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Sound Pieces is a collection from Pauline Oliveros performed by Apartment House. The album spans seven works from 1975 to 1998, comprising both open text scores and a structured seven-movement composition, "Tree/Peace." The ensemble channels Oliveros’ philosophy of deep listening and interpretive openness, delivering performances full of nuance, attentive silence, and subtle interplay.
L’Occhio Del Vedere is a one-hour piece by the trio of Giovanni Di Domenico (piano), Silvia Tarozzi (violin, 1/16th of a tone tuned violin), and Emmanuel Holterbach (large frame drum). In July 2022, while Di Domenico was working on an artistic residency at GMEA in Albi, France, he and Tarozzi and Holterbach made a trio recording, which was later completed by Di Domenico as a one-hour piece. Within a ‘triptych’ structure framework, sparse melodies discreetly and repeatedly emerge from the three i…
*2LP Gatefold with tipped in booklet * Presented together for the first time, American composer John McGuire’s Pulse Music series (1975-1979) blurs the popular narrative that Minimalism was a reaction against Europe’s angular, intellectual, inscrutable high-modernism. McGuire, born in California, studied at Occidental College in Los Angeles and UC Berkeley before going to Europe to study with Karlheinz Stockhausen, Krzysztof Penderecki, and Gottfried Michael Koenig. His compositions lock seriali…
*2022 stock* 'We can appreciate some musical works for a variety of reasons. Some unleash a narrative that can read our present and its problems very well, others prefer to move on abstract codes, whether experimental or electronic. Still others may propose ethnographic readings as much aimed at an examination of the past and tradition as they try to probe the future through spatial or psychedelic atmospheres. Then there are proposals capable of going beyond any stylistic framework and floating …
2025 repress. For five decades, Harold Budd stood on the forefront of the West Coast avant-garde. Born in Los Angeles, he studied with Schoenberg-pupil Gerald Strang and began teaching at CalArts in 1970. While searching for his own voice, he was influenced as much by abstract expressionist painters as by John Cage and Morton Feldman. In his work, Budd brought delicate, slowing-moving melodies to the foreground – creating a new musical language based on “eternally pretty music” and smooth surfac…
Hymnkus Thoreau Drawings Two features three rarely encountered works by John Cage, interpreted by Apartment House. The album brings together the sparse, spatial interplay of “Two”, the poised transformations of “Thoreau Drawings”, and the hypnotic, layered repetitions of “Hymnkus” in performances marked by clarity, restraint, and ensemble sensitivity.
'The music on this album is a variation on a variation, the Goldberg Variation no. 21 by JS Bach. In a moment of realistic modesty, it struck me that I will probably never live up to my old dream of being able to play all the Goldberg variations in a way that’s at least close to the composer’s intentions and that pleases my own ears. However, I reckoned, perhaps I could use the score of one of the pieces as a foundation to build something else. Exploring and at the same time (re)creating the res…
*300 copies limited edition. In process of stocking* Block Gifts is a collection of three works for organs composed by James Rushford between 2015 and 2018. Using harmonium, portative organ and electric organ, each piece is linked by Rushford’s idiosyncratic combination of strict intervallic systems in different tunings (Werckmeister, quarter-tone, equal temperament), and haptically-informed rhythmic and expressive freedom. Creaks, stutters and sweeping fingers on keys become instrumental sounds…
Rotterdam-based composer/pianist Reinier van Houdt created six pieces from March 22 to August 22, 2020 for a monthly 'quarantine' series of the online festival AMPLIFY 2020: quarantine, commissioned by Jon Abbey. Each of the six pieces on 'drift nowhere past' was recorded on the 22nd of each month (#18, #75, #128, #155, #194, #211). "I've made these pieces from what I played, listened to, recorded, played back, read, watched, heard, or imagined, each during one specific day in the quarantine of …
*Restored and remastered from the original tapes* "My task is to allow the listener to penetrate deeper into the music. The music is wholly improvisational. It has no concept in the rational sense of the word. It’s concept is purely intuitive. It presumes The Law of Analogies: “As above so below. Man is the same as the Universe. The Universe is the same as Man.” ("Emerald Tablet” by Hermes Trismegistus"). This intuition is a kind of rephrased logic which uses many more symbols which contain not …
'Morton Feldman has proved one of the 20th century’s most influential composers. Yet he remains one of its most enigmatic, and his late works retain an aura of mystery steeped with the grandeur, anxiety and quietly changing colour he adored in abstract expressionist painting and, latterly, Anatolian rug design. Patterns in a Chromatic Field (1981) is perhaps the most rhythmically active of these famously long, static pieces, which showed his increasing preoccupation with matters of form, scale a…
"What I'm interested in is a compositional process and a sounding music that are one and the same thing" (Steve Reich, 1968). Minimal music, which numbers Steve Reich among its founders and as one of its most significant representatives, existed for hardly more than ten years. The Ensemble Avantgarde presents a wonderful survey of Reich's minimal music-compositions. The conceptional concentration in the musical work on the structurally simple means of its creation is seen especially in Reich's "…
Three early compositions (1968-1970) by Steve Reich, one of the most prolific exponents of minimal music, in stunning interpretations by the critically acclaimed Ensemble Avantgarde. Available on vinyl (180gr, gatefold sleeve incl. download code) for the first time ever!
*In process of stocking* Human Remains follows Creatures of the Deep and Black Sarabande as the final installment of a trilogy of piano based recordings by Robert Haigh for Unseen Worlds. The trilogy marks the end of the late era of solo albums by Haigh before he steps away from music production. The title, Human Remains, was initially based on a painting of the same name by Haigh that is suggestive of an ancient structure resolute in the wake of overwhelming forces. As a metaphor for our curren…
*2022 stock.* For the first time, Deep Peace and New Atlantis, two classics from Celestial Harmonies, are available on CD. Originally recorded in 1980 and 1983, these meditative masterpieces have long been recognized as remarkable and meaningful works.
Frank Perry employs a fascinating array of acoustic instruments, including 400 year old Zen Buddhist Densho bells and a Ming Dynasty Chinese temple bell. He adds various kyeezees (Burmese meditation gongs), Burmese chime bowls, other glass bowls, …
58' was composed in 2010 on the occasion of the tenth anniversary of d-zAkord. I wanted a very minimalist piece with few sound events and long silences. At that time we presented t'Drone(s)Scape', a sound/living installation lasting 3 hours. The public was invited to sit or lie down in the center of the sonic maelstrom for a multicast travel. It is in this context that 58' was imagined.
Although unconventional, the 58' score is extremely precise. The musicians follow a graphic score, with time p…
The Plains at Gordium was composed from June to August 2004 and is dedicated to Charlotta Kotik. The incentive to compose the piece came from a percussion group in Brno, Czech Republic, who asked me for a piece of music. Not being a commission-disciplined composer, I wrote a piece for six percussionists, while the Czech group, DAMA-DAMA had only four members and could not perform it. The size of the piece also defies the scale of a standard percussion piece, 1,290 measures over a 108-page score.…
A concert-length work for pipe organ, piano and percussion, created by the composer and the GBSR Duo (Siwan Rhys and George Barton) at the recent Huddersfield Contemporary Music Festival. Wonderfully brooding music, beautifully played.