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2007 release ** "In Very Slow Disco Suite (2006), De Bièvre slows down a disco song from 120 bpm to 20 bpm. Against this languid harmonic background, three musicians play material that is dictated at random by a microcontroller. In this way, De Bièvre tried to guarantee the spontaneity of the performance."
2005 release ** "Bending the Tonic (2004), a work for ensemble that November Music commissioned De Bièvre to compose. In this work, a computer records all the audio signals of the musicians (except for those of the contrabass and percussion) and plays these signals back according to a fixed temporal system. The harmonic basis is formed by a stereotypical blues progression, that De Bièvre stretches over 144 measures. The title refers to the importance of the tonic in blues music."
2010 release ** "A multifaceted personality and artist in ethics, as well as aesthetics, Enrico Gabrielli has collected in the space of a few years what an average independent musician collects in a lifetime. Specifically, a series of important collaborations with the major world (Afterhours, Vinicio Capossela, Niccolò Fabi, Morgan), esteem and excellent feedback for shared projects (Mariposa and Calibro 35) and a status as a third-party arranger universally recognized in the Italian musical env…
A double CD with location recordings - recorded by Christophe Albertijn - of organ and carillon music plus a 32 page booklet of/for the unveiling of Katharina AW, a relational artwork by Joris Martens.
Four pieces by Estonian composer Arvo Pärt, a pioneer of “holy minimalism.” The album centers around a never-before-released rendition of “Silentium,” the second movement of Pärt’s most famous concerto, Tabula Rasa, performed by Boston-based chamber orchestra A Far Cry. The group plays “Silentium” at nearly half the speed of the best-known version, released on ECM in 1984. The piece, known for its healing properties for the dying and often used in palliative care facilities (one patient famously…
In 1977, for Brian Eno’s Obscure Records, I made a version of Irma. These notes arise from that experience and explore how the piece can be performed. Irma is an unusual score—printed on a single 50cm x 50cm sheet. Its notation consists of verbal fragments from Tom Phillips' A Humument, referencing “libretto,” “decor and mise-en-scène,” or “sounds.” These categories are arranged separately, with stave notation at the bottom. At first glance, it appears indeterminate—requiring preparation before …
The Machines, created between 1967-1972, mark a shift from the traditional narrative style of Gavin Bryars other works. »I define a machine as a structured process that governs musical actions within a specific sound world, shaping how listeners perceive it. For example, Welsh Rarebit is a Machine that manipulates how bread and cheese are heard.« »Autumn Countdown Machine« features six pairs of bass melody instruments, conducted by percussionists who adjust a bell-metronome's timing, creating in…
A split album by Christopher Hobbs, John Adams, and Gavin Bryars, released in 1975 as the second title on Brian Eno's imprint Obscure. The album includes two pieces by Hobbs and one each by Adams and Bryars. Side A opens with the experimental compositions of Hobbs, followed by Adams’ spoken-word and orchestral work, while Side B concludes with Bryars’ dissonant, frontier-classical ambient piece, featuring contributions from Brian Eno and Derek Bailey. "Aran" and "McCrimmon Will Never Return" (19…
Eduardo Polonio (1941–2024) was one of the foundational figures in the emergence and development of electroacoustic music in Spain. The anthology "Eduardo Polonio: Obra electroacústica 1969–1981" revives his legacy with a selection of essential pieces from his early electroacoustic period. The album includes eight compositions created between 1969 and 1981, spanning from Polonio's early experiments at the Alea Electronic Music Laboratory in Madrid to his later work at the Phonos Laboratory in Ba…
*2025 stock* This Winter & Winter cd of 'Chorbuch' and 'Les Inventions d' Adolphe Sax', recorded in December 2007, was Mauricio Kagel’s last recording, delayed due to unexpected death in the year 2008. The centrepiece of the album, 'Les Inventions d' Adolphe Sax' was commissioned by the Nederlands Kamerkoor, who invited the acclaimed Raschèr Quartet to participate. As a premiere recording and with Kagel’s artistic participation a masterpiece was created. The Nederlands Kamerkoor and Mauricio Kag…
Four beautifully reduced duets, jointly developed by violinist Morgan Evans-Weiler and pianist J.P.A. Falzone. Music which is as delicate as a feather, but also as tough as nails.
Three recent and typically exquisite chamber works by Swiss composer Jürg Frey, all written for and performed by the Prague Quiet Music Collective - one in collaboration with the Norwegian new music group asamisimasa.
*Edition of 250 hand-numbered copies, handmade textile artwork, printed inner sleeve* Rauelsson's third solo album for Sonic Pieces focuses on simplicity and minimalism. It recalibrates his love for ambient with an austere approach that conjures an atmosphere of silence and solitude. On Niu, the artist has traded his craft for shimmering layers of sound clusters and electronic editing in favor of a predominantly raw and acoustic recording. Recorded primarily in Sofia and Berlin and mixed at Saal…
Belt of Orion by Stockholm-based Isak Edberg is the composer’s second solo release on XKatedral, and his first to focus solely on instrumental music in the form of two pieces of extended duration for solo piano.
This album contains three new works by Italian composer Giuliano d'Angiolini, ')))(((', '7 flauti', and '100100', following his previous three albums: 'Simmetrie di ritorno' (Edition RZ, 2010), ‘Cantilena’ (Another Timbre, 2016) and ‘Antifona’ (Another Timbre, 2020). ')))(((' was composed in 2023 for four flutes and sheng or accordion, or six clarinets, and the version here is for four flutes and six clarinets. It is recommended to listen at high volume. '7 flauti' was written in 2010 for seven …
Tip! Explicit isolation is the third album by the international collective E/I, led by composer and percussionist Szymon Pimpon Gąsiorek. The group’s seven core members came together while studying at Copenhagen’s Rhythmic Music Conservatory and the Royal Danish Academy of Music. For this latest release, they are joined by Slovenian musicians Samo Kutin (hurdy-gurdy) and Kaja Draksler (organ), alongside Danish tuba player Rasmus Svale. The three compositions distill sound down to its essential e…
"My reasons for writing pieces are often very surprising.... Two Pages, you'll recall, is a unison. Someone asked me if I was trying to follow the evolution of music history and if, then, my next piece would follow that logic and be fifths. So I wrote Music In Fifths. All movement is parallel, so I had to do one with contrary motion. After Music In Contrary Motion came its opposite, Music In Similar Motion. It was all very simple. In 1969, nobody knew me or really cared what I could write, so I …