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This release brings together three Dutch composers/performers, Reinier van Houdt, Germaine Sijstermans, and Koen Nutters, who have each released their own work on elsewhere music in recent years. Nutters, who has collaborated in the past with both van Houdt (Cornelius Cardew project) and Sijstermans (DNK Ensemble, The Names), conceived the idea of a trio performance with the two musicians, which later developed into this three-way collaborative project.
Last December the trio played a concert at…
It is refreshing to note that Mode Records gets into the endeavor of issuing new CDs with electroacoustic music. We have labels solely issuing this brand of music (which within its – artificial – borders harbor many different styles and idioms), like for instance INA (INA – GRM: Groupe de Recherches Musicales), empreintes DIGITALes and so forth, but I feel it important that the electroacoustic music – also including the electronic music in purer forms – is embraced by labels indulging in a more …
Composed between 1993-97, this second volume of works by Gerard Pape on Mode continues his richly darkly dramatic style with new compositional turns. Born in Brooklyn, now living in Paris, Pape is the director of the Atelier UPIC – an electronic music studio utilizing the unique UPIC computer developed by Iannis Xenakis – since 1991. While a resident of Ann Arbor, Michigan he ran Sinewave Studios, a state of the art New Music and Electronic Music studio and organized of the annual TWICE Festival…
*200 copies limited edition* A captivating electronic symphony in five movements recorded live, which begins almost like a Pastorale. Bucolic atmospheres that, albeit through completely different sonorities, seem to link Fabio Orsi back to the origins of his music at the beginning of the millennium, when the inspiration drawn from his home territory and popular tradition was strong. The instruments then paint a sort of medieval dance, veering further into quiet, purely ambient atmospheres, among…
*2LP Gatefold with tipped in booklet * Presented together for the first time, American composer John McGuire’s Pulse Music series (1975-1979) blurs the popular narrative that Minimalism was a reaction against Europe’s angular, intellectual, inscrutable high-modernism. McGuire, born in California, studied at Occidental College in Los Angeles and UC Berkeley before going to Europe to study with Karlheinz Stockhausen, Krzysztof Penderecki, and Gottfried Michael Koenig. His compositions lock seriali…
*2022 stock* 'We can appreciate some musical works for a variety of reasons. Some unleash a narrative that can read our present and its problems very well, others prefer to move on abstract codes, whether experimental or electronic. Still others may propose ethnographic readings as much aimed at an examination of the past and tradition as they try to probe the future through spatial or psychedelic atmospheres. Then there are proposals capable of going beyond any stylistic framework and floating …
*2022 stock.* Actually, the CD "Nachthelle" should have been a concert for the 80th birthday of Johannes Fritsch (1941-2010). Because of Corona, it now became a CD. Luck in misfortune. Johannes Fritsch was a composer, improviser, violist, author, publisher, organiser and, last but not least, professor of composition at the Musikhochschule in Cologne, where his class was always open to guests over the years, also from the field of improvised music. The present publication contains the pieces "Vio…
The Multiple Joy[ce] Orchestra presents its new CD "works by Carl Ludwig Hübsch" with all kinds of illustrious musicians from Cologne (and non-Cologne)!
*2022 stock* In November 2020, stuck in cologne, Elisabeth Coudoux composed this pieces – more close to her own intuition. These ideas are a direct result of a conceptual processes that matured over the span of many years, shaped by the individual sound and the personalities of the musicians involved. 12 short sonic islands teem with abstract, experimental sounds that don’t shy away from melody or formal play. Earis - The ear behind the iris - the idea of seeing without words, of forming a music…
*In process of stocking* Play Off is the new record by the composer Vasco Mendonça, performed by Drumming GP and edited by Holuzam. Resulting from the accomplice creative partnership between Vasco Mendonça and the ensemble led by Miquel Bernat, all the works on this disc (which includes an unusual piece for countertenor and percussion, from poems by Terrance Hayes and Tracy K. Smith) are commissions from the group to the composer, under the Composer in Residence programme in 2019/2020.
At this l…
Robert Carl (b 1954) has long been interested in Japanese music and culture, and in the spring of 2007 he received a grant from the Asian Cultural Council to travel to Japan to interview Japanese composers between the ages of thirty and sixty—his contemporaries, whom he describes as the “post-Takemitsu” generation. The complex interplay of history, culture, and memory has long occupied Carl’s thoughts, and forms the basis of his musical exploration of Japan.
Carl’s perspective of the relationshi…
Nice compilation featuring Willem Breuker, Leo Cuypers, Bob Driessen, Willem van Manen, Hary Miller, Arjen Gorter, Martin van Duynhoven, John Faber, Frances-Marie Uitti, Morton Feldman
Tip! *100 numbered copies* Two pieces generated from musical material found within a 14-minute recording of Sainsbury’s supermarket, Chingford, UK, recorded by Thomas Haines at 17:26 on October 16th, 2020. The source recording contains music-like material. The material, once isolated, cross-processed and rerecorded, reveals extended electroacoustic versions of itself. In the source recording (audible in Variation 1), checkout scanners produce clusters of short pitched tones as the cashiers proce…
*In process of stocking* As both an instrumentalist and composer, Jessica Pavone explores the tactile and sensorial experience of music as a vibration-based medium. Since 2012, she has established an individual body of material for solo viola, concentrating on these elements of performance. The structured yet indeterminate pieces stem from intensive long tone practice and an interest in repetition, song form, and sympathetic vibration. "When No One Around You is There but Nowhere to be Found," i…
'The literal meaning of “amphibian” is “double life” and applies to animals living part of their lives in water and part of their lives on land. In the program note to his electroacoustic classic Music for the Double Life of Amphibians, Morton Subotnick states that “amphibian” is to be taken as a metaphor for the work’s structure and programmatic content, which follow a metamorphosis of being through the stages of amphibian to beast to angel. But it also applies to the musical material, the doub…
*In process of stocking* Human Remains follows Creatures of the Deep and Black Sarabande as the final installment of a trilogy of piano based recordings by Robert Haigh for Unseen Worlds. The trilogy marks the end of the late era of solo albums by Haigh before he steps away from music production. The title, Human Remains, was initially based on a painting of the same name by Haigh that is suggestive of an ancient structure resolute in the wake of overwhelming forces. As a metaphor for our curren…
*2022 stock.* This fine introduction to Hamel's varied style presents him in various moods from 1979 to 1983. Samples are taken from Transition, Colours of Time, Bardo, and a few previously unreleased selections.
After a long break, we're happy to present another masterpiece in The Fact Of Being collection. A long-awaited reissue of the legendary ambient/new-age album "Reflections" by Laura Allan with Paul Horn. The album was recorded in 1980 and marked by the participation of twice Grammy Awarded jazz legend flutist Paul Horn. The meeting of Laura and Paul was a true miracle that brought amazing fruit. Since 80th "Reflections" captivate the minds of spiritual ambient music fans all over the world. Magic…
New tape from Michael Mørkholt, made during his winter residency at Polychrome. "Naturspil, Automatmusik, Syngeskål". The pieces are performed on an acoustic singing bowl and a self-invented digital system, an electroacoustic composition principle for triads and rhythm in pure atmosphere. The principle is that the tonal relationships are mirrored in the rhythmic. A computer program with an amplitude-controlled trigger records a sound clip each time the singing bowl is struck. The sound clip is d…