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Electronic /

Saturn In The Mirror
Gerald Biggs developed Filthy Grin as a living sound journal to document explorations in the sonification of sculpture and body movement. Currently located in Montreal, over the past decade he has self-released a series of cassettes, performed as a member of Pigeon Religion, collaborated with various artists (J.S. Aurelius, James Fella, etc.) as a sound engineer, in live performances, and through sound design. Saturn In The Mirror collects two long appreciated pieces from many, many years ago, c…
III Hymne
First time LP reissue from the original 1985 master tapes on 180gr vinyl. Including liner notes. On 'III Hymne' Jean Hoyoux further explores the electronic instruments he also used on 'Planètes' which results in a marvelous album that in some way connects the dots between ambient, library, cosmic and spiritual music. Two years after his debut double LP 'Planètes' Jean Hoyoux recorded three new compositions in the home build studio, Madame Bois. In his later published book 'Noos, la naissance à l…
Don't Hold Onto The Clouds
Don't Hold Onto The Clouds is the fourth release on Kutiman's own record label Siyal following Space Cassava (2015), the White Monkey 7" (SYL 003EP, 2017), and 6AM (SYL 002CD/LP, 2016). In the era of the brand, Kutiman is an anomaly. A musician who's a video artist, a producer, an animator, and also the unwilling star of one of Israel's most successful recent documentaries, every one of his records contrasts with whatever it was that came before. But that's fundamental to his appeal: no one…
When the Past Arrives
Emboldened by the success of the recent reissue of It's Cosy Inside, Mark and Clive had a listen to hundreds of previously unreleased tracks recorded in the 70s and 80s to assemble their first new record in two decades, When The Past Arrives, out in March from Drag City / Yoga Records. With comparisons to Penguin Cafe Orchestra, Animal Collective, Cluster, and Brian Eno, Woo's profile in the world of atemporal music has been growing for years. For the lucky few who know, like Fela, or Neu!, Woo …
Ambient 2 The Plateaux Of Mirror
The second in Brian Eno's ambient series, The Plateaux of Mirrors fuses the fragile piano melodies of Harold Budd and the atmospheric electronics of Eno to create a lovely, evocative work. In sharp contrast to the exaggerated pieces found on his debut, The Pavilion of Dreams, this record finds Budd delivering sharp shards of piano notes pregnant with meaning and minimal in the best sense of the word. Eno's unobtrusive electronics add a resonance and atmosphere that draw from the ambient textures…
Spare Rooms
**Edition of 250** Following the release of Ambienti Coassiali’s Vol. 1 - Room 1-6 in 1988, the years and decades passed without another sound. For the few aware of them, it would have logically seemed that the project had been swallowed by the shadows of time. Then, in late 2017, came Spare Rooms, an incredible LP with clear conceptual links to the project’s debut - their first effort to emerge in 29 years. Issued by Artisti Del 900, the relaunch of legendary Italian imprint ADN, the album is n…
Consuelo
2018 release ** "“score” or inspiration for this CD was a solo concert of Burkhard Stangl at the Reheat festival at Kleylehof in 2014. The theme of the performance was the song Bésame Mucho by the Mexican composer Consuelo Velázquez.  Chesterfield then took the recording and recomposed it, and composed new pieces mixing everything with old and new recordings, home recordings, accidental recordings, live performances ... all Chesterfield from 2013 till now... a Chesterfield diary of songs, of noi…
Wherever You Go, I Will Follow
Jochem Peteri a.k.a. Newworldaquarium a.k.a. 154 blesses our 12x12 series (already home to releases by Kara-Lis Coverdale, Beatrice Dillon, Raime, DJ Sprinkles & SND and V/Vm) with his first new release in 14 years. His 'Strike' album under this alias remains unsurpassed in its field today, influencing everyone from Actress to Lee Gamble and Huerco S over the past decade and more, and it’s fair to say that this new LP beautifully lives up to that classic high water mark. In Wherever You Go, I Wi…
Musica Intuitiva
**Available in vinyl for the first time, edition of 200** Born in Lisbon (1932), Armando Santiago studied singing, piano and cello at the National Conservatory of Lisbon. In Italy he studied conducting with Hans Münch and Franco Ferrara, and in Paris he studied with Pierre Schaeffer at the ORTF Research Service. Fellow of the Governments of Portugal and Italy, he worked in Rome with Boris Porena and followed the course of Goffredo Petrassi in the Academy of Santa Cecília, obtaining the diploma o…
El Sol Desde Oriente (Selected & Unreleased Recordings 1980-90)
For a good number of Spanish musicians, attracting attention from somewhere outside of Madrid was a mission impossible for several decades. While the Movida Madrileña, commonly referred to as the “Madrid scene” in English, stirred things up and made front page news on the basis of new wave music, musicians that were on the fringe or directly beyond it had few platforms from which to be heard. Although Javier Segura has been recording music in his studio almost continuously since the 70's, his re…
The Rules Of The Game: Original Studio Recordings (1978-1996)
Into the Light Records continue to shine light on the undiscovered heritage of Greek electronic music, highlighting the work of prolific Greek composer George Theodorakis on the label's third archival release. "The Rules of the Game" features mostly unreleased studio recordings Theodorakis made between 1978 and 1996, with the addition of selected material taken from his sought-after 'Margo' and 'Sima' LPs.. George Theodorakis is the son of legendary Greek composer Mikis Theodorakis. Unlike…
Volume One
Pre-Echo Press present Beast, a new project and moniker from acclaimed sound/visual artist, Koen Holtkamp (Mountains). A somewhat radical departure from Holtkamp's previous working modes -- where sound has typically been treated as an edifice to be sculpted -- the works here are far more concerned with the generative possibilities of rhythm. The pieces on Beast developed out of Holtkamp's creation in 2016 of an audio-visual performance that centers on the physical properties of light via 3…
Voices Bloom
A distillation of cultural memory through electronic process, James Place - the creative guise of New York native Phil Tortoroli, returns with his third release for Umor Rex. The sonic realization of love and loss, re-sculpted for the Post-Modern age, pursuing his glacial take on techno into newly intimate depths. Departing from a line in TS Elliot’s Four Quartets “the moment in and out of time”, its works take form through the haze of a dream. Over the course of several months Tortoroli t…
Bei
The art of listening is something not only an attentive audience will acknowledge as a high value in music. It’s also the basis of an engaging collaboration and plays a key role in every duo’s encounter. While Henning Berg and Christoph Schmiedt already stand out in operating their respective instruments, their new record also shows that they master in paying attention and responding to one another’s approach simultaneously. As a result we’re treated with a charmingly spontaneous expression of m…
Ambient 1 (Music For Airports)
Brian Eno's pioneering Ambient album from 1978. Music for Airports is so delicate, lovely, and aesthetically moving, that it has been known to give rise to sensations of flying, being enfolded in warm blankets, or watching a vision take place in the heavens. If this sounds like an overstatement, you haven't heard the album. A four part 'piece' performed entirely on synthesizer and piano, Eno's composition finds a referent more in abstract painting (one visualizes bold blocks of colour in warm hu…
RE : EM
The brilliant Anna Zaradny's follows up her engrossing debut with this new EP featuring a sumptuous Fennesz rework of her New feat Old, following hot on the heels of Robert Piotrwicz's crushing side, Stara Szkola Ze Zlota, to remind us the ascetic, uncompromising brilliance of Polish experimental music at its best. On the front Zaradny utterly dominates the senses with a pulsating deconstruction of Stop the Chaos; originally a sub-3 minute rager, now distilled and expanded to three times the len…
Wizards
This CD reissue of JD Emmanuel's Wizards contains two tracks excluded from the original 1982 LP due to master tape problems. "Wizards was my first deep trance electronic music album. This album was inspired by Terry Riley, one of the earliest people ever to compose and perform long, extended, cyclic pieces in the electronic format. This music was composed and performed in '81 and '82. I consider this album my best work. The instrumentation is three Sequential Circuits PRO-1s, Crumar Traveler…
Glass Walking
Over the years the Menstruation Sisters have through a selective, but incredibly varied output of albums steadily built a reputation among music fans as a unique band. It was never a secret who the members of Menstruation Sisters were, yet the band's aura was shrouded in mystery and confusion, possibly because they would completely reinvent themselves with every new recorded statement. As a fan of the Menstruation Sisters you had to abandon everything you knew with each new piece of the puzzle.…
Untitled #274
Untitled #274 was composed by Francisco López and performed by Kasper T. Toeplitz at GRM Studios in Paris, France. Francisco López is internationally recognized as one of the major figures of sound art and experimental music. For more than thirty years he has developed an astonishing sonic universe, absolutely personal and iconoclastic, based on a profound listening of the world. Destroying boundaries between industrial sounds and wilderness sound environments, shifting with passion from th…
The Equatorial Stars
Totally essential LP re-release for the first collaboration between Robert Fripp and Brian Eno in over 30 years, that nearly equals the effuse beauty of their celebrated 70s works. "Ambient is a spacious, electronic music that is concerned with sonic texture, not songwriting or composing," says the All-Music Guide. That seems reasonable, although I suspect Brian Eno might take issue with the notion that his music is somehow unconcerned with composition. As with most musical definitions (and …