The Venerable Dark Cloud
1999 release ** Packaged in an oversized A5 folded paper sleeve with a plastic cover. "An ambient hybrid of traditional Indonesian soundscapes and electronics."
The Bees Of Psychic Province
2004 release ** CD held in an A5 wraparound card folder. "Kratong is a solo project of Jhonny, the guitarist of Romowe Rikoito (Prussia). All the nine tracks from "The Bees of Psychic Province" show us various musical inspiration of the artist. On this album you'll find songs inspired by the middle ages, neo-folk music, ambient passages and even a rhytmic electro. for me personal a masterpiece like all 3 Romowe Rikoito albums, but sometimes more electronic and very psychedelic; lyrics this time…
Electro-City
1996 release ** CD in a card sleeve held in an A5 wraparound card folder. "Quest is the project of Frans De Waard (member of Kapotte Muziek and Beequeen). Quest started as a solo project of Frans and was initially called QST, influenced by Pete Namlook and the output of the FAX label."
Crows Heading For Point Blank
1995 release ** Edition of 1000 hand-numbered copies. CD in a card sleeve held in an A5 wraparound card folder. "Anyone familiar with Eno’s brand of ambient music will feel right at home as Shean weaves droning pads of calming textures and various timbres throughout. About a third of the way through, slow tribal rhythms are introduced, providing a welcome change in tempo, if not in tone. A few atmospheric flourishes come and go, including what sounds like chatter at a subway train station. Overa…
Fluidities
2004 release ** "Fluidities is not your usual double CD, but rather an open ended project designed to generate many unique musical collaborations. The tracks on these two discs were designed so that any track on one CD could be combined with any track from the other CD to create a hybrid piece. In fact any two tracks on Fluidities can be played together to create new composite tracks that are, in effect, virtual collaborations between artists who may have never recorded together. For listeners w…
Ashigaru Revealed
2008 release ** "The latest work from one of the most prominent and outstanding Martial / Neoclassical European projects. Dedicated to warrior’s traditions of medieval Japan.Graceful and epic cocktail of atmospheric neoclassical passages, Japanese drums and rhythms. Digipak designed with a classical Japanese style."
![The Bunker Years [2006-2014]](https://cdn.soundohm.com/data/products/2025-05/R-14433460-1574443044-2868-jpeg.jpeg.500.jpg)
The Bunker Years [2006-2014]
2019 release ** "A sort of anthology that collects material recorded between 2006 and 2014. The album is titled, programmatically, The Bunker Years (2006-2014) and represents a bit of a "summa" of his art. Musically the album is wonderful: the settings are dense, magmatic and claustrophobic. It is a liquid, wavy and minimal sound that moves in electroacoustic and electronic territories. The initial “The Rule Of The Shadows” with its rumblings creates a bizarre and difficult to decipher acoustic…
Cablcar
Tip! Montréal based artist and maker of concrète electronic tape music, Jeremy Young will release Cablcar, an experimental suite of electronic sketches for magnetic tape and analog oscillators, on Toronto’s boundary pushing label, Halocline Trance. A member of poetry_sound duo Cloud Circuit, electroacoustic modern classical trio Sontag Shogun, and library music waveriders Associated Sine Tone Services, Young’s long-evolving solo practice makes use of a sine and square wave oscillator system, 1/4…
Rootless & Starbirthed
"This album has been a long time coming. We were lucky enough to do a tape in 2022 with Jeremy Hurewitz (aka Rootless) called what the truth leaves out. But this is the first time we’ve been able to work with long-time fave, Matt Lajoie, who appears with Ash Brooks as half of the no-longer-active duo, Starbirthed. The idea for this pairing was presented to us by Jeremy, who recorded the album at his cabin in southern Vermont in 2019. Jeremy’s Rootless project generally features at least a soupço…
Nothing Is What It Seems
2011 release ** "Last effort of 2011 for Gianluca Becuzzi this Nothing Is What It Seems, which is published at the end of the year by Silentes with a splendid graphic based on photos by Stefano Gentile and artwork by Andrea Marutti; Claudio Rocchetti completes the team of collaborators contributing with “sound objects” in a couple of tracks. All the rest (composition, production and mastering) is by Becuzzi. Nothing is as it seems tells us the title, and leads us to think that the sounds we hea…
![[In]visible Fields](https://cdn.soundohm.com/data/products/2025-04/R-2802921-1301727390-jpeg.jpeg.500.jpg)
[In]visible Fields
2011 release ** "Gianluca Becuzzi is an italian electronic / electroacoustic composer and sound artist active since the first half of the 80’s. He released many albums and performed live around Europe during the last three decades under various names. Since 1999, his artistic production is characterised by a strong experimental imprint and by a clear aesthetic inclination towards abstract forms and micro / macro noises / sounds. He deals with electronic / electroacoustic composition, sound art,…
Rust Voor De Stilte
1996 release ** "Rust Voor de Stilte" means "Quiet before the silence" and is inspired by fading memories and unattainable desires. "Rust Voor de Stilte" is music from the soul that speaks to the heart. Bittersweet strains reminiscent of music box melodies combined with elegant rhythms are just some of the elements that set this work apart from other contemporary ambient releases. Emmanuel Tuts-Schiemsky’s cool mixture of beauty and melancholic grace is a journey through experimental sounds.."
Untree
2008 release ** "The minimalism that Andrea Sartori had proposed to us some time ago, rich in live sound objects, field recordings in tune with ambient, returns deprived of the connection with the dancefloor in this beautiful album by Mou, lips!, a sonic creation by Andrea Gabriele. The proposal inevitably hooks up with the sandy drifts of Boards of Canada in the very hot incipit Non è colpa mia! to then move on to a meditative journey made of acoustic guitars (for INstruments), trumpets and cla…
Destructive Forces
2006 release ** "Debut of young czech project Anhedonia/ destructive forces, which is comming with technological soundtracks full of industrial bandages, supernatural athmospheres, which are over laping with hybrid rytmical structures and beautiful electronic. Unreally developed and inteligent item. Music that enchant and don't let breathe out.Project that is echo of sound of bands as Gridlock, Flint Glass, Polygon. Technologic revolution in the world of pulsating generators and noncomercional b…
Yugen
2019 release ** "Ten years after their first collaboration (“Into”, Silentes, 2009) KK Null and Deison are back together with “Yugen”*, a new work exploring darkness and controlled chaos thru deep and dense sounds. Pulsating and fractured electronics are mixed with an eerie atmosphere of clunks, broken tribal drums and hovering electronic tones."
We Bring Light
2011 release ** "Extreme and uncompromising electronic stimulations, vibrations and synthetic pulsations floating off, disturbing buzzes and algorithmic waves in expansion, fragmented and deconstructed Synthetic Chaos... But also hints of hypnotic unfinished musical sketches, clips of embryonic melodic sequences, fragments of human voices, oscillating electronic pads, distorsions, improbable synthetic clones of nature sounds and noises... An intransigent work of disturbing and destabilizing elec…
Quiet Songs From Misty Places
2011 release ** "Frail and delicate ambient atmospheres, clusters of rarefied piano notes lying on discreet drones, soft and evanescent clarinet riffs, suggesting and catching natural sounds... Light and ethereal pastel-coloured musical plots... Eight tracks, one hour of suspended and quiet sonic passages, flowing like discreet background, or to listen/see in a passionate mood, dreaming in silence, lying in gloom... Wonderful ambient stuff from these two Russian artists in the same vein of some …
Into
2009 release ** "Penetrating “Hi-tech” music, always on the border between sound,silence and noise… Splinters of sonic fragments, buzzings, electronic hisses, pulsations, hypnotic loops, ambient textures, sudden rays of light… A kaleidoscope of syntethic sounds and digital glitches, in a universe dominated by binary codes, that evolves through the cold-hearted control of sophisticated algorhythmic mutations programmed by human entities that already reached a level beyond the borders of our earth…
Time
2002 release ** “Lambent is one Akira Inagawa from Japan, currentely in Berlin. Akira started to play music while in art college in London, meeting the people from ‘Insine’ label and after moving to Berlin playing electronic music and being a hip-hop DJ. As Lambent he doesn’t use any computers, just samplers and synthesizers in a live approach. This is quite important to realize when you listen to this music, because once you know this, the music makes much more sense.”