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"Composer-performer & visual artist Charlotte Hug: Shaman of contemporary music. Reflections on her solo-album «In Resonance with Elsewhere». This fourth solo album by Charlotte Hug presents the distilled version of a composition commissioned by the Ruhrtriennale in 2022. On that occasion, Hug performed in a huge former machine hall and created various acoustic-imaginary spaces with Son-Icons (expansive Visual-Music on semi-transparent paper, usually painted on both sides with both hands and lon…
1999 release ** "In 1950 Henry Brant began to write spatial music of a particular kind in which the planned positioning of the performers throughout the hall, as well as on stage, is an essential factor in the composing scheme. This procedure, which limits and defines the contrasted music assigned to each performing group, takes as its point of departure the ideas of Charles Ives. Brant's principal works since 1950 are all spatial; his catalogue now comprises nearly 100 such works, each for a di…
Eduardo Polonio (1941–2024) was one of the foundational figures in the emergence and development of electroacoustic music in Spain. The anthology "Eduardo Polonio: Obra electroacústica 1969–1981" revives his legacy with a selection of essential pieces from his early electroacoustic period. The album includes eight compositions created between 1969 and 1981, spanning from Polonio's early experiments at the Alea Electronic Music Laboratory in Madrid to his later work at the Phonos Laboratory in Ba…
*2025 stock* Famous for his examination of unusual and exotic instrumental sounds, here Mauricio Kagel focuses on the most mundane of sound materials. While attending a music trade show, Kagel was taken by the many levels and orbits of sound activity emanating from the various booths and stages. In 'Playback Play' (subtitled 'News from the Music Fair, A Radio Piece') he has arranged a spatially sensitive tableau of crowd noises, sales pitches and fragments of the sort one hears in music store sh…
Close to five years since the future-fwd dancefloor classic Workaround, Seven Reorganisations sees Beatrice Dillon return to the long-player format a long way removed from the club she helped reimagine. In some ways, the immediacy of that previous record positions it as somewhat of an outlier in Dillon's impressive catalogue of modern experimentation, and this latest collection, derived from a commission made by Mark Fell, represents a continuation of what now looks like a long established inter…
Tip! Explicit isolation is the third album by the international collective E/I, led by composer and percussionist Szymon Pimpon Gąsiorek. The group’s seven core members came together while studying at Copenhagen’s Rhythmic Music Conservatory and the Royal Danish Academy of Music. For this latest release, they are joined by Slovenian musicians Samo Kutin (hurdy-gurdy) and Kaja Draksler (organ), alongside Danish tuba player Rasmus Svale. The three compositions distill sound down to its essential e…
Formed in Cambridge in 1969 by Tim Souster and Roger Smalley, Intermodulation started out as a 4 piece group with the addition of Robin Thompson and Andrew Powell (who soon moved on to other Cambridge projects, including a pre Chris Cutler Henry Cow). Powell was replaced by Peter Britton, and this incarnation of the group remained for the duration of their existence.
Having releasing a box set of works by Gentle Fire it felt necessary to do the same with Intermodulation and thus complete the ot…
Miguel Angel Crozzoli’s album "Sounding Numbers" explores the intersection of climate data and music. This album features two compelling works: I Am the Forest and I Am the Ocean, both born from transforming scientific data on deforestation and ocean contamination into sound. Through innovative sonification techniques and a blend of electronic and acoustic instrumentation, Crozzoli creates immersive soundscapes that resonate emotionally and inspire action against climate change. Let the haunting…
Composed by Stefan Thut in 2021Written for Joseph Kudirka's collection of music for music boxlater the score has been read in various other ways
Side a was recorded by Jaike Stambach in Berlin in May 2022.Joseph Kudirka: music box
Side b was recorded by Stefan Thut in Solothurn in May 2023Cristián Alvear: guitarChristian Kobi: soprano saxophoneJoseph Kudirka: synthesizerStefan Thut: celloMara Winter: flute
Felipe Lara’s music is a whirlwind of energy and motion, characterized by large, expressive brushstrokes that leave palpable traces. His works are in constant flux, pulsating with spectral harmonies and iridescent surfaces. This album includes the three ensemble works Chambered Spirals, Fringes and Ventos Uivantes, as well as Injust Intonations, a reflective solo piano piece. Each composition showcases Lara’s unique ability to combine intricate textures with dynamic, expansive gestures to create…
Elusive and illusory, Age Veeroos’ music captures a unique tension between focus and ambiguity. The album "Outlines of the Night" presents compositions in which, for example, violin and electronics, as in Schattenseele, evoke corresponding sensations of a “shadow soul” through obsessive, circling motifs. In Keha for bass clarinet, physical and biological processes are musically embodied, oscillating between registers. Fantasia “A Threadbare Chant” and Ma olen suur kuu su silmapiiril further demo…
On Mature Hybird Talking Frank Gratkowski, one of the world’s most advanced and original voices in the field of improvised music, teams up for the first time with one of the leading ensembles for composed contemporary music. He dedicates this 45-minute piece to James Joyce and Iannis Xenakis, who both had a major impact on him. Inspired by the rhythm and sound of Joyce's language, Gratkowski and the Ensemble Modern create a widely ramified, sensitive and incredibly vital musical organism. Energy…
Tip! "I just released a new album as my solo project, Agencement. This is a follow-up album to 'Six Juxtaposed Works', which was released in 2017 on the Copenhagen label Tochnit Aleph. It's been about 35 years since I produced 'vinyl' by myself, so it's very emotional, although since the 1990s, it has become difficult to manufacture vinyl LPs in Japan and there were no channels to outsource overseas because I was disappointed in the situation. Musically, I think it's a further step in the direct…
*150 copeis limited edition* Recorded at "Dei Suoni" event, as unique track, splitted in two parts for the cassette release. Limited edition of 150 hand-numbered copies. Comes with an original polaroid.
*150 copeis limited edition* Recorded at "Dei Suoni" event, as unique track, splitted in two parts for the cassette release. Limited edition of 150 hand-numbered copies. Comes with an original polaroid.
*2024 stock. Custon CDr* Trumpets and trombones twist through dense pockets of sound in Lucia Dlugoszewski “Angels of the Inmost Heaven”; the voice of a lone guitarist punctures the silence in James Fulkerson’s “Patterns” II and VII; flute, bassoons, viola and vibraphone are intended to “turn some dancers on” in Carman Moore’s “Youth in a Merciful House”; and a guitarist laments to the hum of an Elizabethan-type string and woodwind consort in Stanley Silverman’s “Planh.” This is a thoughtfully b…
*2024 stock. Custom CDr* This 1973 recording combines live performance and tape in order to “offer the best of both worlds, plus a dimension which neither live performer nor tape can reach alone.” There are four pieces on the album: “Terminus” and “Aldebaran” are each for a solo performer and tape, “Three Songs of Night” is for a large ensemble with intermittent tape, and “Cortege—for Charles Kent” is an entirely electronic piece. Liner notes contain a biography of composer Jean Eichelberger Ive…
The name Painjerk, the musical project of Kohei Gomi, didn’t come to mind for a long time. Offhand, I’d say it is likely that I reviewed very few of his releases. Many of those he released himself, and the ones of Harbinger Sound, Editions Mego, Alternative Tentacles and Hospital never reached me. He’s among the few musicians leaving the harsh noise behind and doing other projects. He calls it the “exploration and practice of kinematics of electro-acoustics using unorthodox methodologies, mainly…
Kontakt Audio and Infinite Fog Productions proudly present the 25-th anniversary reissue of the one of most unique albums on avantgarde/neoclassic music - Ihor Tsymbrovsky - Come, Angel.