Solastalgia
*In process of stocking. Limited edition of 400 copies.* We haven’t found them yet, the words to talk to each other about the worrying signs of climate change. Feeling worried when walking on autumn leaves in the beginning of August should be completely normal. But how do we communicate about it? We don’t want to be just the next hysterical doomer. With this music I try to focus on the climate pain itself, gently inviting the listener to investigate their latent feelings of unease and growing co…
Freude
*2022 Stock.* Freude (Joy, 2nd Hour from Klang) for 2 harps (2005) consists of 24 moments, each linked with a liturgical verse sung by one or both harpists during performance. This piece is one of Stockhausen's most lyrical pieces in the traditional sense, although it is still based on a chromatic tonality.- Stockhausenspace.blogspot.com
Luft.Inneres
Luft.Inneres presents an introspective and rarefied journey through the musical world of Kunsu Shim, focusing on the delicacy and subtlety that mark his approach to sound and silence. The album is shaped less by linear progression or overt contrast than by the quiet shaping of atmosphere, touch, and internal resonance. Across its span, Kunsu Shim offers music that seems to hover at the threshold of audibility, gently probing the listener’s awareness of detail, space, and the interplay between in…
Ftarri's Harmonium
Why is there a harmonium (reed organ) at Ftarri? It all goes back to the Ftarri Festival held in Tokyo in November 2019. A quartet made up of Klaus Lang (harmonium), Johnny Chang (violin), Samuel Dunscombe (bass clarinet) and Michiko Ogawa (clarinet) was planned for the festival's final day, so Ogawa quickly purchased a used harmonium for Lang. As she lives in Berlin, Ogawa and Ftarri decided that the harmonium would be housed there temporarily and used in Ftarri concerts.Composer Masamichi Kino…
Ghosts
Four chamber works by Chris Newman, all first recordings, played by Berlin's Ensemble KNM conducted by Steffen Tast, with Newman as vocal soloist in Cologne.
Signs, Games and Messages
The first complete recording of György Kurtág's 24 Signs, Games and Messages for solo viola, with first recordings of four further viola pieces, played by Maurizio Barbetti with baritone Gianpiero Ruggeri.
Bolt From The Blue - Music For Piano & Voices
Thirty-seven miniatures by Howard Skempton, interleaving solo piano pieces played by Daniel Becker with choral settings of Mary Webb, Edward Thomas, Emerson and others sung by EXAUDI under James Weeks; several are first recordings.
Piano Sonatas
First recordings of four Piano Sonatas by Chris Newman (Nos. 1, 4, 6 and 10, composed 1982-2004), played by Michael Finnissy, a collaborator of the composer for over twenty-five years, in composer-supervised recordings.
The Number Pieces 5 - Two2
John Cage's Two2 (1989) for two pianos, a renga-based number piece built on time brackets, played in a 74-minute performance by Rob Haskins and Laurel Karlik Sheehan, from the Complete John Cage Edition.
The Echoing Green
Chamber works by Walter Zimmermann from 1986-89 for piano, cello and piano, bass flute and piano, and violin and piano, played by the HCD Ensemble with cellist Michael Bach and violinist Peter Rundel.
Final Fragments - Piano Music of David Kotlowy
** Edition of 100 hand-numbered copies. Notes by Jon Dale ** By the time I landed in Adelaide somewhere in the mid 1990s, to complete my secondary schooling and get the hell out of dodge – the tiny country hamlet that I’d been living in, in the northern parts of the Upper Hunter in New South Wales, at the foot of the Barrington Tops – I’d already been indoctrinated into a set of ideals through my reading, listening, and the questionable guidance of a few family members. Foremost was a kind of id…
Chord from the Second Delphic Hymn / Emerging like an Infant from the House of Truth
** Edition of 100 hand-numbered copies. Notes by Jon Dale ** Discovering Music Of Transparent Means was one of the three or so genuine revelations from my fifteen years of living in Adelaide, Australia. I was in my twenties and had spent some time wondering why the city I was surviving hadn’t offered much in the way of genuinely engaging and affecting ‘experimental music’ (all terms used advisedly) during my tenure. I’d also somehow glommed onto the work of a number of American composers and pol…
Idle Hands - Music of Luke Altmann
Comes in a four panel case with 16 page booklet, designed by Sam Songailo ** Russian pianist Konstantin Shamray studied in Moscow at the Russian Gnessin Academy of Music with Professors Tatiana Zelikman and Vladimir Tropp, and the Hochschule fur Musik in Freiburg, Germany with Professor Tibor Szasz. In 2008, Konstantin won First Prize at the Sydney International Piano Competition. Konstantin has performed with the Russian National Philharmonic, the Mariinsky Theatre Orchestra, Moscow Virtuosi, O…
Holy Fools - Music of Luke Altmann
** 2021 Stock. Comes in a six panel case with 16 page booklet, designed by Sam Songailo ** One-composer records have somehow slipped out of fashion, but the chance to delve more deeply into the psyche of a single composer is a special indulgence for both performer and listener. Luke Altmann's music first graced our music stands in 2007, when we performed the slow and achingly beautiful ‘Prelude to New York’ at Manchester Lane in Melbourne. The piece’s honest conviction, simplicity and deep expre…
Shadow of an Idea
Four chamber works by Walter Zimmermann, Schatten der Ideen, Ursache und Vorwitz, Distentio and Shadows of Cold Mountain 3, played by Ensemble Recherche. The music reflects the influence of John Cage and Morton Feldman.
Surface Tension
Twenty-eight miniatures by Howard Skempton from the 1970s to the 90s, for solo to quintet, performed by HCD Productions with soprano Sarah Leonard and the composer on accordion.
Saturations
Saturations is a composition by Danish multidisciplinary artist Niels Lyhne Løkkegaard, and features a clarinet choir consisting of 19(!) clarinet players. Niels Lyhne Løkkegaard (b. 1979) considers his work to be a basic research in realities working within the domains of imaginary & physical sound as well as other non-sonic media, and since 2012 Niels Lyhne Løkkegaard has experimented with creating music that lets the instruments transcend their inherent sonic norms and reappear in another for…
Dance Pieces
“Glasspieces” was originally performed in 1983, “In The Upper Room” suite premiered in 1986, and both accompanied a ballet performance. This is the only place you can find the ensemble version of the “Funeral” from ‘Akhenaten’, which was a show-stopper from Glass's ensemble concerts of the mid-80s. There are a number of musicians on both pieces and “In the Upper Room” includes conductor Michael Riesman on piano and synthesizers. In addition to the keyboardist, there are a number of string, brass…
Rise, Follow
* Edition of 200 * A composition for two bass Renaissance flutes. Performed by Mara Winter and Johanna Bartz. Rise, follow is a dialogue of long tones played by two bass Renaissance flutes, featuring subtle but persistent changes over the duration of one hour. It is performed in one sitting without interruption. The composition adopts the principle of instrumental ‘consort-style’ playing in Europe during the 16th century: a family of similarly pitched and constructed instruments performing polyp…
At Synge Verden Ind I En Ny Og Mangefoldet Tid
At Synge Verden Ind I En Ny Og Mangefoldet Tid was composed during Anders Lauge Meldgaard’s period as composer in residence at the old Danish castle Rønnebæksholm on the south of Zealand. He has previously released music as Frisk Frugt, Supermelle, Music for Six Electric Guitars, Kirsten Ketsjer and been a part of the experimental collective yoyooyoy.
This release marked Anders taking on new musical adventures by composing for an ensemble of classical musicians. The music, however, retains the f…