We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Drifts by Arp is an abstract ambient album drawing on collaborations with artists like Patrick Belaga, Marilu Donovan, and Takuma Watanabe, it blends piano, harp, strings, and modular synth into cinematic and elliptical compositions that explore the terrain between aftermath and renewal, inviting listeners into mapless, dreamlike space where intimacy and electricity converge.
Limited to 100 copies. RM is Lettera 22's Riccardo Mazza, who has just released the brilliant solo LP 'Unfit' on Ideal Recordings. On his 8mm debut Loki, RM continues slipping dark beats and sturdy rhythms into the mix, resulting in a cold, harsh-edged electronic flux. A fascinating and mysterious listening journey to a scary club environment.
Yutaka Hirose’s new album "Voices" is a visionary ambient journey—field recordings, spatial layers, and abstract narratives create immersive, transformative sonic worlds.
R. Seiliog returns with Dispatch All Gods, his fifth full-length release and a compelling evolution of his distinct approach to experimental electronics. Weaving field recordings, granular synthesis, and fractal sound design, the album forges immersive sonic landscapes, extending the post-genre explorations of his previous works while grounding them in the tactile textures of the Welsh countryside.
Bear Creek by Camp of Wolves is a spectral journey into the folds of memory—an electronic album steeped in nostalgia and tinged with a spectral melancholy. Drawing on organic sounds and homespun textures, the record crafts a deeply personal, woodsy soundscape that mirrors the confusion and warmth of childhood revisited in adulthood, embodying both bittersweet reverie and nocturnal introspection.
Separated from both its reputation and its sleeve art, the music of Muslimgauze explores the relationship of visual sensations -- space, color, depth, illusion -- to the listening experience. The music on Maroon is dub-like inspired techno music, laidback with voices appearing randomly in the mix. The thick drums and rich found sounds that densely populate the soundscapes on Maroon give materiality to the warm presence of the synth washes. The music is so layered and textured that it ceases to b…
Originally released in 1993. The reissue contains remixed material from »Shekel Of Israeli Occupation«, which did never appear. Also on there are two remixes from tracks on »Vote Hezbollah«. From the original press release: »For over ten years this solitary voice from Manchester has created a unique sound drawn from a melange of Arabic and European instrumental music. From the very beginning the music has been based on drums and other percussion instruments. Recent advances have been attained th…
Lazhareem Ul Leper by Muslimgauze certainly qualifies for its range of percussion instruments, atypical electronics, skillful de-construction of ethno-traditional music. In turn, said music is re-assembled with urban stylings with a technical deftness akin to the way a Shao-Lin monk wields weapons. Muslimgauze enthusiasts may recognize sounds from Izlamaphobia on the odd track as they were made roughly the same time, only Lazhareem is arranged differently and with more unique elements to form a …
Part of Staalplaat’s ongoing Muslimgauze archive series, Sycophant of Purdah was submitted in 1994 then “replaced” by another master Bryn Jones felt more fit for release. Sycophant then languished in the vaults until present, nearly a decade after Jones’ passing. It is no secret that Jones was a prolific artist and that numerous labels combined could not keep up with his output and will take several more years more for them to do so.
Sycophant opens with a radio broadcast on the on-going Palesti…
"Kashmiri Queens" presents a more accessible side of Muslimgauze, featuring a faster tempo and fewer sonic overtones than his previous endeavors. The music's core is rooted in drone and raga samples complemented by a rich array of ethnic percussions. All the standard Muslimgauze elements present here, but this release sees a more steady approach to his sound. Far less of the abrupt cutting in and out he had favoured for a good while, and more of a concentrated approach to the music. He lets the …
Big tip! *2025 repress* An early ‘80s ambient jazz gem from the archive of Manchester’s Kevin McCormick & David Horridge. In 1970, Kevin and David met whilst they were working in the Labour Exchange Office on Aytoun St, Manchester. Both played guitar and had been searching for other musicians who played atmospheric music. Kevin had been playing in small clubs in Manchester and David performed in a few local bands. One evening, they jammed together at Kevin’s family home, and quickly realized tha…
"Two years after he first appeared on Balmat with 1977, Mike Paradinas returns with 1979. The sense of continuity between the two records is clear, and not just from their titles. Both capture the Planet Mu head venturing into the wilderness, seeking something—half-formed memories, thoughts caught in midair—in some of the most abstract, searching music he has released. Just like 1977, 1979 surveys a synth-heavy array of ethereal soundscapes, ominous crevasses, and strange, psychedelic fugues. Li…
*200 copies limited edition* A few years in the making, Dauw finally announces the reissue of the humble bee’s quietly classic morning music. Now, for the first time, the remastered album is available on vinyl, presented as a double LP, alongside a digital edition.
Originally released in 2010 on Cotton Goods — Craig Tattersall’s own imprint — the extensive album was born from a simple yet committed daily practice: over the course of four weeks, Tattersall set aside an hour each morning — betwee…
2010 release ** "Canadian sound artist Steve Bates works with hi- and lo-tech instrumentation and equipment to produce a restrained, delicately abstract electronica. ”Everywhere Little Explosions” encapsulates his methodology: a two-note piano motif is looped and fed through distorting baby monitors and computer software until it becomes a sort of psych-fuzz mantra. Bates favours sounds that confound the ear by occupying the exact midpoint between the synthetic and the natural, such as the digit…
Knockout! Thrillingly arid, exploratory rhythm trips on a way more austere, isolationist tip than anything we’ve heard from Trjj/Trii/Trj/Tri previously. Sounds like Liima re-scoring Dead Man or some shit! The music was made for a student film that was in development for four years before being aborted when the directors realised they lacked either the chops or the budget or both to realise their vision. There were three substantially different scripts, but the basic setting stayed the same: “a …
*2025 stock* Mahti are a Finnish four-piece group presenting a unique mixture of ambient-rock, electronic music and traditional Finnish-Karelian music.
Lengthy semi-improvisational pieces are built on top of complex, hypnotic grooves which are layered with opaque guitars and strangely soothing noise elements. In the heart of it all there's kantele, an ancient Finnish string instrument played by Hannu Saha, who has studied Finnish folk music in theory and practice for nearly five decades.
The oth…
*2025 stock* Mahti are a Finnish four-piece group presenting a unique mixture of ambient-rock, electronic music and traditional Finnish-Karelian music.
Lengthy semi-improvisational pieces are built on top of complex, hypnotic grooves which are layered with opaque guitars and strangely soothing noise elements. In the heart of it all there's kantele, an ancient Finnish string instrument played by Hannu Saha, who has studied Finnish folk music in theory and practice for nearly five decades.
The oth…
Akhira Sano is a Tokyo-based artist working across sound, drawing, installation, and video. His practice finds generative potential for music in life's fleeting incidents, etching meaning from unassuming spaces and resonances. With releases on 12k, LAAPS, IIKKI, and The Trilogy Tapes, Sano has steadily carved out a distinctive voice within minimal and experimental music - one that privileges attentiveness and patience over spectacle.
"To Material Past", Sano's debut for SWIMS, carries this threa…
*100 copies limited edition* Dutch artist Sander van der Toorn returns to Kit Records, following his much-loved work with analogue-decayed folk duo Love is Yes, in 2024. While Sander's signature haze of tape-smeared synthesis and motorik guitar is ever present, "kom-kom" represents a departure from the elysian warmth of Love's debut. The industrial throb of tracks like 'FIVE' and 'Rainhum' bear the deconstructed hallmarks of krautrock pioneers Neu!, and even the dystopic glow of artists like Pla…
Signals Aligned is Lord Of The Isles’s fifth album and his second contribution to his own Dusk Delay imprint. Signals Aligned stands as a sonic testament to the intersection of science, spirituality, and the vast unknown. Inspired by pioneering theories on the nature of anomalous phenomena, viewing them not as extraterrestrial but as a complex, multidimensional enigma.
There’s a consistent theme of “discovery through distortion.” Truth is often obscured by layers of misinformation, disinformatio…