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*200 copies limited edition.* The soundtrack of a future in flux. As the father of cyberpunk, William Gibson imagined a world where technology and society collide, blurring the boundaries between human and machine, individual and system. His novels, particularly Neuromancer, painted a dystopian future where sprawling megacities pulse with neon, corporations rule from the shadows, and cyberspace serves as both playground and battlefield. In his vision, technology is a tool of empowerment and cont…
*2025 much needed repress!!! 200 copies limited edition* Glow World is Rod Modell's new project resulting from his collaboration with Taka Noda. The duo delivers what could be an example of perfect elegance and musical refinement, but the resulting sounds are once again dirtied, ruined and ravaged by a noise capable of deafening us, sounds that come from afar, that seem to fade away but suddenly illuminate the world around us, which lands on us and which no longer belongs to us, leaving us lost …
Limited edition of 500 on cloudy white vinyl. Atmosphere and gravity lean into each other. They are simultaneously expansive, and anchoring. They hold us, and lend a sense of perspective. Akira Kosemura & Lawrence English provide a stability and a knowingness which is essential in the absolute, and yet we can't help but find ourselves gazing upward, outward and reaching towards that which sits outside those things and ways we know. Selene is a record about that this lingering desire for that whi…
*37 copies limited edition* Formen's second album, "Dialektik," approaches the ambivalence of our contemporary society through the possibilities of sound design. The individual tracks, as well as the album as a whole, are filled with emotional contrasts, conflicting timbres, and inherent ambiguity. By bringing together opposing ideas, the album attempts to develop its own aesthetics, combining seemingly contradictory concepts such as noise/harmony, dysfunction/function, analog/digital, nature/te…
Refracted's "In Veil" materialises as the third emission in the Titrate series. A gradual unfolding across six passages, each step a study in the dissolution of boundaries. Here, time becomes elastic - synthetic textures breathe alongside captured moments of reality, neither demanding prominence nor seeking refuge in the background. Percussion appears as memory rather than rhythm, while drones hover like fog over unknown lands. Cut to 180g vinyl and embraced by 350gsm reverse board, "In Veil" do…
'Vigil’ is an installation by Caterina Barbieri and Ruben Spini originally conceived for the 180 Studios exhibition Future Shock in 2022, and more recently presented at The Vinyl Factory: Reverb exhibition in 2024. The composition was originally released with the title ‘The Landscape Listens’ as part of Caterina Barbieri’s album Spirit Exit, published by light years in July 2022. Widely recognized as a young pioneer of electronic music, Caterina Barbieri is the new Artistic Director of the Music…
Back after 2 years of unbearably unbearable silence.Underground melodies & film music.Hidden virtuosity, cumulative experimentation & narrative fluidity.
Physical version of the digital EP announced in a past episode.Still ghost. still rolling carpet. Still the calm after the storm.Still dedicated to D. & S.
*Limited edition of 180 hand-numbered copies. All include an additional art card on 350gr satin-paper* "“Void Sessions” is an immersive sonic experience aiming to explore the boundaries of the listener’s auditory and emotional perception. The piece delves into the concept of emptiness, both in its physical and metaphorical sense, inviting the listener to immerse themselves in a sonic space where the boundaries between the tangible and intangible blur.
“Void Sessions” is a sonic piece produced i…
*150 hand-numbered copies limited edition* Hardanger is a collaboration by Mariska Baars (aka Soccer Committee), Niki Jansen, and Rutger Zuydervelt (aka Machinefabriek). The title refers to the instrument played by Jansen, the Hardanger fiddle. It’s a fresh addition to the established musical chemistry from regular collaborators Baars and Zuydervelt. The music on Hardanger started with improvisations by Niki Jansen, guided by Mariska Baars, who responded with vocal and guitar recordings. Rutger …
"Paul Schütze’s debut album from 1989 sets his stall out from the start; with a cyber update on Jon Hassell’s notion of ‘Fourth World Music”. Schütze’s music always sounds like it could be an alternative soundtrack to ‘Blade Runner’ (be aware fellow purists, I did state “alternative”), and this album is probably the perfect candidate if in some other dimension the Vangelis OST was no longer deemed satisfactory (such a dimension surely cannot exist). The listener feels like they’re walking throug…
Ilian Tape kicks on with another entry into its ITX Series, this time with a lovely hand-stamped long player from MPU101. It is a deep dive into escapist ambient worlds with plenty of grainy tape hiss and cosmic static, celestial melodies and provocative moments of introspection. Analogue machinery is really brought to the fore on fuzzy sounds like 'CreamyPORTAL-Xa' with patient and pastoral synth smears, while 'APEX CA 91352' has brighter and more mellifluous melodies rising up through the mix.…
*2024 stock. 40 copies limited edition* Kaset Hitam (Indonesian for “Black Cassette”) is Sjoerd Bruil. All tracks were recorded while being on the road in various busses and trains on a tour through France and the Benelux countries.
*200 hand-numbered copies limited edition* Lake Mary is the moniker of Chaz Prymek, a guitarist, composer, free improvisor and painter currently based in the US. Through spacious personal hymns exploring the wilderness of deep emotional narrative, Prymek’s long-form compositions and improvisations are boundless meditations on the landscapes, river ways, and wildlife, both external and personal. Perhaps most widely known as a founding member of the group Fuubutsushi, Prymek's work as Lake Mary le…
*300 copies limited edition* Clothilde’s new album sounds like a constant departure from almost everything. Up until now, her music pieces seemed uncontrolled, a total commitment to the machines. She was, somehow, in between us - listener, audience - and the idea of a machine producing sounds she doesn’t seem to control. Of course, none of this was entirely true, she was mostly in control, but the fantasy, the orchestration of it was beautiful. It was sci-fi-ish, Metropolis-magnificent. In “Cros…
Severed Heads are one of the longest standing bands to have emerged from the Australian post-punk and experimental scene. They began in Sydney in 1979, and were an early outfit to incorporate elements of 'industrial' noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed, song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Gary Bradbury and psychedelic guitarist Simon Knu…
Following up on 2021’s Scuro Chiaro, Nati Infiniti is a 40-minute piece split into five movements, based on an immersive audio installation that Cortini originally created for the Sónar Lisboa festival in 2022 where it was presented across four floors of the Museu de Lisboa’s Moagem. Cortini later debuted the live performance at Berlin’s Atonal festival in 2023, reimagining the work as a unique, evolving dialogue. The record is mixed by Grammy nominated recording engineer, producer, and mixer Ma…
From out of nowhere comes a unique collaborative album from Edvard Graham Lewis (Wire) & Mark Spybey (Zoviet France). Mixing lush electronic rhythms, sonic collage, ambient soundscapes and manipulated field recordings, these six compositions form an album with a strong identity. That this is such a vital and fertile partnership should come as no surprise. After all, both men have made careers out of creating confidently questing musics. Lewis with Wire, He Said, Hox, Dome etc. and Spybey with De…
Composer/poet Hans-Joachim Roedelius (Kluster, Cluster, Harmonia) is one of the most prolific musicians of the German avant-garde and a key figure in the birth of Krautrock, synthesizer pop and ambient music. Jardin Au Fou is his second solo album, originally issued in 1979 on France's Egg label, and produced by former Tangerine Dream member Peter Baumann. This record was all the more noteworthy as it bore no resemblance whatsoever to what was expected of avant-garde electronica and displayed no…