records is proud to present 8 Automated Works, the first full release by Componium Ensemble, an "indeterminate chamber music" ensemble helmed by Spencer Doran of Visible Cloaks. The project is inspired by the long history of automated musical instruments, beginning with the ancient Greek Archimedes and further developed by the Banū Mūsā brothers in 9th century Baghdad, who "first perfected the concept of a programmable, automated musician: a mechanically controlled flute which used hydraulic …
Three Circuitous Paths
2002 release (RARE) ** Transfigured Wind III (1984) for flute, ensemble, and tape / Ambages (1965) for flute / Mistral (1985) for chamber ensemble. "Pierre Boulez was widely praised as an innovator for his Rèpons when he premiered it at IRCAM in 1981. This is a piece where a computer samples the live sound of a chamber ensemble, recalculates it to a programmed algorhythm and then scatters the sounds back out into the hall. Not to knock Boulez, but American composer Roger Reynolds had been workin…
Retrospective Episodes
Big tip!!! Firework Edition Records is proud to announce the release of a new 7-CD box documenting Lars-Gunnar Bodin's (1935-2021) musical and artistic output during the years 1960-1987. Apart from more than 8 hours of electroacoustic music and text-sound compositions, the box also features extensive documentary visual material, along with essays by Jesper Olsson, Sanne Krogh Groth, Leo Nilsson, Åke Parmerud, Svante Bodin, Charlotta Bodin och Axel Bodin.
It is hard to give a picture of such a m…
Dust
2019 release ** "Dust is a collection of music for solo violin and electronics. Daniel describes the record as 'a full exploration of the sound world a violin allows. The electronics meld with, lift, surpass and dance around the organic rawness of the strings. The piece is all my years of not conceding or diluting myself to the needs of others, compressed into one long musical expression. It is hope and birth and death and melancholy'. Music by: Valgeir Sigurðsson, Edmund Finnis, Heinrich Ignaz …
Touch This Fragrant Surface of Earth
Tip! Marja Ahti is a Swedish artist living in Turku, Finland. She works with found sounds, objects and electronics, creating auditory assemblages that reveal a profound sensitivity to sound’s tactile potential. This new record sees her palette expand to include more recognisable acoustic instrumentation, albeit working in collaboration with musicians who are already reconfiguring how those instruments can sound.
Touch This Fragrant Surface of Earth has its roots in a tape piece presented at Lamp…
Luigi Nono Volume 2: Works with Flute
Luigi Nono (1924 –1990) was a great innovator in the use of spatialization of sound and experimentation with performance space, non-linear time and the collapsing between sound and silence. Beginning in 1959, he distanced himself from serial orthodoxy and the Ferienkurse compositional scene. His new works reflected a concern in political and cultural events and introduced the use of tape and electroacoustic technology. His compositional process was increasingly involved with specific performers,…
Lac Noir - La Serpente 1992
Unreleased material composed by Bernard Parmegiani in 1992
Forests, Tales, Cities, Forests
Award-winning producer and composer Giorgi Koberidze offers up a head-spinning debut of Georgian modern classical music shot through with 360° electroacoustic textures.
Annea Lockwood The Piano Works
This album presents Annea Lockwood’s complete concert piano works, born from a deep collaborative journey. It culminates in a new version of Ceci N’est Pas Un Piano, where voice and memory resonate through the piano’s frame via transducer speaker.
A Dog Is a Machine for Loving
Hall’s debut merges field recordings, piano, spoken word, and spectral analysis to craft vivid soundscapes exploring kinship, intimacy, and trauma.
Unfall
In an 'ecological' process of recovery and reuse of musical materials and obsolete electronics, 'Unfall' (German for “accident”) lays its research focus on the encounter between improvised music, electroacoustics, free jazz, dixieland, and minimalism, filtered and recomposed through techniques typical of musique concrète. Referencing Burroughs' cut-ups and methods derived from tape music, 'Unfall' experiments with intertextuality, establishing a dialogue between seemingly distant musical languag…
Electronic Music
First released in 1969 on the Advanced Recordings label, this album represents Richard Maxfield’s music manifesto. A wild collage of highly manipulated sonic events from an extreme variety of analog sources.
The Oak Of The Golden Dreams
The Lost Genesis of Ambient Minimalism: Harold Budd's Seminal The Oak Of The Golden Dreams Returns to Vinyl
OSTN
In the proposed version, for vibraphone and tape, I attempted to enter Pietro Grossi’s sound spectrum of six Ostinati (OSTN) intended as moving soundscapes, maintaining the specific grain of each field as the centre of sound gravity. The vibraphone motor was conceived at different speeds for each field in the search for a vibrant and luminous sound, maintaining, within a sound unit of organic character, two dimensions: figure and background in the dialectic relationship of listening.
In the firs…
La Chambre Des Jeux Sonores
2014 release ** "Alessandra Novaga plays the electric guitar and this is her solo debut, with five songs composed for her by Paula Matthusen, Travis Just, Sandro Mussida, Vittorio Zago and Francesco Gagliardi: all top-notch musicians, who left in Alessandra's hands scores that were very little "classical" on which she was able to give space to her personality by interpreting and shaping the sound. Because the sound is the basis of the whole album, in this case that of an electric guitar and an a…