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*2022 Stock. Includes a 32-page booklet in German and English.* Orchester-Finalisten is the 2nd Act of Mittwoch Aus Licht (Wednesday from Light), the 6th-completed Licht opera. This piece has no vocal text, but instead features 11 different orchestra…
*2022 Stock.* Paare Vom Freitag (Couples of Friday) with soprano, bass, electronic instruments (signal processing and samples) (1992/99). The Stockhausen Edition no. 48 contains 99 tracks of the isolated electro-acoustic/concrete vocal duets from the…
*2022 Stock.* Hymnen - Elektronische Musik Mit Orchester is the premier recording of a specially-adapted version of the 3rd Region of the massive electronic/tape work Hymnen. Commissioned for a 1971 concert with the New York Philharmonic, Stockhausen…
*2022 Stock. Includes a 128-page booklet.* Markus Trompete Stockhausen features Markus Stockhausen performing Licht-related chamber works highlighting trumpet, piccolo trumpet, and flugelhorn. This CD also includes tracks created for a newly-recorded…
*2022 stock* Morton Subotnick achieved fame in the field of electronic music with Silver Apples of the Moon and The Wild Bull, his best-known tape works of the late 1960s. Since then, he has been active combining electronics with other media, notably…
*2022 stock* Magnetic tape for serial use is not the prerogative of Stockhausen or the French members of the GRM. On the other side of the Alps, at the RAI Studio di Fonologia in Milan, Luigi Nono worked for a long time on the development of a new fo…
'I believe Jacob's Room is one of the most extraordinary examples of extended vocal techniques that I have ever heard. Touch is the child of the original Buchla electronic music triumvirate that included Silver Apples and Wild Bull. Its exploration o…
Fifth release in the MFR Contemporary Series. The Amsterdam-based ensemble MAZE (La Berge, Calderone, Davis, Kyriakides, Hijmans, van Houdt) realises two works by Annea Lockwood, both built around graphic scores derived from photographs of natural sy…
Frédéric Acquaviva's new album - a record sleeve with QR Code but no record, limited to 100 copies: a 69-minute opera for voice (with Joël Hubaut, author of the text, Dorothy Iannone and Loré Lixenberg), "dead electronics" and video.
Documenting a reunion of Musica Elettronica Viva's founders Frederic Rzewski (piano and vocals), Richard Teitelbaum (keyboards and computer) and Alvin Curran (keyboards, computer and shofar) at the 32nd International Festival Of Current Music in Vict…
*In process of stocking* The score for ‘Truth, exercise for a listener’ comprises a catalogue of options for a musical performer. In four parts each focusing on a different facet of our faculty to listen, it offers open ended material for the perfor…
Reinhold Weber, born in 1927, was known as
a pioneer of electronic music.
In his compositions, Weber placed a focus on
twelve-tone music, he became increasingly
fascinated in the field of computer music since the 1970s. He produced numerous works at…
Program notes in German and English in 200-page booklet. Karlheinz Stockhausen personally mixed down and mastered these recordings from the original analogue tapes for this CD edition. Karlheinz Stockhausen –“Mikrophonie I” (1964) for tam-tam, 2 mic…
An extended iterative, cycling, dissipating cloud of fragments, constantly shifting focus, which throws up detail, evolves, returns, settles and re-dissolves; it's a four-dimensional explosion in which stretches of baroque, folk themes and Byzanti…
Three works for viola and tape or electronics played by Vincent Royer: Luc Ferrari's Ephémère in a 2012 version by Brunhild Ferrari, her Le Piano Englouti, and Royer's live improvisation on Ferrari's Ce qu'a vu le Cers.
Enclosed in a 336 pages book published by Sveriges Radios Förlag (ISBN: 91-522-1817-1). It is written in Swedish and English by Teddy Hultberg. The CD's were released by Fylkingen Records only together with the book. The book itself is enclosed in a …
Milestone release! David Tudor's (1926-1996) identity morphed seamlessly from interpreter of mainly acoustic music to composer-performer of predominately electronic music over a period of about ten years, from the mid-1950s to the mid-1960s. This set…
Three works by Luc Ferrari: Visage 2 (1955-56) and Après presque rien (2004), both first recordings with Musiques Nouvelles and Art Zoyd, and Madame de Shanghai for three flutes and digital sounds.
Recordings from the Elektronic Studio at the TU Berlin, the Studio of the Institut International de Musique Electroacoustique de Bourges, and at Patrick Kosk's own studio
First volume of Mode's Luc Ferrari series: Chansons pour le corps, built on interviews with women recorded in the Jardin du Luxembourg, and the symphonic tale Et si tout entière maintenant for actress, tapes and orchestra.