Orchester-Finalisten
*2022 Stock. Includes a 32-page booklet in German and English.* Orchester-Finalisten is the 2nd Act of Mittwoch Aus Licht (Wednesday from Light), the 6th-completed Licht opera. This piece has no vocal text, but instead features 11 different orchestra instruments performing short auditions one after another against a background tape of musique concrete (environmental field recordings). Each solo is also accompanied by a single 5-chord orchestral figure, cued by the soloist (the instrumentation fo…
Paare Vom Freitag
*2022 Stock.* Paare Vom Freitag (Couples of Friday) with soprano, bass, electronic instruments (signal processing and samples) (1992/99). The Stockhausen Edition no. 48 contains 99 tracks of the isolated electro-acoustic/concrete vocal duets from the opera Freitag aus Licht (Friday from Light). In the opera these brief duets are sequenced and layered into 12 "Sound Scenes" spread throughout the opera, but on this disc they are presented as isolated events. These short vocal duets featuring the v…
Hymnen - Elektronische Musik Mit Orchester
*2022 Stock.* Hymnen - Elektronische Musik Mit Orchester is the premier recording of a specially-adapted version of the 3rd Region of the massive electronic/tape work Hymnen. Commissioned for a 1971 concert with the New York Philharmonic, Stockhausen scored a new orchestral accompaniment to this particular quadrant (the other 3 Regions were accompanied in this concert by the electro-acoustic Stockhausen Group, employing intuitive strategies). This orchestra and tape version also includes a solo …
Markus Trompete Stockhausen
*2022 Stock. Includes a 128-page booklet.* Markus Trompete Stockhausen features Markus Stockhausen performing Licht-related chamber works highlighting trumpet, piccolo trumpet, and flugelhorn. This CD also includes tracks created for a newly-recorded television broadcast presentation of Examen (from Act 1 of Donnerstag aus Licht). - Stockhausenspace.blogspot.com
The Wild Beasts - Landmark Recordings
*2022 stock* Morton Subotnick achieved fame in the field of electronic music with Silver Apples of the Moon and The Wild Bull, his best-known tape works of the late 1960s. Since then, he has been active combining electronics with other media, notably employing gestural sketches on tape to alter sounds produced by voices and instrumentalists. The two works on this 2015 Wergo release are representative of Subotnick's methods, using a trumpet with a chamber ensemble in After the Butterfly, to reali…
La Fabbrica Illuminata / Ha Venido, Canciones Para Silvia / Ricorda Cosa Ti Hanno Fatto In Auschwitz
*2022 stock* Magnetic tape for serial use is not the prerogative of Stockhausen or the French members of the GRM. On the other side of the Alps, at the RAI Studio di Fonologia in Milan, Luigi Nono worked for a long time on the development of a new form of theatrical composition. In the 1960s, his research led to the creation of a series of works that are difficult to classify: A floresta è jovem e cheja de vida (1966), Y entonces comprendió (1969-70), but especially La fabbrica illuminata from 1…
Touch • Jacob's Room
'I believe Jacob's Room is one of the most extraordinary examples of extended vocal techniques that I have ever heard. Touch is the child of the original Buchla electronic music triumvirate that included Silver Apples and Wild Bull. Its exploration of the sound and texture possibilities of electronic music is a variation on the two previous compositions. Jacob's Room is a vehicle for Subotnick's wife, Joan LaBarbara to demonstrate why she is universally considered the master of extended vocal te…
Bayou-Borne / Jitterbug
Fifth release in the MFR Contemporary Series. The Amsterdam-based ensemble MAZE (La Berge, Calderone, Davis, Kyriakides, Hijmans, van Houdt) realises two works by Annea Lockwood, both built around graphic scores derived from photographs of natural systems. Bayou-borne, for Pauline (2016) is dedicated to Pauline Oliveros and uses a map of Houston's bayous; Jitterbug (2007) interprets rocks from the Continental Divide with Lockwood's pre-recorded aquatic and terrestrial insect sounds.
Antipodes
Frédéric Acquaviva's new album - a record sleeve with QR Code but no record, limited to 100 copies: a 69-minute opera for voice (with Joël Hubaut, author of the text, Dorothy Iannone and Loré Lixenberg), "dead electronics" and video.
Symphony No 106
Documenting a reunion of Musica Elettronica Viva's founders Frederic Rzewski (piano and vocals), Richard Teitelbaum (keyboards and computer) and Alvin Curran (keyboards, computer and shofar) at the 32nd International Festival Of Current Music in Victoriaville, Canada in 2016.
Truth, Exercise For A Listener
*In process of stocking* The score for ‘Truth, exercise for a listener’ comprises a catalogue of options for a musical performer. In four parts each focusing on a different facet of our faculty to listen, it offers open ended material for the performer to deal with; sounding actions, silent actions, still actions, moving actions, interpretative actions. All can be selected, combined, omitted or extended at will. Multiple exercises can happen simultaneously. In a general sense the piece is an at…
Complete Electronic & Phonetic Works 1968-1974
Reinhold Weber, born in 1927, was known as
a pioneer of electronic music.
In his compositions, Weber placed a focus on
twelve-tone music, he became increasingly
fascinated in the field of computer music since the 1970s. He produced numerous works at the Studio for Electronic Music at the University of Karlsruhe.
Hymnen
Program notes in German and English in 200-page booklet. Karlheinz Stockhausen personally mixed down and mastered these recordings from the original analogue tapes for this CD edition. Karlheinz Stockhausen –“Mikrophonie I” (1964) for tam-tam, 2 microphones, 2 filters with potentiometers (6 players) / “Mikrophonie II” (1965) for choir, Hammond organ, 4 ring modulators / “Telemusik” (1966) (electronic music). Together with Stockhausen's immediately preceding work Mixtur, for five orchestra grou…
Explosion Of A Memory (A Literary Canvas For Orchestra)
An extended iterative, cycling, dissipating cloud of fragments, constantly shifting focus, which throws up detail, evolves, returns, settles and re-dissolves; it's a four-dimensional explosion in which stretches of baroque, folk themes and Byzantine liturgy exist contemporaneously alongside modern and (arguably) post-modern materials and techniques, all shaken loose out of the same experiential block, much as strata emerge as tectonic plates fold one time over another. Long, beautiful, to…
Ephémère
Three works for viola and tape or electronics played by Vincent Royer: Luc Ferrari's Ephémère in a 2012 version by Brunhild Ferrari, her Le Piano Englouti, and Royer's live improvisation on Ferrari's Ce qu'a vu le Cers.
Oyvind Fahlstrom on the Air - Manipulating the World
Enclosed in a 336 pages book published by Sveriges Radios Förlag (ISBN: 91-522-1817-1). It is written in Swedish and English by Teddy Hultberg. The CD's were released by Fylkingen Records only together with the book. The book itself is enclosed in a slipcover. The Swedish texts on the recordings are translated into English in the book. "Birds In Sweden" (1963) was produced by Öyvind Fahlström in collaboration with sound engineer Erik Winlöf at the Swedish Radio studios in the second half of 1962…
The Art Of David Tudor 1963-1992
Milestone release! David Tudor's (1926-1996) identity morphed seamlessly from interpreter of mainly acoustic music to composer-performer of predominately electronic music over a period of about ten years, from the mid-1950s to the mid-1960s. This set of seven CDs, the first truly comprehensive survey of Tudor's work as a composer, goes beyond any previous attempt to document that process of transformation. It captures his touch and sensitivity and offers an expansive, previously unavailable view…
Madame De Shanghai - Après Presque Rien - Visage 2
Three works by Luc Ferrari: Visage 2 (1955-56) and Après presque rien (2004), both first recordings with Musiques Nouvelles and Art Zoyd, and Madame de Shanghai for three flutes and digital sounds.
Mondweiß
Recordings from the Elektronic Studio at the TU Berlin, the Studio of the Institut International de Musique Electroacoustique de Bourges, and at Patrick Kosk's own studio
Volume 1: Chansons Pour Le Corps
First volume of Mode's Luc Ferrari series: Chansons pour le corps, built on interviews with women recorded in the Jardin du Luxembourg, and the symphonic tale Et si tout entière maintenant for actress, tapes and orchestra.