Treatise by Cornelius Cardew
*2026 stock* For this collection of live performances, we approached Treatise not just as a score, but as a piece of visual art—an abstract landscape that drew us in with its raw graphic beauty. We felt compelled to translate it into sound using our instruments, while also engaging with the work on its own terms. In researching Cardew’s notes and his Treatise Handbook, it became clear that he didn’t intend the piece to be an open-ended free-for-all. Rather, he encouraged performers to develop a …
Mille-feuilles
*300 copies limited edition* Combining the lyricism of chamber music, the raw tones of punk and metal, the clarity of post-rock, and the abstraction of electroacoustic music, Dionée offers a unique, cinematic musical journey. The trio, with its colorful instrumentation, delivers with Mille-feuilles an astonishing, orchestral‑sounding work in which oboe, accordion, and electric bass converse with a range of electronic instruments and effects.
Mille soleils à l'oeil nu
*100 copies limited edition* Virginie Reid announces the release of Mille Soleils à l'oeil nu, a luminous new album that explores the delicate intersection of acoustic intimacy and boundless sonic imagination. Recorded with a keen ear for texture and a fearless commitment to improvisation, Mille Soleils à l'oeil nu invites listeners into a world where small gestures expand into vast, cinematic landscapes.
Mille Soleils à l'oeil nu traces a journey through light and shadow. Reid's compositions ba…
anabasis (1)
anabasis (1) is a composition in 72 parts for five musicians, based on four kinds of materials: Sand, Wind, Tone and Wave; these materials are arranged and intertwined with a fifth ‘Interludes’ strand that interacts with the four materials. All of these are then ‘unbound’ over the course of the piece by changing continuity in a variety of ways outlined in the score. This interpretation of the score is a live performance that features prepared reed organ, electromagnetic pick-ups, sand, pedals, D…
Spaces
'Spaces' is an ode to the joy of live performance. It expresses Frahm’s love for experimentation and answers the call from his fans for a record that truly reflects what they have witnessed during his concerts. Breaking the convention of a traditional live album, 'Spaces' was recorded over the course of two years in different locations and on various mediums, including old portable reel-to-reel recorders and cassette tape decks. The decision to select takes that have people coughing and cell pho…
Found Songs
In April 2009, Iceland’s neo-classical export Ólafur Arnalds created the 7-song series Found Songs – recording a song a day for 7 days and instantly making each track available via Twitter. With artwork contributions from fans via Flickr, this modern release awakens memories of a tradition that seemed lost in the digital age we live in. Born in 1987, Ólafur hails from the suburban Icelandic town, Mosfellsbær, just a few kilometres outside of Reykjavík. He has immersed himself completely in a wor…
Another Flower
Darla Records is honored to offer Another Flower, a new record by two singularly and sonically recognizable masters of lush beauty and minimalism respectively, Robin Guthrie and Harold Budd. Another Flower was recorded at Robin's home studio in France in 2013 and was held unreleased, until now.Another flower follows Robin and Harold's previous work together Bordeaux (2011), matched set After the Night Falls and Before the Day Breaks (2007) and Mysterious Skin (2004) and of course The Moon and th…
A Song For Lost Blossoms
Darla is pleased to offer A Song For Lost Blossoms, a record of ambient melody and transcendental mood portals from minimalist/modernist master Harold Budd and friend guitarist/composer/producer Clive Wright. A Song For Lost Blossoms nicely builds on both artists’ previous ambient work. A Song For Lost Blossoms was recorded live and in studio at different locations including the artists’ homes, at REDCAT (Roy E. Disney Concert and Theater), Los Angeles, and Clive Wright's Desert Sky Studio, Josh…
Little Windows
Darla is pleased to offer a new album from Harold Budd and Clive Wright. Little Windows completes the trilogy begun with A Song for Lost Blossoms and carried through their previous album Candylion. Part of Little Windows was recorded especially for Echoes, the nightly music soundscape from Public Radio International heard on over 120 public radio stations and online at www.echoes.org. These recordings were first heard on Echoes Radio in Fall 2009. The other part of Little Windows was recorded…
Jane 12-21
Jane 12-21 is the companion to Jane 1-11. Minimal, modern classical piano and avant-garde electronics by the master. "It's simple. I broke out and broke back to my earlier days: A triangle of risk, improvisation and joy -- as I say, very simple. My rules to myself were: No plan, no notes, no ideas, no microphones; except for Jane 1 I stuck to it. My other rule -- the most important one -- was: At least one piece per day, finished, mixed and not to be revisited again. Jane 7, 8, 9 were done in o…
In The Mist
Harold Budd is a one of a kind modern neo-classical artist creating high-callibre and complex music with unique and subtle tension and abstraction, and simultaneous almost-pastoral but as-often otherworldly mood.
Avalon Sutra
At the time of release in 2005 Avalon Sutra was reported to be California-born American minimalist composer and pianist Harold Budd’s last recorded work. Avalon Sutra (released as a 2 disc set) is a suite of short, heartbreaking ambient pieces, featuring Budd’s delicate piano improvisations, lush string arrangements and warm electronic drones. The second disc (As Long As I Can Hold My Breath) features a startling coda by LA based electronic composer Akira Rabelais, sending Budd’s arrangements in…
What Remains
'What Remains’ is the new album from John Haycock featuring Dan Bridgwood-Hill. Originally composed for resonance and performed live at Hope Baptist Church in Hebden Bridge in 2023, the composition uses kora, clarinet, guitar, violin and electronics to produce a heartfelt conjunction of acoustic, processed and environmental elements, deeply rooted in the land and history of the Calder Valley, West Yorkshire.
The original recording has been ‘Worldized’ in the Todmorden Unitarian Church, a term co…
Cracked Glaze
Matthew Wright’s album Cracked Glaze is performed by virtuoso vocalist Sofia Jernberg, Ensemble Klang (Michiel van Dijk, Erik-Jan de With, Anton van Houten, Pete Harden, Saskia Lankhoorn and Joey Marijs) and Wright’s improv/electronic group Spheric Totemic (Mandhira de Saram, Neil Charles, Alexander Hawkins, Stephen Davis and Matthew Wright). The 46-minute piece was performed live, and is built around a ‘spine’ of one long, descending scale which takes nineteen minutes to unfurl, and which then …
The Shunned Path
A work in six parts for contrabassoon + electronics, timpani + syncussion, and activated snare drum. The genesis of The Shunned Path began with a simple question: if one orchestral instrument could be freed from its traditional context and presented through the bespoke electronic array developed for Thomas Stone’s solo performances — projected at full scale through a massive sound system — which would it be? The answer was immediate: timpani. Returning to formative influences such as the Jerusal…
Kammerkonzert
Squarepusher, presents Kammerkonzert, a riot of onyx-hard, hyperfast riffs, fiendish orchestral themes and handbrake turns through varieties of progressive, ambient, electronic and experimental music.
Into The Groove / Into The Grind
Recuperation and reinventing from Elements 2021/22 took quite a long time. Sustainability in writing long pieces became fully questionable. In the meantime, finding joy in creating small forms; powerful and groovy pieces became an obsession which created two fundamentally different cycle of pieces -"Into The Groove" and "Into The Grind".
This release represents dualistic concept: could be seen as double EP over two side of vinyl and it also has double cover as well as two editions: normal black…
De Reditu Suo
In this sonic journey, the cello gets lost and finds itself again within the folds of electronics—like an ancient soul echoing through the chaos of the present. Inspired by the words of Rutilius Namatianus in De Reditu Suo, this work unfolds as a pilgrimage between past and present, between whispered voices and archaic melodies that dissolve and reassemble in the reverberation of primordial frequencies.
Distorted Gregorian chants, deep drones, and fragments of lost voices intertwine to form a so…
Libelocus-(alpha), Libelocus-(beta), Libelocus-(gamma)
Big tip! Romanian composer, conductor, and musicologist Iancu Dumitrescu is often described as one of the leading figures of spectral music, yet he has produced a body of powerful works resonating with explosive sound and friction that places him very much in his own universe. Dumitrescu studied under his compatriot, the conductor Sergiu Celibidache, who rarely left behind concert recordings. From him Dumitrescu absorbed phenomenology and conducting techniques, incorporating them into his own co…
Oceanine
Oceanine, Jolanda Moletta’s third album and her first for Beacon Sound, is a powerful and ethereal statement of artistic community. Expanding on her previous work, each track represents a collaboration with a different female vocalist, with the foundational elements being generated entirely by her own voice. By turns haunting, enchanting, and inspiring, you won’t want to come up for air once you’ve been pulled under. Representing a
musical practice that is distinctly feminist, this is an album w…