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Electronic /

Why Is The Sea So Blue
In Why Is The Sea So Blue Margareth Kammerer continues to explore songs in experimental music contexts, elaborately interweaving lyrics into nine wistful soundscapes. Originally recorded in 2006, with the band consisting of Christof Kurzmann (voice, saxophone), Axel Dörner (trumpet), Burkhard Stangl (vibraphone), Werner Dafeldecker (double bass), Big Daddy Mugglestone (percussion) and Marcello Silvio Busato (drums), the album’s final shape emerged with the production of Valerio Tricoli in 2011, …
Vtoroi
The first Mikroton release featuring Russian musicians Ilia Belorukov, a saxophonist from Saint-Petersburg, and Kurt Liedwart, an electronic and computer musician from Moscow who also runs the label. It’s their second longplaying work following Obwod which was released on Copy For Your Records. On the new CD the duo goes even further into the realm of unknown contriving to work with silence, space and chance with their traditional means like sinewaves and saxophone’s long tones. Saxophone prepar…
Shifting Currents
The recordings for the piece were gathered over the course of a year from Huddersfield, Stirling, Aberdeen (United Kingdom), and s’Hertogenbosch (The Netherlands). These were used to create an installation consisting of over 100 tracks that were remixed in real time during each performance. The set up varied from show to show, sometimes playing through 6 speakers and 3 subs, and at other times, through 12 speakers etc. The performers were positioned at the centre of the audience, who in turn, we…
Bloody Imagination
Ten years ago, a week before Christmas in 2002, Teruto Soejima, a Japanese experimental/avant-garde music critic, organized a festival at a small live venue called Knuttel House, located in the east side of Tokyo. Named as “Independent Underground Music Festival”, it was held with the following message by Mr. Soejima: “Today in the advanced improvised music scene, new artists keep coming up one after another. In there, free jazz, contemporary music, techno, prog, traditional music, experimental …
A Floating World
The French WPB3 trio explores areas between abstract minimalist contemporary concrete instrumental improvised music and energetic noisy free jazz with an uncompromisingly totally free approach. Nusch Werchowska has been involved in improvised music since she met Barre Philips in 1993. A pianist who is able to translate a conversation between Debussy and Cecil Taylor as well as John Cage using all kinds of prepared techniques. She played with numerous musicians in the field of improvised music su…
Limmat
Limmat is the second CD from Günter Müller, Jason Kahn and Christian Wolfarth, following their first album Drumming released in 2005 on Creative Sources. Recorded during one afternoon in Kahn’s Zürich studio, “Limmat” features three unedited improvisations melding microsounds, percussive mastery and swaths of noise and static into a mesmerizing whole. Originally from Los Angeles, Jason Kahn has lived in Europe since 1990. He has performed or recorded with musicians such as Günter Müller, Norbert…
Planes
Over three decades Jason Kahn developed his unique sonic language, now exploring the interaction between sound and space using a compact setup of percussion and analog synthesizer. He has performed and recorded albums with Günter Müller, Norbert Möslang, Kim Cascone, Arnold Dreyblatt, Steve Roden, Dieb13, Richard Francis, Ryu Hankil, Jon Mueller and many others. He ran his own Cut label from 1997 to 2008, releasing 25 albums. Asher is one the most interesting new composers in the United States, …
Palmar Zahler
It is now 5 years that I travel to Latin America. My home base in Buenos Aires; and from there to almost all the other countries. When I arrived there first, I did not know much about the music scene, especially about any scene committed to “New Music” or “Improvisation”, but with the time i encountered a lot of movement, a lot of interesting music (of any form or genre) and I encountered musicians, that if they had been born in the so called “civilized West” would be within the most important p…
Cym_Bowl
Cym_bowl is Günter Müller’s fourth solo CD. On cym_bowl he follows even more consequently the idea he already realized on his last album reframed; focused on the sound of one cymbal and one singing bowl; he feeded his iPods with dozens of variations of processed sounds. Afterwards he conceived with recorded material from sessions he improvised with processed cymbal and bowl sounds only the 4 pieces for his new album. cym_bowl could easily go as a symbol of getting lost in time.
Private Thoughts Recordings
* Edition of 200 in 6-panel ecopack/digifile * Nine years after the death of Pierpaolo Zoppo, an unforgettable artist and a forerunner of Industrial Music with his Mauthausen Orchestra 'cult' project, this new CD of completely unreleased material - containing tracks he composed between 2009 and 2012 - is finally released by Standa. The album - a release which has been officially authorised by his family - shows us Pierpaolo Zoppo at the peak of his artistic maturity: after investigating the most…
Needs Must When the Devil Drives
* Edition of 200 in 4-panel ecopack/digifile * After the critically acclaimed "Pondfire" (Boring Machines, 2015) and "Grey Mornings" (Boring Machines, 2017), Paul Beauchamp has taken a new direction with his third album, "Needs Must When the Devil Drives". With this work, a single track lasting a little over half an hour comprising several movements, Beauchamp has moved away from the use of acoustic instruments as sound sources and has instead followed the mantra of Brian Eno of "the recording s…
Remedies For a Foggy Day
*2021 Stock * Formed in 2016 Daimon is the trio of Nicola Quiriconi (VipCancro, Lisca Records), Paolo Monti (The Star Pillow) and Simon Balestrazzi (T.A.C., Dream Weapon Ritual, Hidden Reverse, A Sphere Of Simple Green, Candor Chasma, Kirlian Camera, etc.). Devoted to a vibrant and majestic personal form of drone music, Daimon are exploring new depths as well as highly dynamic soundscapes that will surround you with their overwhelming sense of fluttering memories. In 2017 they toured across Euro…
Licheni
* 2021 Stock * Simon Balestrazzi and Nicola Quiriconi have performed together many times over the last few years both with the deep drone audio/visual project Daimon and Balestrazzi guesting with Quriconi’s long lived ensemble VipCancro. “Licheni” documents their first meeting as a duo and explores an adventurous sonic territory between free improv and microsound. Balestrazzi (T.A.C., Dream Weapon Ritual, A Sphere Of Simple Green et al.) has been around for more of three decades painstakingly ex…
Cinque Studi sul Paesaggio
Abu-l-Hasan al-Nuri primitive Sufi saint writes: "they possess nothing and are possessed by nothing" is the basis for five landscape studies, as an idea of ​​emptying the soundscape in its concept and also in its practice, a laboratory of environmental recordings and sampling. This work is visited by readings ranging from Céline to Novalis passing through Georg Buchner in his "Lenz" arriving at Arthur Schopenhauer, offering insights above all in his writings on music and in the "world as will an…
Hole in my Head
The only true non-places are those of the mind: but being able to give them a tangible form doesn't always equate to the delineation of a balanced, pictorially satisfying landscape, nor does it solve the inner mystery from which it originated. In the creation of an audio document, even the simplest sonic occurrence derives from an idea and a gesture, even if only pressing the record button: and it's precisely the gesture - be it overt, dissimulated, concealed, or mediated - the absolute protagon…
Tone River
Caught somewhere between environmental sound studies and surrealist sonic architecture, Sugai Ken helps mark the 30th release of Field Records with an ambitious new album. Commissioned by the Dutch Embassy in Tokyo, Tone River is the product of a year's intensive work between artist and label, created in part to examine the relationship between Japan and the Netherlands with regard to water management. While its doors to the Western world were closed during the 17th and 18th centuries, Japan kep…
Plus
The nine-track Plus comes just 12 days after Sean Booth and Rob Brown released Sign, their first "traditional"-format album since 2013's Exai. This is the second of two new albums that Autechre teased in their lockdown live-stream sessions on Mixlr earlier this year, in addition to their latest batch of live recordings. You might call Sign Autechre's ambient album. The percussive sounds are few and far between, and they create rhythms that are even less legible than the norm for recent Autechre—…
UkabazUmorezU
"Sugai Ken follows in the vein of RVNG Intl’s Visible Cloaks release with an exquisite meditation on traditional Japanese percussion and 4th world electronics ruptured by unpredictable runs into more abstract terrain.UkabazUmorezU works like a stage set or a variegated series of sonic scenarios, at once smartly demonstrating his compositional versatility as well as a dilated vision of the connections between Japanese tradition and western-rooted electro-acoustic practice. In a way it resonates w…
Intermorphologies
With the composition series Intermorphologies, I explore multi-dimensional sound mutations and musical causalities generated electronically in realtime. Everything you hear – every aspect that constitutes each sound, how those sounds resonate both individually and in combination, how they react and change with each other, how they are rhythmically / temporally organized, and how these sounds move through acoustic space – have been subjected to gradual change operations. All sounds synthesize the…
Paintings
* 2020 Stock. Edition of 300. * Paintings, after Sketches (Magnetic Purely) and Drawings (Invisible City Recordings), represents the last work in a trilogy marking the re-emergence of Philipp Bückle as a musician. After burying the Teamforest project at the end of the noughties Philipp didn't much feel like creating music for some years, at least not on his own. Instead he concentrated on a more visual approach to expression. But in 2014, during a hot summer in Copenhagen, a birth and long wande…