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*2022 Stock. Includes a 20-page booklet in German and English.* Sonntags-Abschied (Sunday Farewell) contains the exit music for Sonntag aus Licht, programmed and performed by a synthesizer quintet. Harmonically, Sonntags Abschied is an arrangement of the choral structure from Hoch-Zeiten (CD 73 or 71). These dynamic, somewhat vocally-articulated layers are organized as slowly changing, static harmonies - but with very active inner vibrations (embellishments and melodic transitions). - Stockhause…
*2022 Stock.* Hoch-Zeiten (High-Times, 2001/02, 5th scene of Sonntag aus Licht) for orchestra and choir. The 5th scene of Sonntag aus Licht is actually a 2-part conception. One part is staged as an instrumental orchestral work, and the other is a simultaneous a cappella choral work performed in another room. However, sounds from the orchestral part are piped into the choral work, and vice-versa. This CD presents the orchestra point of view (WDR Symphony Orchestra Cologne), followed by that of th…
*2022 Stock.* 9 Düfte Der Woche (9 Scents of the Week, from Düfte – Zeichen) for 7 vocalists, boy’s voice, synthesizer (2002). This CD contains the nine songs from Düfte – Zeichen (Scents – Signs), 4th scene of Sonntag Aus Licht (Sunday from Light) on the Stockhausen Edition no. 69, but without the background ensemble vocals. In other words, each song is presented as an independently-performed vocal work, backed only by the synthesizer part. - Stockhausenspace.blogspot.com
*2022 Stock.* Düfte - Zeichen (Scents – Signs, 4th scene of Sonntag aus Licht (Sunday from Light) for 7 vocalists, boy’s voice, synthesizer (2002). This Scene features six vocalists grouped as soloists, in duets, and in trios, supported and bracketed by rhythmically-free (aleatoric) background ensemble text and glassy synthesizer harmonies. At the end are two additional songs featuring a youth "from the audience". The vocal texts (included in the booklet) describe the themes behind each of the s…
*2022 Stock.* Elektronische Musik Mit Tonszenen Vom Freitag Aus Licht, this 2 CD set contains the dark ambient electronic music (Weltraum, or "Outer Space") from the opera Freitag Aus Licht (Friday from Light), combined/mixed with the Paare vom Freitag (Couples of Friday) "Sound Scenes" (heard as isolated duets on Paare vom Freitag, The Stockhausen Edition no. 48). In other words, this is the "tape" parts of the opera without the live performers. The electronic music is also used as the ambient …
*2022 Stock.* Hymnen - Elektronische Musik Mit Orchester is the premier recording of a specially-adapted version of the 3rd Region of the massive electronic/tape work Hymnen. Commissioned for a 1971 concert with the New York Philharmonic, Stockhausen scored a new orchestral accompaniment to this particular quadrant (the other 3 Regions were accompanied in this concert by the electro-acoustic Stockhausen Group, employing intuitive strategies). This orchestra and tape version also includes a solo …
*2022 Stock. Includes a 128-page booklet.* Markus Trompete Stockhausen features Markus Stockhausen performing Licht-related chamber works highlighting trumpet, piccolo trumpet, and flugelhorn. This CD also includes tracks created for a newly-recorded television broadcast presentation of Examen (from Act 1 of Donnerstag aus Licht). - Stockhausenspace.blogspot.com
*2022 Stock.* Sternklang features a roaming studio recording, documenting the five spacially-separated electro-acoustic chamber groups of Sternklang, a harmonically-modulating piece structurally similar to the all-vocal Stimmung. Some soloists are also highlighted in the mix as they migrate from one group to another. This 2 CD recording features members of the English new music groups Intermodulation and Gentle Fire, as well as Annette Meriweather (vox), Harald Bojé (synth), Michael Vetter (vox,…
*2022 Stock. Includes 124-page booklet in German and English.* “Stimmung” was a commission from the City of Cologne, for an ensemble at the Rheinische Musikschule; Collegium Vocale Köln. It was written early 1968, in February and March, in a house on Long Island Sound in Madison, Connecticut, where Stockhausen and his wife Mary Bauermeister and their children lived a couple of months. This commission for a vocal work took on a completely new direction when Stockhausen – out of consideration for …
*2022 Stock. Includes 32-page booklet in German and English.* On volume no. 5 in the ongoing Stockhausen Edition we meet large-scale orchestral works for the first time in the series. The first piece on this CD originates in a commission that Stockhausen received from the WDR, but nobody – perhaps not even Stockhausen – could foresee the kind of music that would eventually come out of this commission. The end result was no less than revolutionary, in its totally new concept of music moving in sp…
*2022 Stock.* The best, most efficient way to hear Stockhausen's works is through his official record label and publishing house. The Stockhausen Edition CDs are meticulously assembled with often voluminous booklets in English and German, filled with sketches and other documentary artifacts. Almost all of the recordings originally released on Deutsche Grammophon, Wergo, Nonesuch and other labels were reacquired by Stockhausen, and then remastered and repackaged under the Stockhausen Edition cata…
Four revolutionary orchestral works from 1951-52 showcase Stockhausen's bold transition to large ensemble writing. Featuring Formel, innovative Schlagtrio, theatrical Spiel, and the composer-conducted Punkte, this collection captures his pioneering experiments with orchestral pointillism and percussive techniques.
*Limited edition of 150 copies.* Música Azul is a gulfstream of melodies originally written for Spencer Clark’s Avatar Blue exposition at Het Bos in Antwerp, march 2019. I got the original melody lines from a photoshop mock-up in which Spencer showed his ideas for the expo. I then performed the piece - partly improvised - on the opening night as to activate the several artworks that were displayed in the installation. Afterwards I edited and reworked the composition for optimal home listening.
Paradigm-shifting percussionist Valentina Magaletti stops time on 'La Tempesta Colorata', a long-form set that rolls thru tempos and time signatures with gymnastic flexibility, offering another spectacular entry to A Colourful Storm’s gravity-defying recent run of releases.
Magaletti is a regular and constant presence on these pages as a member of Moin, Vanishing Twin, Tomaga and CZN, as well as thru endless collabs with everyone from Floating Points to Nicolas Jaar, Jandek to Helm. For our mo…
*2022 stock* 'Halleluja, Peter Eötvös’s “stuttering oratorio”, with a text by the novelist Péter Esterházy, was first performed in 2016. It’s built around the historical figure of Notker Balbulus, Notker the Stammerer, a ninth-century Benedictine monk who was a chronicler and composer. But, Eötvös insists, “It is not so much a portrait of Notker as of the times in which we live … At first the choir represents a society that says ‘hallelujah’ to everything: they have to be satisfied with everythi…
Giacinto Scelsi (1905–1988) is one of the most unusual composers of the twentieth century, a unique figure whose importance was only fully recognized and celebrated after his death. During his lifetime, he was often dismissed, especially in Italy, as a pretentious dilettante because he did not notate his music himself. Beginning in the mid-1950s, he recorded his improvisations at the piano and had them transcribed by others. In this way, in the course of only a few years hundreds of piano pieces…
*2022 stock* The relationship between Hans Werner Henze and Oliver Knussen was one of great mutual respect. The German composer admired the British conductor and composer for electrifying performances of Henze’s own and other composers’ works. Knussen was an untiring and enthusiastic champion of his friend Henze’s music. The recordings collected here display Knussen’s deep understanding of Henze’s music. Knussen conducts the BBC Symphony Orchestra in sensitive and meticulous performances of comp…
*2022 stock* Performed by Julia Breuer (flutes), Matthias Engler (vibraphone, marimba, glockenspiel, tubular bells), Elmar Schrammel (piano, celesta). Recorded 2007. One of Feldman's classic long-term late works, written in 1984. Wergo is proud to present Morton Feldman's four-hour-long trio For Philip Guston, performed by the ensemble Breuer-Engler-Schrammel. Feldman disagreed with those who regarded his works since the 1970s as being too long. 'In music, it's very difficult to distinguish betw…
*2022 stock* Michiko Hirayama inspired Giacinto Scelsi to write his twenty-part cycle "Canti del Capricorno" between 1962 and 1972. To this day the Japanese singer (b. 1923) is a unique performer of this spiritual yet energy-filled work for solo voice, with instrumental accompaniment for certain songs: Scelsi’s notes in his own hand in the score; that is her treasure, when she comes to Ulm in May 2006 to give a concert in the series neue musik im stadthaus. Michiko Hirayama is a vocal power stat…
*2022 stock* The focus of the pieces by Alvin Lucier on this CD is on the phenomena of resonance – sympathetic vibration – in many variations. “Time and again I find myself having to pare away any musical gestures in a work in order to uncover the true idea in a piece,” says Alvin Lucier.The composer knows which ideas he wants to liberate. But the process of causing the environment to resound is always a collaborative, interactive project. It needs someone who is creatively engaged, even obsesse…