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Theodore Wild Ride started from the collaboration between French keyboardists Christine Ott (regular collaborator of Yann Tiersen, Tindersticks, Oiseaux-Tempête...), Mathieu Gabry (Snowdrops) and Oed player Ophir Levy. Theodore Wild Ride celebrates musical freedom and redefines the relationship between space and time with a special, unexpected orchestration.
In recent years, pianist and producer Mirek Coutigny has worked on his own world of sound with electronic and acoustic instruments. He improvised on sketches that he wrote over the last 10 years and reworked them for piano, strings, percussion and electronics.The common thread running through “The Further We Ventured” is a fascination for the “suburbs”, more specific, the contrast between the often similar facades and the diversity of stories behind those facades.This is also reflected in the co…
Marcos Díaz has been part of Buenos Aires underground for many years, being in projects like Bosques and making solo music under the pseudonym Entidad Animada (animated entity). Under this project, Marcos has explored sounds that involve a mix of feedback/distortion through synthesizers, guitars and drum machines that hint at the influence of Stereolab, Spacemen 3, and mid-nineties shoegaze. However, there are also ambient soundscapes with a slight rubbed of the ritualistic psychedelia of the Po…
This release brings together three Dutch composers/performers, Reinier van Houdt, Germaine Sijstermans, and Koen Nutters, who have each released their own work on elsewhere music in recent years. Nutters, who has collaborated in the past with both van Houdt (Cornelius Cardew project) and Sijstermans (DNK Ensemble, The Names), conceived the idea of a trio performance with the two musicians, which later developed into this three-way collaborative project.
Last December the trio played a concert at…
e piano-and-percussion quartet performs a series of pieces by the Los Angeles composer that wrestle with the aftermath of 2020’s wildfires; McIntosh’s own field recordings flesh out a sense of place.
11 Dec 1980 is a two CD set containing Eliane Radigue's live performance of Chry-Ptus (1971), her first work for modular synthesizer, and the world premier of parts one and three of Triptych (1978). Triptych part 2 is also performed. Upon hearing these performances for the first time in many years Radigue declared them to be the best versions she'd ever heard. Radigue's sublime renderings of these major pieces are full of illusory stasis, slow change and dense, slow motion drone that has charact…
In intensive collaboration with the Swedish ensemble Lipparella, which specializes in creating contemporary repertoire for baroque instruments and countertenor, these 10 timeless contemporary songs were created.
Peter Söderberg, the founder of Lipparella tells: "After having met by chance at the Ultraschall Festival in Berlin in 2019, Walter Zimmermann and I started discussing whether it would be possible to perform some of his music by Lipparella. After suggesting some already existing works, w…
*In process of stocking* "Magna Mater for voices, ensemble and video installation (2013) is one of Maria de Alvears most important recent works. It constitutes a ritualistic invocation of all-nourishing Mother Nature. Sounds, words and images evoke her power and wisdom, the destructive power of earthquake, asteroid impact, drought and firestorm, and the life-giving elements of soil, sun, water, air, sky, clouds, rain.
In this decidedly visceral music, Maria de Alvear explores archetypal human c…
*2022 stock* 'We can appreciate some musical works for a variety of reasons. Some unleash a narrative that can read our present and its problems very well, others prefer to move on abstract codes, whether experimental or electronic. Still others may propose ethnographic readings as much aimed at an examination of the past and tradition as they try to probe the future through spatial or psychedelic atmospheres. Then there are proposals capable of going beyond any stylistic framework and floating …
*2022 stock.* Actually, the CD "Nachthelle" should have been a concert for the 80th birthday of Johannes Fritsch (1941-2010). Because of Corona, it now became a CD. Luck in misfortune. Johannes Fritsch was a composer, improviser, violist, author, publisher, organiser and, last but not least, professor of composition at the Musikhochschule in Cologne, where his class was always open to guests over the years, also from the field of improvised music. The present publication contains the pieces "Vio…
The Multiple Joy[ce] Orchestra presents its new CD "works by Carl Ludwig Hübsch" with all kinds of illustrious musicians from Cologne (and non-Cologne)!
*2022 stock* In November 2020, stuck in cologne, Elisabeth Coudoux composed this pieces – more close to her own intuition. These ideas are a direct result of a conceptual processes that matured over the span of many years, shaped by the individual sound and the personalities of the musicians involved. 12 short sonic islands teem with abstract, experimental sounds that don’t shy away from melody or formal play. Earis - The ear behind the iris - the idea of seeing without words, of forming a music…
Iannis Xenakis's early electroacoustic works define already the compositional space he is using later in his mature, almost one-hour long works like Persepolis or La Légende d'Er. After arriving in Paris as a Greek refuge in 1947, Xenakis quickly found a work as construction engineer with the architect Le Corbusier. He tried in vain for several years to become a member of the Groupe De Musique Concrète (GRM) and thus to gain access to the electroacoustic studios at the French radio. Pierre Schae…
Iannis Xenakis's late electroacoustic music became electronic: all sounds are synthetic "explicit computer music" as Peter Hoffmann called it. The music presented here shows Xenakis's way back from spatialized immersive music and multimedia spectacle to simple loudspeaker music. The sound does not move anymore, there are no synchronized visuals: nothing remains but structured noise. Xenakis used two inventions he had already presented in the context of the Polytopes: sounds created by stochastic…
Issued by Leo Fegin's visionary record label in 1993, this refreshed and revised reissue collection of Hungarian composer Tibor Szemző's chamber pieces with spoken text – composed at 1980s for the legendary GROUP 180 – is unlike anything else of its kind.
If you were to connect seemingly unrelated things – Heavy Metal and the symphony orchestra, for example – you might be guilty of apophenia. That friction between opposites has never been a problem for Nick Vasallo, though – his music is equally at home in both worlds. Melding Xenakis, Varese, Extreme Metal, and Dark Ambient with gothic charm, Vasallo conjures up a muscular sonic battle that leads you on an inexorable musical journey to a conclusion where surrender is your best option. Catharsis …
José Maceda's revolutionary Ugnayan receives first complete release. Landmark 1974 multi-radio broadcast emerges from archives to reveal unprecedented musical experiment
*In process of stocking. 2022 stock* "This CD features music from concerts with Intuitive Music Group (founded 1990) and from some of its members' touring activities in Poland and Russia. It centers around composer and pianist Henrik Ehland Rasmussen. There are three long solo pieces, including one based on a formula given by his countryman Niels Viggo Bentzon, in which countless varied statings of the formula produces an astounding number of ever-developing pianistic phenomena. The other pieces…
Tip! Individual LP from the Electroacoustic Works boxset. The second release in the Perihel series is one of the most famous electroacoustic compositions by Iannis Xenakis. When Iannis Xenakis (1922-2001), who had fought against the occupation as part of the communist resistance, moved to Paris in 1947 it was the start of a highly creative and impressive career. Xenakis not only studied composition with Olivier Messiaen and became one of the most innovative composers of the 20th century, he also…