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Compositional /

Beginner's Mind
Over the years, the venerable New York based imprint, Mode Records, has operated to give Walter Zimmermann a solid platform, issuing both new work and reissuing lost classics. Mode continues this essential project with the first-ever LP reissue of Zimmermann’s first recording, the 1978 solo piano classic “Beginner’s Mind”, which will also be available soon in CD format.
Tabula Rasa
*2024 stock* Original CD and all materials from the original booklet. Music scores of all four compositions of the album. Previously unreleased facsimile of Arvo Pärt’s autographs of “Tabula rasa” and “Cantus”. Introductory essay by Paul Grifftiths. Exclusive photographs from the ECM archive. All texts in English and German. In 1984, ECM brought a new sound into the musical world with the release of Arvo Pärt’s Tabula rasa, the first album on the label’s New Series imprint. Now, on the occasion …
7x7
Tricatel is proud to present, in a limited edition of 777 hand-numbered copies, the superb double vinyl/book dedicated to 7×7, inspired by Bertrand Burgalat.
Computer Music From The Outside In
*2024 stock* A 1983 Folkways release, Computer Music from the Outside In showcases three composers narrating the ideas and processes behind their computer music compositions, as well as the compositions themselves. The first two pieces are by Barton McLean: “Etunytude” is an etude-like piece made of gradually changing harmonic sounds, and “The Last Ten Minutes” is meant to be an abstract representation of the devastation of “the last nuclear holocaust.” “The Whistling Wind,” by Karl Korte, is ba…
Stone Music
In 2019, or just a little while before, with plans to release Andrzej Karałow's first duo album with analogue and modular synthesiser player Jerzy Przezdziecki's, we not only made plans for further collaboration, but also talked about our inspirations. It turned out that I had not caught such an understanding with any other artists for a long time, and although for Przeździecki the inspiration was early industrial and for pianist Karałow minimal music and the sonoristic tradition of classical mu…
Série Réflexion 1
A mysterious entry in the canon of Japanese minimalism, Série Réflexion 1 was the debut and swan song of Oscilation Circuit, a short-lived ensemble helmed by composer Kenichiro Isoda. Released in 1984, the album was intended to launch a new series for Satoshi Ashikawa’s Sound Process label, whose Wave Notation albums had already heralded a new phase of ambient composition. Where composers like Ashikawa and Hiroshi Yoshimura took ques from Satie, Eno, and Budd, Oscillation Circuit’s interests lay…
Hybrid Musics
Larry Austin (1930–2018), thirteen years Hunt’s senior, was a key interlocutor for the composer. The two met during Austin’s term as editorial director of the magazine Source: Music of the Avant Garde and both had studied music at the University of North Texas. Following stints at the University of California, Davis, and the University of South Florida, Austin returned to UNT as professor in 1976 and took over its electronic music studio, the Center for Electronic Music and Intermedia. When Hunt…
No grief without joy
*Limited Edition Handmade CDR in cardboard string sleeve with liner notes and album art.* "A collection of five pieces, made between 2016 and 2019, in a short period that echoes, in part, the grief after my mother’s passing at the end of 2015. These pieces bring together artists from (a.o) Cape Town, The Hague, Toronto, Torino, and Johannesburg. Listening back to these earlier pieces I can discern feelings of emptiness, fleeting moments of joy and play. It is the unending sense of absence versus…
Solo For Cello
The Trilogy Tapes’ first CD presents a studio recording of Jack Sheen’s Solo for Cello, a 35’ work written for Anton Lukoszevieze, the cellist, artist, and Director of the group Apartment House, renowned for their recent recordings of John Cage, Morton Feldman, and Jim O’Rourke, amongst many others.  “Jack Sheen’s Solo for Cello and fixed audio is an extended exploration of the resonant body of the cello, but also a kind of flickering, glitchy and incessant ‘moto perpetuo’, of extreme intensity…
Tuscany
*2023 Repress* Los Angeles based pianist, producer, and songwriter John Carroll Kirby traveled to Pietrasanta, Italy in the summer of 2018 on a self-imposed writing trip. During his stay he composed Tuscany, a two side-long solo piano exploration of this particular geographical envelope, a place where nature is shaped into form.Kirby would cycle 12 kilometers each day to Cascata di Malbacco, a waterfall with jade pools and silver stone, and the inspiration for Side A of Tuscany. His own Cascata …
Continuit​é​, fragilit​é​, r​é​sonance
'Continuité, fragilité, résonance' is a 51-minute piece written by Jürg Frey in 2020-2021 for octet: string and saxophone quartets. The Montréal-based Quatuor Bozzini and the Bern-based Konus Quartett premiered the piece in September 2021, and later recorded it for this album with the presence of the composer, during a three-day recording session in August 2022 at the Auditorium of Zentrum Paul Klee in Bern, Switzerland. Both quartets have premiered other works of Frey's in the past and have a d…
L​’​Occhio Del Vedere
L’Occhio Del Vedere is a one-hour piece by the trio of Giovanni Di Domenico (piano), Silvia Tarozzi (violin, 1/16th of a tone tuned violin), and Emmanuel Holterbach (large frame drum). In July 2022, while Di Domenico was working on an artistic residency at GMEA in Albi, France, he and Tarozzi and Holterbach made a trio recording, which was later completed by Di Domenico as a one-hour piece. Within a ‘triptych’ structure framework, sparse melodies discreetly and repeatedly emerge from the three i…
Encyclopedia of Pitch and Deviation
Matthias Kranebitter has written the odd piece without electronics in the past. However, the use of electronics in his music usually is a given. At the same time, the way in which electronics are employed in his work is anything but a matter of course. They are not simply an instrument amongst others, they don't serve as an atmospheric background, a synthesized ear-tickler, or formal glue which is meant to cover up fractures within the musical material. Rather, they themselves embody such fractu…
Sensational Bliss
"In the past, I was interested in themes of sound, such as, 'new sound', 'expressive sound' and 'metaphoric sound'. In fact, I still enjoy these expressions. However, my obsession with expressing sound itself has decreased, and I instead want to express my feelings, my thoughts and my life, with sound. With this change, I have enjoyed taking a closer look at my temperament, personality, and life, and have tried to display the results through sound. To better articulate myself, I have avoided any…
Music for Film, Sculpture, and Captions
If you enter into the music of Martin Smolka, prepare yourself to come face-to-face with profound and enigmatic conflicts. The music of Martin Smolka resonates straight into the core of a suffocated planet, suffering through unending catastrophes in the political-social spheres. The Aleph Guitar Quartet and soprano Daisy Press present a selection from Smolka's oeuvre that spans almost 25 years.
Moon on the Sea – Sea in the Moon
If you enter into the music of Martin Smolka, prepare yourself to come face-to-face with profound and enigmatic conflicts. The music of Martin Smolka resonates straight into the core of a suffocated planet, suffering through unending catastrophes in the political-social spheres. The Aleph Guitar Quartet and soprano Daisy Press present a selection from Smolka's oeuvre that spans almost 25 years.
A Thing Made Whole
In music, we don't tend to talk about things. We're too concerned about the meaning of the story, about the dynamics of the performance, the reception, the syntax, the gesture, the movement; we're too concerned about how a sound got here, where it came from, how it was made, where it's going and why. We pretend that music is a language. Greenwald asks us to get busy with things. About a minute's worth of material becomes a cycle of seven works, performed in full for the first time on this album …
Spiralis Aurea
Venturing into untapped realms of creative exploration, the Genoa born, Bologna based, guitarist and electroacoustic composer, Stefano Pilia, returns to Die Schachtel with “Spiralis Aurea”, a double LP of material that intertwines traces of sacred geometry, collective experience and elusive connections between nature and human kind.
Landscapes and Lamentations
“Music and nature have a long and illustrious history together,” writes violinist, composer, improvisor, hiker, Richard Carr. “It’s been done a zillion times, but I can’t fight it anymore. True, I spend more time than most knocking around the woods and winding up and down the trails. Over the course of six decades, I have explored the major mountain ranges of six continents. This has been long enough to witness first-hand the changes that have been so apparent not only to the naked eye but also …
Solastalgia
*In process of stocking. Limited edition of 400 copies.* We haven’t found them yet, the words to talk to each other about the worrying signs of climate change. Feeling worried when walking on autumn leaves in the beginning of August should be completely normal. But how do we communicate about it? We don’t want to be just the next hysterical doomer. With this music I try to focus on the climate pain itself, gently inviting the listener to investigate their latent feelings of unease and growing co…
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