Landscapes and Lamentations
“Music and nature have a long and illustrious history together,” writes violinist, composer, improvisor, hiker, Richard Carr. “It’s been done a zillion times, but I can’t fight it anymore. True, I spend more time than most knocking around the woods and winding up and down the trails. Over the course of six decades, I have explored the major mountain ranges of six continents. This has been long enough to witness first-hand the changes that have been so apparent not only to the naked eye but also …
Solastalgia
*In process of stocking. Limited edition of 400 copies.* We haven’t found them yet, the words to talk to each other about the worrying signs of climate change. Feeling worried when walking on autumn leaves in the beginning of August should be completely normal. But how do we communicate about it? We don’t want to be just the next hysterical doomer. With this music I try to focus on the climate pain itself, gently inviting the listener to investigate their latent feelings of unease and growing co…
Apophany
If you were to connect seemingly unrelated things – Heavy Metal and the symphony orchestra, for example – you might be guilty of apophenia. That friction between opposites has never been a problem for Nick Vasallo, though – his music is equally at home in both worlds. Melding Xenakis, Varese, Extreme Metal, and Dark Ambient with gothic charm, Vasallo conjures up a muscular sonic battle that leads you on an inexorable musical journey to a conclusion where surrender is your best option. Catharsis …
Ugnayan
*In process of stocking. 2022 stock.* An important discovery of the original 1974 recording of a Maceda masterpiece! Recorded as 20 channels broadcast simultaneously on all of Manila's radio stations to the population gathered in public spaces with hand-held transistor radios, Ugnayan was a massive production supported by the Marcos regime intended to meld values of indigenous Filipino culture with modernist aesthetics. Though politically problematic and largely misunderstood, the effort involvi…
Stay On It
In 1973, avant-garde ensemble Creative Associates goes on a tour of Europe with Eastman’s brand new piece in their repertoire, and in short: “Stay on It” turns the coordinates of avant-garde music on its head. It is minimal, but unashamedly groovy; it is open to improvisation, grants performers all the freedom they could need, but it isn’t jazz and never slips into the non-committal. It is open to theatrical and performative elements, but also to the poetic and lyrical. It is strict and demands …
Strangely Familiar
*In process of stocking. 2022 stock.* Jazz legend Karl Berger is best known for his vibes and piano playing and for founding, with Ornette Coleman and Ingrid Sertso, the Creative Music Studio in Woodstock, NY, in 1972. He has also had a full career in the classical realm, earning a doctorate in musicology, serving as professor of composition at Frankfurt Hochschule, and as chair of the music department at the University of Massachusetts, Dartmouth. Strangely Familiar: 17 Miniatures for Piano Sol…
Drone And Melody
*In process of stocking. 2022 stock.* This is the second Tzadik release of music by one of the most original and under-appreciated composers of the twentieth century. With his passing in 2004, several of his most passionate musical collaborators have been continuing José Maceda’s legacy and they come together here to present his most ambitious and greatest large scale work—Strata. Beautifully recorded In Manila at the University of the Philippines directed by Maceda’s long-time collaborator Ramô…
Sextet & Double Sextet
*Limited Edition of 500 copies. 2022 stock.* "This release couples two of Reich’s “sextets” for the first time: the Sextet of 1984 and the Pulitzer Prize winning Double Sextet of 2007. A striking difference between the two pieces is that the rhythmic world of Sextet mostly consists of a single-meter grooving, while Double Sextet works in the angular, off-kilter shifting meters reminiscent of Reich’s Tehillim (also of Stravinsky). Ekkozone impart a uniquely chamber music feel and color to these w…
Classical Works
*In process of stocking. 2022 stock.* David Shea's sampling technique manages to be both one of the most innovative experiments in classical music and, at the same time, one of the most conservative uses of pre-recorded music. As the first piece on his Classical Works collection, "Chamber Symphony #1" highlights his unique process. The recording is the result of an original performance by the Brussels-based Ictus Ensemble, a 16-member chamber orchestra. The ensemble contributed to the recording …
Dilin Dalan
*2022 stock* Ongi, Welcome, Dilin Dalan, Oyez, Sing good people in this encounter with pure tradition, ethnomusicological travel, sound transformation and electroacoustics! The ancestral percussion, Txalaparta, rediscovered by the Artze brothers, dialogue with those of the orchestra and those of Alex Grillo's MIDI xylophone connected to a sampler. Befiat Axiary's singing is inspired as much by tradition as by contemporary creation, both in spirit and in form.
Mixtur 2003 Vorwärtsversion
*2022 Stock.* This recording of an updated version of Mixtur (for 5 ring-modulated orchestra groups, orig. 1964/67) features the Deutsche-Symphonie-Orchester Berlin, conducted by Wolfgang Lischke. In contrast to the original, graphic notation-based version of Mixtur (on The Stockhausen Edition no. 8), all of the orchestra parts for the updated 2003 version are completely notated.- Stockhausenspace.blogspot.com
In Freundschaft
*2022 Stock.* The Stockhausen Edition no. 105 contains chamber works recorded between 2011-15. In Freundschaft was written as a clarinet solo for (and dedicated to) woodwind player Suzanne Stephens for her birthday and was first premiered by her in 1978, though a flute version was performed earlier during Stephens' actual birthday celebration. In the following years, Stockhausen composed versions for many more instruments, including recorder, oboe, bassoon (w. teddy bear costume), basset horn, b…
Pole Für 2 (Integrale Version)
*2022 Stock.* 'The Stockhausen Edition no. 103 contains the first complete recording of Pole (Poles, 1969-70) for 2 soloists with shortwave radio (and small instruments). Vocalists Natascha Nikeprelevic and Michael Vetter are featured here. The score for Pole includes directions for spatial placement of sound sources, which were realized through panning and digital reverb. An earlier recording of this piece with Péter Eötvös & Harald Bojé can be found on The Stockhausen Edition no. 15.' - Stockh…
In Freundschaft
*2022 Stock.* The Stockhausen Edition no. 101 contains four new arrangements of the solo work In Freundschaft (In Friendship). In Freundschaft was written as a clarinet solo for (and dedicated to) woodwind player Suzanne Stephens for her birthday and was first premiered by her in 1978, though a flute version was performed earlier during Stephens' actual birthday celebration. In the following years, Stockhausen composed versions for many more instruments, including recorder, oboe, bassoon (w. te…
Treue
*2022 Stock.* Treue (Fidelity, 11th Hour from Klang, for wind trio, 2007) and Erwachen (Awakening, 12th Hour from Klang, for trio, 2007) both adapt and re-sequence melodic and rhythmic material from Schönheit (The Stockhausen Edition no. 87) to create a similarly hypnotic web of lyrical polyphony, approaching and receding from the listener. - Stockhausenspace.blogspot.com
Hoffnung
*2022 Stock.* Hoffnung (Hope, 9th Hour from Klang, for string trio, 2007) and Glanz (Brilliance, 10th Hour from Klang, for septet, 2007) both adapt and re-sequence melodic and rhythmic material from Schönheit (on The Stockhausen Edition no. 87) to create a similarly hypnotic web of lyrical polyphony, approaching and receding from the listener. - Stockhausenspace.blogspot.com
Balance
*2022 Stock.* Balance (7th Hour from Klang, 2007) and Glück (Bliss, Eighth Hour from Klang, 2007) are both wind trios which adapt and re-sequence melodic and rhythmic material from Schönheit (on The Stockhausen Edition no. 87) to create a similarly hypnotic web of lyrical polyphony, approaching and receding from the listener. - Stockhausenspace.blogspot.com
Harmonien
*2022 Stock.* Harmonien (Harmonies, 5th Hour from Klang, 2006) consists of three adaptations (for bass clarinet, flute, trumpet) of a composition for a solo melody instrument, in which broad melodic fragments are answered by brisk cycles of related arpeggio figures (or broken chords). These ostinato figures are modulated dynamically so that they subtly approach and recede. In Schönheit (Beauty, 6th Hour from Klang, 2006) the material from the three arrangements of Harmonien are layered and synch…
Klang- Die 24 Stunden Des Tages: 3.Stunde: Natürliche Dauern Für Klavier
*2022 Stock.* Natürliche Dauern (Natural Durations, 3rd Hour from Klang) for piano (2005/06) is presented in a 2 CD set. Some of these short piano etudes (24 in all) are predicated on the decay times of sustained, pianistic attacks, while others are fascinating explorations of melodic and rhythmic contrast. These final, late-era piano pieces are truly beautiful postcards of shape and color.- Stockhausenspace.blogspot.com
Freude
*2022 Stock.* Freude (Joy, 2nd Hour from Klang) for 2 harps (2005) consists of 24 moments, each linked with a liturgical verse sung by one or both harpists during performance. This piece is one of Stockhausen's most lyrical pieces in the traditional sense, although it is still based on a chromatic tonality.- Stockhausenspace.blogspot.com