Dialogue One
2011 release ** "Enrico Coniglio's four tracks on Dialogue One don't differ radically in style from those on I, though the former are in spots perhaps louder and more texturally wide-ranging. Next to no details are provided about sound sources (save for a thanks to Rachele for lending her voice to “Calls of the White”) so once again impressions must be based on listening, pure and simple. One of the recording's most attractive aspects is the contrast between Coniglio's four tracks (all of which…
![The Bunker Years [2006-2014]](https://cdn.soundohm.com/data/products/2025-05/R-14433460-1574443044-2868-jpeg.jpeg.500.jpg)
The Bunker Years [2006-2014]
2019 release ** "A sort of anthology that collects material recorded between 2006 and 2014. The album is titled, programmatically, The Bunker Years (2006-2014) and represents a bit of a "summa" of his art. Musically the album is wonderful: the settings are dense, magmatic and claustrophobic. It is a liquid, wavy and minimal sound that moves in electroacoustic and electronic territories. The initial “The Rule Of The Shadows” with its rumblings creates a bizarre and difficult to decipher acoustic…
Seed Solar
2010 release ** Limited edition of 484 hand-numbered copies. "Joint release of Aquarellist and Vetvei labels – new Vresnit album recorded in winter-autumn 2010 in cooperation with Kshatriy, Hladna and Neznamo. Qualitatively new in project creativity a five-part ambient space dedicated to the Culture Solar beginnings and transfiguring seeds disseminating. Vresnit art is turned to research primary being experience, – human consciousness conditions being resonant to the general nature. Sparkling co…
Nothing Is What It Seems
2011 release ** "Last effort of 2011 for Gianluca Becuzzi this Nothing Is What It Seems, which is published at the end of the year by Silentes with a splendid graphic based on photos by Stefano Gentile and artwork by Andrea Marutti; Claudio Rocchetti completes the team of collaborators contributing with “sound objects” in a couple of tracks. All the rest (composition, production and mastering) is by Becuzzi. Nothing is as it seems tells us the title, and leads us to think that the sounds we hea…
![[In]visible Fields](https://cdn.soundohm.com/data/products/2025-04/R-2802921-1301727390-jpeg.jpeg.500.jpg)
[In]visible Fields
2011 release ** "Gianluca Becuzzi is an italian electronic / electroacoustic composer and sound artist active since the first half of the 80’s. He released many albums and performed live around Europe during the last three decades under various names. Since 1999, his artistic production is characterised by a strong experimental imprint and by a clear aesthetic inclination towards abstract forms and micro / macro noises / sounds. He deals with electronic / electroacoustic composition, sound art,…
:existence
2001 release ** Limited hand-numbered edition of 500 copies. "This is the first real CD release from the German Anemone Tube, previously having released a load of tapes, vinyl and CDRs. Originally this was supposed to be Anemone Tubes last release, as Stefan was meaning to stop making noise and to concentrate on his graphic designing. Nonetheless, as the text 'A new beginning " in the inner sleeve of this CD suggests, Stefan has maybe decided to continue with Anemone Tube and apparently is prep…
We Bring Light
2011 release ** "Extreme and uncompromising electronic stimulations, vibrations and synthetic pulsations floating off, disturbing buzzes and algorithmic waves in expansion, fragmented and deconstructed Synthetic Chaos... But also hints of hypnotic unfinished musical sketches, clips of embryonic melodic sequences, fragments of human voices, oscillating electronic pads, distorsions, improbable synthetic clones of nature sounds and noises... An intransigent work of disturbing and destabilizing elec…
Time
2002 release ** “Lambent is one Akira Inagawa from Japan, currentely in Berlin. Akira started to play music while in art college in London, meeting the people from ‘Insine’ label and after moving to Berlin playing electronic music and being a hip-hop DJ. As Lambent he doesn’t use any computers, just samplers and synthesizers in a live approach. This is quite important to realize when you listen to this music, because once you know this, the music makes much more sense.”
Caja Antelice
2009 release ** Limited edition of 100 copies. Packaged in an oversize cardboard sleeve. "The music ranges from ambient and industrial, to free improvised sampling and more experimental sounds and even a bit of noise. Its however a bit unbalanced, still, and could certainly use a lot more editing and a somewhat more detailed production. But there are pieces (all untitled) around here that are certainly quite nice, or even could pass on as structured compositions, such as the longest drone piece,…
Gma
2007 release ** Limited edition of 250 hand-numbered copies in a card sleeve. "Russian project Erthad, originating from Kazan, exists since late 90-ies, but until now still hasn't made any official releases and preferred to stay in underground, recording music only for himself and his friends. We have been endeavouring to change this situation for a long time and now we're glad to present this wonderful disk to your attention. "Gma" was recorded in 2002 with the use of voice and software noise s…
For The Tears Of The Land_Prayers From The Outer Space
2011 release ** "For the Tears of Land/Prayers from Outer Space" is a split album by My Cat Is An Alien and their side project, Praxinoscope. It was released in 2009 by Important Records and Elliptical Noise. The album is a concept album exploring the themes of earthly tears and prayers from outer space. My Cat Is An Alien is known for its experimental and avant-garde sound, characterized by free improvisation and "instantaneous composition".
Flow
2006 release ** "In the artist's own words, Flow is an exercice of confrontation, a placing in context between voice and computer, all the idiosyncrasies of bare-naked human expression, altered, expanded and processed beyond its own flesh and blood. It also stages the possibilities and the impossibilities of relationships, or at least tries to pose some questions about the construction of our identity as a permanent conversation with others, through emotions that flow from rational collaboration…
Sort By Dragging
2016 release ** "Bremen artist Ulli Bomans is releasing his second album under his real name,‘Sort By Dragging,’ on the Berlin-based Shitkatapult label. His debut album ‘Riven’ followed a long series of music productions under his alias Schieres and numerous maxis, albums, remixes and tours together with Marco Haas aka T.Raumschmiere and their band of electronic thunder experiments, Shrubbn!!. This time, the listener loses himself entirely in the gloomy, captivating worlds of sound or, better ye…
Black Hill: Midnight At The Blighted Star
2008 release ** "Human Greed lie somewhere between the gorgeous drones of Stars of the Lid and the haunting and solemn “Symphony No. 3” by Henryk Górecki… This is powerful stuff and takes a while to fully digest it. The oily darkness that the music conjures up gets deeper and deeper with every listen, a resonant and otherworldly tremor that is at once human and sublime."
Army Of Robots
2003 release ** "Early project from Jason Crumer (NIDWST, American Band, etc.) which reads somewhat like a gutter-soaked lo-fi version of the Amazing Grace album, coupled with some early noise excursions."
Il Y A Les Ombres
Laurent Pernice delivers an album of light and shades. “Il y a les ombres” is a sonorous trip to the limits of perception, a place where voices murmur fragmented truths and where instruments, not used in a traditional way, dig the layers of unexplored territories. This new work (of the old member of Nox and current member of Palo Alto) summons the voices of Alan Dalmasio (Palo Alto) Judith Juillerat, Black Sifichi, Heloise Brezillon and Laura Garrato (Magma). This is not only a play of vocal con…
RhythmiCon
*100 copies limited edition* Con's rhythmic explorations, carried out over 18 years from 1982, culminated in this full 66-minute album. A truly unique release, it stands apart from his other works, offering a distinct sonic experience. Intentionally simple – almost primitive – its rhythmic structures capture the musical atmosphere of the early '80s. Hypnotic, analog-driven, and now available for the first time on CD.
In Offret
2009 release ** ""In Offret", Swedish title for "The Victim", probably inspired by the 1986 film of the same name by Andrei Tarkovski, is a CD of ambient electronics, dark, minimal, without beats, immersed in an atmosphere of fear, on which reciting voices emerge, sampled or not. Echran, a duo from Milan, do not hide their cultured inspiration: not exactly popular films (Antonina Woicik's "Slepa Paga" for "Sister Vk"), books of a certain depth (Amelie Nothomb's "Métaphysique des tubes" for "Anod…
Trax Versions
"Mix made with 95 % exclusively prev unreleased original materials - edits, outtakes, versions, takes + oneoffs from recording sessions over the past few years.
Made with stems from recent projects and collaborators, including: raw nug tape recordings + snippets Jordan playing flute in a waterfall cave (the one i used in 'Night') + drum edits, live recordings from decks mixing sessions, Róisín's harp and vocal takes from upcoming project, track with Mari, remix for Felipe’s well frozen piano alb…