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Oval Angle is the moniker of Geran Knol, a Dutch multidisciplinary visual artist and musician based in Antwerp, Belgium. His instrumental electronic music blends mellow and playful tones, characterized by plucky, offbeat sound design and wavering, askew melodies. Geran’s composition process is akin to a sketch on paper, slowly evolving and mutating as elements are added, subtracted, and altered. His debut LP for Moon Glyph, “Figures of Speech”, utilizes circular, melodic repetition found in mini…
Tip! Gabriele Gasparotti’s second full length album, Tropismi, is a collection of mesmerizing compositions with masterful polyrhythmical textures and harmonies, strings, prepared piano, magnetic tape and field recordings. Gasparotti's unique style uses classical composition techniques such as counterpoint, canone inverso and serialism to create morphing expanding harmonies continuously. Tropismi features stunning cellotronics by Benedetta Dazzi, cellist and sound designer with which Gasparotti e…
Seeing Matthew Erickson perform live is an impressive experience. The sound he gets by blasting his saxophone through his Fender Twin literally shakes you to the core. Erickson has a great ear for experimental music; exercising tasteful timing and restraint, which I am finding to be more and more important. Whether performing in the sax-guitar duo Sudden Oak, or solo as Radiant Husk, his sonic presence has earned the respect of many.
Polido has been fantasizing with the idea of free music throughout his artistic career. Free from restraints, logos, musical genres, but also from this modern obsession with narratives, plans, business plans, algorithms and bubble wrapped ideas for comfort of those of you that can’t breathe without everything making sense. “Hearing Smoke” has nothing of that. It has been four years since Holuzam released the double album “A Casa e os Cães / Sabor a Terra” and for four years I have been daydreami…
File under early Russian industrial rock/art; Harry Partch, incorporating primitive analogue electronics. A legend in art and industrial music circles, ZGA was formed under the old regime in Riga, Lavia, in 1984, by Nick Sudnik and Valery Dudkhin. Unable to rehearse acoustically because of the neighbours, they invented their own instruments from scrap and springs and shaped metal fitted with contact microphones; these were not just noise instruments, but ways of accessing complex pitches, strang…
A sound drama for tuba and electronics that constructs its own rich, twilit, rather alien, world. Only the sound of the tuba (sometimes), a few waves and a little thunder sound familiar, everything else is a mysterious presence; the electronics are not at all conventional and though much of the sound is clearly derived somehow from the tuba, it offers no foothold in a familiar place. If landscape were ever an appropriate metaphor for the product of a congeries of sounds, it would be applicable h…
Derek Gedalecia’s latest creation brings us mutated electronic music from the extreme far out. A seemingly endless stream of synthetic gurgles, gulping, and goop in chaotic bursts of unpredictability. Includes a live audience/soundboard recording that delivers in the masterful live HB style.
Harmonizer is the new duo of Burlington, Vermont residents Greg Davis (Kranky, Carpark, Autumn Records) and Toby Aronson (NNA Tapes, RATS COPS). Future world sample-driven electronic synthesis, heavy rhythms, and total harmonizer worship.
Simon Scott is a sound ecologist and multi-instrumentalist from Cambridge, England. His work explores the creative process of actively listening, the implications of recording the natural world using technology and the manipulation of natural sounds used for musical composition. He plays the drums in Slowdive and has recently collaborated with artists James Blackshaw, Spire (with Fennesz and Philip Jeck), Taylor Deupree (Between), Isan and many more. “STUK is dedicated to the victims of 13.11.15…
Cassette-only release in a limited edition of 200 copies. Number Crunches" composed, arranged and performed by Andrew Poppy. Field recordings captured by Zeno van den Broek and Sven Schlijper. Hidden voices: Thaddeus Zupancic. Mastered by BJNilsen. Commissioned by PAUME as part of "The Tapeworm Comes Alive!," Utrecht, The Netherlands." -The Tapeworm
Millimetre writes… “Sex Dreams Of The I Ching started out as six love songs with strange fragmented structures that had titles inspired by readings from the I Ching. I didn't know what to do with them, but kept returning to them over and over, they had an uncanny quality whilst being totally dissonant and broken. One day I found some recordings I made on a 4-track years ago with a WEM Copycat – mostly my vocalisations looped endlessly – and out of curiosity played some whilst playing the love so…
Ken Hollings writes: “I have always been, first and foremost, a writer. The three tracks that make up this audiocassette release reflect my interest in how differently the written text operates from spoken word: what separates and makes them distinct from each other – and what happens when one is translated into the other? A longer version of the text for “There Must Be Something Wrong With This, Sally” appeared in volume 19 issue 4 of the Leonardo Electronic Almanac: “Without Sin: Freedom and T…
*200 copies limited edition.* Jasnovidec is Prague based duo exploring realms of modular synthesis and manipulated electronics. Their new EP is a saunter on the ruins of once modern, now lost and scattered societies, slowly observing how the teeth of time took bite of man's pride. The ruins are wet, covered in lichens and other shade-loving plants. They said future world will be dry. Instead it's cold and wet with gray skies which don't move any more. Human dwellings reeks of intoxicating smell …
Tip! *300 copies limited edition* Gregory T.S. Walker’s Minstrels & Minimoogs was self-published by a young, nomadic composer and virtuoso in 1988 to accompany an immersive multimedia performance at the University of Colorado Boulder’s Fiske Planetarium. Created with this outer, and other, world setting in mind, the four tracks find Walker stretching toward an ancient-to-future vision where Egyptian myths and Hieronymus Bosch-ian tableaus are rendered in a screaming three dimensional circuitry o…
Italian composer Lorenzo Senni unleashes his first album on the world, and it's a minor masterpiece in ear-searing digital manipulation and exuberant sound design. There's something very much reminiscent of the golden age of Mego about all this, and in addition to the more commonplace Fennesz influences evident on 'pool5' and the like, you'll hear wild and inventive takes on the sort of material explored by Pita, General Magic and Farmers Manual. 'spckrft' is a vicious piece of sonic demolition,…
More than two years after the release of 'Impressões de Outra Ilha', Discrepant's head honcho returns home under his birth name with the appropriately titled 'Exotic Immensity'. Conjured from the seeds of an exhibition of dioramas at Le Bon Accueil in Rennes, this double LP feels quietly epic in scope, a sprawling travelogue through imagined scenarios and what if possibilities. Discarding the more rough around the edges collages of previous works under a myriad of aliases - Discogs it, if you wi…