Pierre-Laurent Aimard, Teodoro Anzellotti, Edicson Ruiz, WDR Sinfonieorchester, Ensemble Modern, Klaus Ospald
Klaus Ospald: Escribíbastille musique presents its thirty-third release »Klaus Ospald: Escribí« featuring world premiere recordings by Pierre-Laurent Aimard (piano), Teodoro Anzellotti (accordion), Edicson Ruiz (double bass), WDR Sinfonieorchester and Ensemble Modern, and conductors Enno Poppe, Peter Hirsch, David Niemann and Lin Liao. From a piano concerto and a concerto for double bass with accordion to an ensemble piece and a clarinet sextet, the album combines four of Ospald’s instrumental works from 2014 to 202…
Spur
bastille musique presents its thirty-second release »Beat Furrer: Spur« featuring world premiere recordings by Quatuor Diotima, Claudia Chan (piano) and Thorsten Johanns (clarinet). The double album combines Furrer’s complete four string quartets with his piano quintet and clarinet quintet, spanning a period of almost four decades from 1984 to 2021. The WDR recordings are complemented by a 48-page bilingual booklet (EN, DE) with texts by Harry Vogt, Andreas Karl and an interview with the interpr…
Urquiza, Terranova, Rataj, Djordjević, Kranebitter, Glojnarić, Schüttler: Gassenhauer
bastille musique presents its thirty-first release »Urquiza, Terranova, Rataj, Djordjević, Kranebitter, Glojnarić, Schüttler: Gassenhauer« featuring seven world premiere recordings by the Trio Catch. The album combines new works for clarinet, violoncello and piano by Mikel Urquiza, Daniela Terranova, Jakub Rataj, Milica Djordjević, Matthias Kranebitter, Sara Glojnarić and Mart*in Schüttler, all commissioned for and premiered by Trio Catch. In addition to the recordings produced by the SWR, it al…
Sinfonien (Live)
2024 stock bastille musique presents its eighteenth release »Bernd Alois Zimmermann: Sinfonien (live)« featuring Emily Hindrichs (soprano), Anna Radziejewska (mezzo-soprano), Bettina Ranch (alto), Peter Tantsits (tenor), Hans Christoph Begemann (baritone), Otto Katzameier (bass), the WDR Sinfonieorchester and Emilio Pomàrico (conductor). The set comprises Zimmermann’s Sinfonie in einem Satz (1951) and Vokalsinfonie (1957-1963) from Die Soldaten, recorded live at the Kölner Philharmonie by the WD…
Lucier & Bach: Sitting In A Room
2024 stock bastille musique presents its seventeenth release »Lucier & Bach: Sitting in a Room« featuring Hanna Herfurtner (soprano, voice), Clara Blessing (oboe), Joosten Ellée (violin), Linda Mantcheva (violoncello) and Elina Albach (harpsichord, organ). The album combines Alvin Lucier’s sound art piece I am sitting in a room with arias by Johann Sebastian Bach (from BWV 61, 1, 58, 199, 57, 36, 248, 68). Recorded in co-production with Deutschlandfunk, the set also includes a 48-page bilingual …
Lonely Child
2024 stock bastille musique presents its thirteenth release »Claude Vivier: Lonely Child« featuring five works by Vivier from 1977 and 1980: Lonely Child performed by Katrien Baerts (soprano), the WDR Symphony Orchestra and Bas Wiegers (conductor), Shiraz by Akiko Okabe (piano), Pulau Dewata and Zipangu by the Holst-Sinfonietta and Klaus Simon (conductor), and Love Songs by the Neue Vocalsolisten. In addition to these recordings produced by the WDR, SWR and Deutschlandfunk Kultur, the set also i…
Kopernikus
2024 stock bastille musique presents its first release »Claude Vivier: Kopernikus« in a SWR studio recording by the Opera Factory Freiburg, the Holst-Sinfonietta and Klaus Simon (conductor). Besides the CD containing Vivier’s chamber opera from 1979, which he called opéra-rituel de mort, the lavish package includes a 64-pages trilingual booklet (EN, FR, DE) and two photo leaflets with previously unpublished pictures of Claude Vivier as well as the artists during a staged performance.
Time – Space – Sound – Light
Time of year and day, light; warmth, coolness; wind, rain; breath of air, babbling of the stream; People and other beings going about their lives: a strangely unpredictable mix of expected and unexpected events that contribute to the precise conditions of the moment in which we find ourselves. The here and now conveys a special feeling and a unique sound identity. Mason enables us to connect with times, places, people and situations that go far beyond the here and now. Mason is one of the most i…
Ekecheiria (for voices and bass clarinet)
*2025 stock* Olympia 1972 and the musical avant-garde. A look back at the music program created for and around the 1972 Olympic Games in Munich causes astonishment. The people in charge give space to contemporary music. It is quite natural and apparently normal to rely on the avant-garde. This extraordinary musical framework program for the 1972 Olympics has almost been forgotten. The architecture with its transparent, glass tent roof is remembered as a sign of a new, cosmopolitan, modern and de…
Spektralmaskin
"Spektralmaskin, a collaborative album by the Norwegian musicians Jo David Meyer Lysne and Peder Simonsen, owes its name to a sort of prospecting: the process of sliding e-bows—small magnetic motors of adjustable speeds used to sustain sounds, here of Lysne’s own design—along guitar strings to produce harmonics. As these harmonics can occur erratically, the technique rewards the musician patient enough to scoot the e-bow about the string, waiting for the delicate sounds to crest. The duo’s fasci…
Within
Ainon, a Helsinki-based ensemble founded by cellist-composer Aino Juutilainen, returns on We Jazz with their second album, out 6th September. On Within, the four-piece plays music influenced by jazz, contemporary music and classical music, all morphed together into a highly inspired musical vision that echoes the legacy of the likes of Abdul Wadud and Jimmy Giuffre. The music of Ainon might be best described as "avantgarde chamber jazz", with original compositions and the individual voices of th…
Streichquartette 3 + 4
After the orchestral piece KlangWerk 11 in 2022, Edition Telemark is proud to present the second LP by Berlin-based composer Erhard Grosskopf (b. 1934), featuring his two string quartets nos. 3 and 4 in previously unreleased recordings by the renowned Pellegrini Quartet, and pressed on multi-coloured Quadratic Mirage vinyl.
Like all of his seminal pieces, these quartets – written after one another in 1998 – exhibit Grosskopf's principle of composing in a space instead of on a timescale, thereby …
Zamat
Three recent chamber works by the highly-regarded Slovakian composer Adrián Demoč. The title track 'Zamat' is a 10-minute quartet for clarinet, bass clarinet and cello, which uses slightly asynchronous Korean unisons throughout. 'Gebrechlichkeit' is a 25-minute string quartet., „...o protón jasu...“ is a new work lasting 30 minutes for two clarinets, viola and cello, commissioned by Another Timbre for this album.
Flowers of Emptiness
Eight chamber works by Canadian composer Linda Catlin Smith, beautifully performed by Apartment House. The album is structured around the first recordings of three of Linda's string quartets (tracks 1, 6 and 8), along with a short violin duo, a piece for clarinet, violin, cello and double bass, an early string trio, a very recent work for cello and piano, and a bass clarinet solo written for Apartment House regular Heather Roche. Together the pieces present a compelling portrait of the chamber m…
Dawnings
A double album with 5 major new works by the brilliant young composer Eden Lonsdale.
Disc One contains three pieces played by Apartment House:'Aurora' for solo cello'Dawnings', a 32-minute duet for clarinet and piano& 'Cloud Symmetries', a 34-minute piece for four violins, commissioned by Another Timbre
Disc Two contains concert recordings of two long works for larger ensembles:'Constellations' played by Oerknal at the Gaudeamus Music Week, 2023and 'Shedding', a piece for seven violas, commissio…
Rewild
Inspired by the perspectives and timescales of nonhuman beings and distant orders of magnitude in the universe of life, Rewild seeks new strata in musical parameters, exploring the uncanny zones at which pitch becomes rhythm, harmonic interval becomes beating rate, and timbres morph over time. Like a giant body or ecosystem slowly breathing, Rewild’s constantly transforming sound-world orients temporal perception toward global listening. By offering an aural metaphor for the interacting gradual …
Connections (1970-1974)
Formed in Cambridge in 1969 by Tim Souster and Roger Smalley, Intermodulation started out as a 4 piece group with the addition of Robin Thompson and Andrew Powell (who soon moved on to other Cambridge projects, including a pre Chris Cutler Henry Cow). Powell was replaced by Peter Britton, and this incarnation of the group remained for the duration of their existence.
Having releasing a box set of works by Gentle Fire it felt necessary to do the same with Intermodulation and thus complete the ot…
Compositori Sardi Contemporanei II
"Today’s wine tasting is once again hosted by sommelier Claudio Sanna. He presents more local Sardinian varieties with a round of flights, much like the 2022 release Compositori Sardi Contemporanei. Instead of grape cultivars and vintner, Sanna presents multiple composers and performers for you to sample, not with your tongue but your ears. Just like a wine tasting experience, these tracks are a sample of the rich and fertile Sardinian landscape of creative musicians." – Mark Corroto
Inhabit
"inhabit" the second release by Stefan Prins on Sub Rosa, brings together four recent, large-scale compositions in which traditional instruments-from bass woodwind trio to electric guitar and symphonic orchestra-merge seamlessly with electronics, feedback, and field recordings. 'inhabit' once again serves as a testament to how Prins, whose work is performed worldwide by some of the most celebrated musicians, ensembles, and orchestras, continues to stay attuned to the pulse of contemporary music.…
Reminiscenze
Reminiscenze: vague and distant memory, nearly lost in oblivion. Form and structure of the past to which the author refers consciously or unconsciously. The pieces aim to translate the sound quality of the voices of Renaissance music into acoustic saxophones through the use of multiphonics. The structure of the composition Reminiscenze is based on In te domine speravi by an anonymous composer, Miserere mei Deus by Fabrizio Dentice and Per non dir ch'io moia by Michelangelo Rossi. The material of…